Gareth Matthews-John

The Socratic elenchus is a method of philosophical analysis which Plato largely dropped in his middle and later writings, with two exceptions, _Republic_ 1 and the _Theaetetus_. But it is a mistake to describe these as elenctic dialogues, which typically seek an analysis of a virtue in terms of necessary and sufficient conditions, by questioning some alleged expert about its essence. _Republic_ 1 does not follow this pattern: Thrasymachus fundamentally objects to such a procedure and the presuppositions underlying it, while Glaucon and Socrates turn to developing their own theories of justice. The _Theaetetus_ is likewise concerned with exploring and testing theories, in this case of knowledge. The Socratic elenchus cannot produce any philosophically interesting theories, let alone establish their truth, but at most refute them. As Plato increasingly sought out such theories, the kind of analysis at issue in the Socratic elenchus came to interest him less.

Readers who are introduced to philosophical analysis by reading the early Platonic dialogues may be puzzled to find that Plato, in his middle and late periods, largely abandons the style of analysis characteristic of early Plato, namely, the 'Socratic elenchus'. This paper undertakes to solve the puzzle. In contrast to what is popularly called 'the Socratic method', the elenchus requires that Socrates, the lead investigator, not have a satisfactory answer to his 'What is F-ness?' question. Here is the bind. Part of what motivates the elenctic inquiry is the natural assumption that one cannot identify F-things unless one has a satisfactory analysis of what it is to be F. But to test the adequacy of suggested analyses of F-ness one needs to be able to identify counterexamples. Together these two points present us with a 'catch-22', which is something the 'paradox of inquiry' in the Meno brings out. In the Theaetetus Plato makes clear that, although the elenchus, including Socratic ignorance, can refute philosophical theses arrived at by other means, it cannot, by itself, give birth to viable philosophical theses. Its legitimate role is therefore only propaedeutic

Before COVID-19, dementia singing groups and choirs flourished, providing activity, cognitive stimulation, and social support for thousands of people with dementia in the UK. Interactive music provides one of the most effective psychosocial interventions for people with dementia; it can allay agitation and promote wellbeing. Since COVID-19 has halted the delivery of in-person musical activities, it is important for the welfare of people with dementia and their carers to investigate what alternatives to live music making exist, how these alternatives are delivered and how their accessibility can be expanded. This community case study examines recent practice in online music-making in response to COVID-19 restrictions for people with dementia and their supporters, focusing on a UK context. It documents current opportunities for digital music making, and assesses the barriers and facilitators to their delivery and accessibility. Online searches of video streaming sites and social media documented what music activities were available. Expert practitioners and providers collaborated on this study and supplied input about the sessions they had been delivering, the technological challenges and solutions they had found, and the responses of the participants. Recommendations for best practice were developed and refined in consultation with these collaborators. Over 50 examples of online music activities were identified. In addition to the challenges of digital inclusion and accessibility for some older people, delivering live music online has unique challenges due to audio latency and sound quality. It is necessary to adapt the session to the technology's limitations rather than expect to overcome these challenges. The recommendations highlight the importance of accessibility, digital safety and wellbeing of participants. They also suggest ways to optimize the quality of their musical experience. The pandemic has prompted innovative approaches to deliver activities and interventions in a digital format, and people with dementia and their carers have adapted rapidly. While online music is meeting a clear current need for social connection and cognitive stimulation, it also offers some advantages which remain relevant after COVID-19 restrictions are relaxed. The recommendations of this study are intended to be useful to musicians, dementia care practitioners, and researchers during the pandemic and beyond.

The Socratic elenchus is a method of philosophical analysis which Plato largely dropped in his middle and later writings, with two exceptions, Republic 1 and the Theaetetus. But it is a mistake to describe these as elenctic dialogues, which typically seek an analysis of a virtue in terms of necessary and sufficient conditions, by questioning some alleged expert about its essence. Republic 1 does not follow this pattern: Thrasymachus fundamentally objects to such a procedure and the presuppositions underlying it, while Glaucon and Socrates turn to developing their own theories of justice. The Theaetetus is likewise concerned with exploring and testing theories, in this case of knowledge. The Socratic elenchus cannot produce any philosophically interesting theories, let alone establish their truth, but at most refute them. As Plato increasingly sought out such theories, the kind of analysis at issue in the Socratic elenchus came to interest him less.