George Dunn

René Girard's stance towards the Western philosophical tradition was somewhat ambivalent. On the one hand, he acknowledged that major philosophers had influenced him and had contributed valuable insights on questions of desire, religion, violence, and the sacred. On the other hand, he felt that Western philosophy often, if not always, neglected the founding violence that lies at the origin of culture. The relevance of this contention is the pivotal question of the two volumes of René Girard and the Western Philosophical Tradition. The chapters in these books engage the French anthropologist in a dialogue with key figures in the history of Western philosophy. Volume 1 features chapters on Plato, Augustine of Hippo, Niccolò Machiavelli, Thomas Hobbes, Blaise Pascal, Baruch Spinoza, Jean-Jacques Rousseau, Adam Smith, Immanuel Kant, Georg Wilhelm Friedrich Hegel, Friedrich Wilhelm Joseph Schelling, Alexis de Tocqueville, Søren Kierkegaard, as well as René Girard. Volume 2 features chapters on the pre-Socratics, Aristotle, René Descartes, Friedrich Nietzsche, Carl Schmitt, Martin Heidegger, Jean-Paul Sartre, Emmanuel Levinas, Simone Weil, Michel Foucault, Jacques Derrida, and Giorgio Agamben.

"Timed to publish in advance of the Joker sequel Joker: Folie a Deux, the volume will have at least two sections will be dedicated to chapters that take up questions raised by 2019's Joker and the Todd Phillips depiction in general. Chapters will also be sought on the many other iterations of the Joker. A number of high-profile philosophers have already written insightful pieces on Joker and the volume editors hope to solicit new essays from some of them. Joker is a symbolically rich and philosophically fascinating character. With his enigmatic motivations, infectious irreverence, and almost selfless devotion to evil, Joker's psychology is a puzzle that provokes a host of philosophical questions, ranging across issues of morality, human nature, the metaphysics of freedom, the nature of evil, political and social philosophy, aesthetics, and more"--

As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what’s “real,” the political psychology of heroes and villains, and what it means to be a “viewer” of Nolan’s films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan’s films provoke; exploring these questions yields its own reward.

From the standpoint of modern medicine, death is a failure—and one of the first things that we learn in the 2016 movie Doctor Strange is that Stephen Strange does not like to fail. Stephen Strange in many ways epitomizes the unflattering picture that the stereotypes paint of a spiritually desolate West. If the West is hyper‐rationalist and obsessed with subduing the forces of nature, the East of popular imagination is where one goes to gain the wisdom that begins with surrendering control and accepting the limits of reason. The philosopher Friedrich Nietzsche would say that the Hinterweltler's depiction of Dormammu and the nightmarish consequences of inviting him into this world reveal the hope for eternity to be grounded in a hatred of life. The sorcerer Kaecilius, rogue disciple and nemesis of the Ancient One, also aspires to “a world beyond time, beyond death”, where mortal beings can enjoy “eternal life as part of the one”.

The world of the Na'vi is much more feminine. Na'vi women are equal partners with their men and are just as capable as their male counterparts. And as the tsahìk (spiritual leader) of the Omaticaya clan, Neytiri's mother Mo'at exercises an unrivalled degree of power and influence due to her ability to interpret the will of Eywa, the Na'vi's female deity. Historically, women are the ones who have had the most intimate experience of care, since they have traditionally been the ones tasked with providing it for children, the sick, the disabled, and the elderly. The philosopher Sara Ruddick (1935–2011), one of the pioneers of care ethics, identified three activities at the core of what she calls “maternal work”: preserving the life of the child, fostering the growth of the child, and training the child for social acceptability.

This chapter talks about TV series character Veronica Mars who believes in the old school of thought of an eye for an eye. Logan Echolls has extracted the payment from Stosh “Piz” Piznarski by battering him bloody for the presumed crime of taping himself and Veronica. Vengeance is the quintessential passion of the victim. It's a visceral instinct, not a high‐minded aspiration. The essence of vengeance may be well captured in the image of Veronica's classmate Mandy, wild‐eyed and screaming as she repeatedly tasers dognapper Hans, whom she has pinned beneath her on the floor of the Neptune dog pound. The chapter also mentions that Neptune is a town without mercy, as it presents various instances of persons taking revenge for past sufferings. It also describes other episodes of the TV series entitled “Shut Up, Sane Veronica—I'm in Charge Now!” and “Do You Not Instinctively Fear Me?”.

Veronica inhabits a world that's swarming with bad or, at best, morally ambiguous characters, a world that's perhaps more like our own than many of us would care to admit. Most neighborhoods in Neptune are a lot swankier than the simulated prison on the Heart campus; they have ample creature comforts and generally pleasant surroundings. Philosophers have traditionally looked at factors like temperament and personality traits in their search for the causes of human wickedness. In this chapter, the author talks about Zimbardo's study that lends considerable support to the old adage that power corrupts. Serious moral reflection has an annoying habit of getting in the way of other things we want to do, like gratifying our desires and fitting in with others. That's why we have such a strong incentive to ignore the reproaches of conscience or to try to rationalize them away.

One of the first things people learn about Disney's Mulan is what a clever and resourceful young woman she is, a trait she shares with many Disney princesses. If Mulan fails to cultivate the virtues that correspond to her allotted role in her society, she fears that she might just “uproot the family tree,” not only because she might fail to find a husband and produce some of those highly sought‐after sons, but also because she will disgrace her family name. But to understand how that works, people need first to look at the significance of family in traditional honor‐based cultures and in traditional Chinese thought in particular. The idea of Mulan bringing honor or disgrace to her family through her actions, either matrimonial or military, is hard to square with the individualistic assumptions of modern Western thought.

The Black Mirror episode Rachel, Jack and Ashley Too features a social robot called Ashley Too. It's said to have the same personality as pop singer Ashley O and is marketed as a way for her fans to be “best friends” with their “favorite pop star.” This chapter considers whether a robot such as Ashley Too could be a desirable friend. After exploring the features a social robot must have in order for our interactions with it to feel like being with someone rather than just something, and outlining the classical conception of friendship as a school for virtue, this chapter concludes that Ashley Too is designed in such a way as to preclude her ever being a genuinely good friend.

Although Rousseau and his successors may have supplied J.T. with his vision for SAMCRO as a community dedicated to freedom from stultifying social conventions and institutions, it may be Hobbes who can best explain how the Sons of Anarchy lost their way and why their fall into violence was, as J.T. describes it, “inevitable”. Much of the violence the members of SAMCRO commit is motivated by nothing more than this primal instinct to protect oneself and one's “family” from harm. Prudence dictates that SAMCRO delays retaliation until they better understand Zobelle's game. Hobbes's term for this supreme governmental authority is the Leviathan, a name he borrowed from the biblical book of Job. From Hobbes's point of view, J.T. was a Son of Pride before he was a Son of Anarchy, for it was pride that planted in his mind that reckless aspiration for “liberation from shackles and restraint of government”.

“May the Force be with you” is a standard blessing and parting phrase exchanged by members of the Jedi Order and others in the Star Wars universe. The Star Wars saga is an epic tale of good versus evil, light versus dark, freedom versus tyranny, Jedi versus Sith, with the mysterious "will of the Force" rallying the armies of light in their war against the armies of darkness. The privation theory of evil offers a way to reconcile the goodness of the all‐encompassing Force with the reality of evil. The Force, binding both galaxies and living beings together, is the source of the measure, order, and form that make things good. One reason why the privation theory of evil does not fit well with the metaphysics of Star Wars is the simple fact that the Force, far from being absent whenever evil is afoot, is abundantly present.

A New Politics for Philosophy: Perspectives on Plato, Nietzsche, and Strauss presents meticulous readings of key philosophical works of towering figures from both the classical and modern intellectual traditions: Protagoras, Aeschylus, Xenophon, Plato, Nietzsche, and Leo Strauss. Inspired by the scholarship of Laurence Lampert, this international group of scholars explores questions of the nature or identity of the philosopher. The chapters touch on topics ranging from Plato’s Charmides, Aeschylus’ Prometheia Trilogy, Xenophon’s Hiero or Tyrannicus, Nietzsche’s Thus Spoke Zarathustra and Ecce Homo, Nietzsche’s Plato, whether Nietzsche thought of himself as a modern-day Socrates, philosophy’s relationship to science, the function of the noontide image in the center of Part IV of Nietzsche’s Zarathustra, a re-evaluation of the young Nietzsche’s break from the spell of Schopenhauer, the dramatic date of the conversation presented in Plato’s Republic, Leo Strauss’s account of the modern break with classical political philosophy, and Nietzschean environmentalism. The book also includes an interview with Laurence Lampert.

_“Brains before bullets” – ancient and modern wisdom for “mechanics and motorcycle enthusiasts”_ Essential reading for fans of the show, this book takes readers deeper into the Sons of Anarchy Motorcycle Club, the Teller-Morrow family, and the ethics that surround their lives and activities. Provides fascinating moral insights into _Sons of Anarchy_, its key characters, plot lines and ideas Investigates compelling philosophical issues centering on loyalty, duty, the ethics of war, authority, religion and whether the ends justify the means Teaches complex philosophical ideas in a way that’s accessible to the general interest reader in order to inspire them to further reading of the great philosophers Authors use their deep knowledge of the show to illuminate themes that are not always apparent even to die-hard fans.

Could the Chinese philosopher Confucius have supported Donald Trump? On its face, the Republican political agenda has much in common with some perennial themes of the Confucian tradition, such as the stress on strong families, the promotion of personal responsibility, the preference for a relatively closed and homogeneous society, and the desire to trim government expenditures. Also, like the Confucians, Trump has at least paid lip service to the idea of a government based on an aristocracy of talent. However, Trump lacks the virtues that Confucius regarded as necessary in a leader. Most notably, Trump lacks the virtue associated with proper respect for the rituals and rules of decorum that Confucius regarded as the foundation of good governance and a harmonious society. This failing represents a moral defect that not only disqualifies Trump for office, but also, from a Confucian perspective, imperils the stability of the social order.

During September 22–24, 2017, Zhejiang University hosted an International Symposium on the Theoretical and Practical Issues of Faiths in the Construction of the Community of Common Destiny for All Mankind in Hangzhou, China. In the course of this conference, six scholars from Germany, the United Kingdom, the United States, and China participated in an interdisciplinary panel discussion about “Spiritual Movements, Secret Societies, and Destructive Cults.” Covering such topics as the general spiritual situation of the contemporary world, the religious marketplace, the dangerous tendencies within some religious movements, and the role of the state in relation to religious communities, the discussion concludes with an examination of the conflict of Falun Gong with the Chinese government and the faults of the group’s leadership that brought the conflict to a head. The discussion offers a fruitful combination of theoretical insights and concrete case studies that provides a wide and deep purview of our present spiritual situation, setting forth both its dangers and its positive potential. This paper is a transcript of the panel discussion, with a brief introduction identifying its highlights.

Katniss Everdeen, die 16-jährige Heldin der "Tribute von Panem", ist mehr als eine Romanheldin. Ihr Schicksal veranlasst uns, über Dinge wie Autorität und Rebellion nachzudenken. Die postapokalyptische Welt von Panem zeigt uns eine Welt am Abgrund. Während ein Teil der Gesellschaft am Rande des Krieges steht und um das Überleben kämpft, gibt es auf der anderen Seite die Regierenden, das "Kapitol", das im Luxus lebt und Gefallen an einem alljährlichen grausamen Spiel findet, bei dem nur einer der ausgelosten Mitspielenden überleben darf. Die Helden der Trilogie (Katniss, Peeta und Katniss' Jugendfreund Gale) kämpfen mit schrecklichen Entscheidungen und moralischen Dilemmas - Grund genug, sich vor dem Hintergrund der Philosophie zum Beispiel mit Fragen wie diesen auseinanderzusetzen: - Sind normale moralische Regeln in der Arena überhaupt gültig? - Darf Unterhaltung auch gefährlich sein? Und wenn ja, warum kann es uns gefallen, anderen dabei zuzusehen, wie sie leiden? - Wie können wir zwischen Realität und Fiktion unterscheiden? - Kann Philosophie Katniss helfen, sich zwischen Peeta und Gale zu entscheiden? Das vorliegende Buch bedient sich der Lehren der bedeutendsten Philosophen, wie Platon, Aristoteles, Kant, Locke und Darwin, um einen tiefen Blick in die Geschichte und Themen der Bücher und Filme zu werfen: z. B. Opferung, Altruismus, moralische Entscheidungen, soziale Klassen und Geschlecht.

_A philosophical exploration of Suzanne Collins's _New York Times_ bestselling series, just in time for the release of _The Hunger Games_ movie_ Katniss Everdeen is "the girl who was on fire," but she is also the girl who made us think, dream, question authority, and rebel. The post-apocalyptic world of Panem's twelve districts is a divided society on the brink of war and struggling to survive, while the Capitol lives in the lap of luxury and pure contentment. At every turn in the Hunger Games trilogy, Katniss, Peeta, Gale, and their many allies wrestle with harrowing choices and ethical dilemmas that push them to the brink. Is it okay for Katniss to break the law to ensure her family's survival? Do ordinary moral rules apply in the Arena? Can the world of _The Hunger Games_ shine a light into the dark corners of our world? Why do we often enjoy watching others suffer? How can we distinguish between what's Real and Not Real? This book draws on some of history's most engaging philosophical thinkers to take you deeper into the story and its themes, such as sacrifice, altruism, moral choice, and gender. Gives you new insights into the Hunger Games series and its key characters, plot lines, and ideas Examines important themes such as the state of nature, war, celebrity, authenticity, and social class Applies the perspective of some of world's greatest minds, such as Charles Darwin, Thomas Hobbes, Friedrich Nietzsche, Plato, and Immanuel Kant to the Hunger Games trilogy Covers all three books in the Hunger Games trilogy An essential companion for Hunger Games fans, this book will take you deeper into the dystopic world of Panem and into the minds and motivations of those who occupy it.

Veronica Mars is a kick-ass private investigator, smart and street-wise. But what can her character tell us about larger life issues, such as knowledge and skepticism, trust and friendship, revenge, race, gender, and feminism? What makes her tick? And why is Logan such a sarcastic bad boy, anyway? _Veronica Mars and Philosophy_ features a thought-provoking collection of essays centered on philosophical issues brought forth in _Veronica Mars_, the critically acclaimed neo-noir detective series set in the fictional town of Neptune, California. Fans and newcomers alike will gain unique insights into the philosophical make-up of a hit show that tackled both crime and some of the larger mysteries of life. Introduces significant philosophical concepts that arise in the cult TV show, _Veronica Mars_ Tackles topics relevant to contemporary youth culture, including trust and friendship, revenge, knowledge and skepticism, race, class, gender, and feminism Offers insights into darker themes explored in the series, which is noted for the complexity and intricate plotting of its storylines Delves deeply into the psychology of Veronica Mars during her transition from high school to college Written for fans of the television show, philosophy students or readers interested in popular culture Timed for release with the highly anticipated _Veronica Mars_ feature film.

James Cameron’s critically acclaimed movie _Avatar_ was nominated for nine Academy Awards and received countless accolades for its breath-taking visuals and use of 3D technology. But beyond its cinematic splendour, can _Avatar_ also offer us insights into business ethics, empathy, disability, and the relationship between mind and body? Can getting to know the Na’vi, an alien species, enlarge our vision and help us to “see” both our world and ourselves in new ways? _Avatar and Philosophy_ is a revealing journey through the world of Pandora and the huge range of philosophical themes raised by James Cameron’s groundbreaking film Explores philosophical issues such as religion, morality, aesthetics, empathy, identity, the relationship of mind and body, environmental and business ethics, technology, and just war theory Examines a wide range of topics from the blockbuster movie, including attitudes toward nature, our responsibilities to nonhuman species, colonialism, disability, and communitarian ethics Written by an esteemed group of philosophers who are avid fans of _Avatar_ themselves Explains philosophical concepts in an enjoyable and accessible manner that will appeal to all levels of readers With a new trilogy of sequels now announced, this is the ideal entry point for understanding the world of Pandora for fans and newcomers alike.

The first look at the philosophical issues behind Charlaine Harris's _New York Times_ bestsellers _The Southern Vampire Mysteries_ and the _True Blood_ television series Teeming with complex, mythical characters in the shape of vampires, telepaths, shapeshifters, and the like, _True Blood_, the popular HBO series adapted from Charlaine Harris's bestselling _The Southern Vampire Mysteries_, has a rich collection of themes to explore, from sex and romance to bigotry and violence to death and immortality. The goings-on in the mythical town of Bon Temps, Louisiana, where vampires satiate their blood lust and openly commingle with ordinary humans, present no shortages of juicy metaphysical morsels to sink your teeth into. Now _True Blood and Philosophy_ calls on the minds of some of history's great thinkers to perform some philosophical bloodletting on such topics as Sookie and the metaphysics of mindreading; Maryann and sacrificial religion; werewolves, shapeshifters and personal identity; vampire politics, evil, desire, and much more. The first book to explore the philosophical issues and themes behind the _True Blood_ novels and television series Adds a new dimension to your understanding of _True Blood_ characters and themes The perfect companion to the start of the third season on HBO and the release of the second season on DVD Smart and entertaining_, True Blood and Philosophy_ provides food—or blood—for thought, and a fun, new way to look at the series.