Gina Zavota

This collection makes available, in one place, the very best essays on the founding father of phenomenology, reprinting key writings on Husserl's thought from the past seventy years. It draws together a range of writings, many otherwise inaccessible, that have been recognized as seminal contributions not only to an understanding of this great philosopher but also to the development of his phenomenology. The four volumes are arranged as follows: Volume I Classic essays from Husserl's assistants, students and earlier interlocutors. Including a selection of papers from such figures as Heidegger, Merleau-Ponty, Sartre, Ricoeur and Levinas. Volume II Classic commentaries on Husserl's published works. Covering the Logical Investigations , Ideas I , Phenomenology of Internal Time Consciousness , and Formal and Transcendental Logic . Volumes III and IV Papers concentrating on particular aspects of Husserl's theory including: Husserl's account of mathematics and logic, his theory of science, the nature of phenomenological reduction, his account of perception and language, the theory of space and time, his phenomenology of imagination and empathy, the concept of the life-world and his epistemology.

The central character of Denis Villeneuve's 2016 film Arrival, Dr. Louise Banks, is a linguist tasked with deciphering a logographic alien language in time to avert a seemingly impending global war. I argue that the alien heptapods' logographs exemplify the understanding of language advanced by Jacques Derrida in seminal texts such as Of Grammatology, while also engaging some of the themes concerning time and gift-giving that he develops in later, more explicitly political works. Derrida argues that written signifiers, rather than being a mere vehicle for representing speech, confer their own, supplemental meaning onto communication. Furthermore, he emphasizes that writing is not bound by the same linear temporality as spoken utterances, inasmuch as it is inscribed in a format which allows it to be revisited repeatedly. The significance of this disruption of linear temporality becomes clear in Derrida's later works such as Specters of Marx and On Cosmopolitanism, where he describes such disruption as a necessary condition for the type of political change he believes is needed in the world. The ability to experience time in a nonlinear fashion allows Banks to prevent the looming war, in an illustration of the connection that Derrida draws between time, violence, and politics. However, it also puts humanity in the heptapods' debt, thus exemplifying the paradox of genuine gift-giving that Derrida claims is impossible. Despite the complex ethical questions it invokes, however, the unique nature of the gift in Arrival signals that this gift might be a genuinely altruistic offering after all.

This dissertation is concerned with one of the central but most perplexing theories in Plotinus's metaphysics, namely the nature and origin of time. In contrast to those interpretations of Neoplatonism that treat time as an imperfect image and passive product of eternity, I argue for a much more subtle and multifaceted concept that makes the human observer central to Plotinus's account of how time is actualized and thus passes. His emphasis on mystical experience and the individual soul's journey toward the One and the realm of eternity strengthens this account. By reading the treatise On Eternity and Time in this light, I demonstrate the importance of embodied human consciousness for the Plotinian theory of time. ;This emphasis invites comparison with the one contemporary Continental thinker who devoted countless pages in both his published work and his manuscripts to the relationship between time and consciousness. In the second part of the dissertation I argue that the Husserlian and Plotinian subjects have analogous characteristics, in accordance with their parallel roles as sources of time, and that the Husserlian notion of omnitemporality offers the best way of understanding the internal connection between Plotinus's notion of eternity and his notion of actualization through human experience. At the same time, Plotinus challenges a phenomenological account by giving the eternal ontological priority over the human realm of temporality. Nevertheless, these intriguing affinities and oppositions suggest that Plotinus's theory of time and eternity can best be understood and even expanded by uncovering its phenomenological underpinnings

In this essay, I argue that the late ontology of Maurice Merleau-Ponty, in particular the system he began to develop in The Visible and the Invisible, can be conceived of as a form of Radical Enactive Cognition, as described by Hutto and Myin in Radicalizing Enactivism. I will begin by discussing Clark and Chalmers’ extended mind hypothesis, as well as the enactive view of consciousness proposed by Varela, Thompson, and Rosch in The Embodied Mind. However, neither Clark and Chalmers’ extended mind hypothesis nor the enactive view of consciousness advanced by Varela et al. are radical enough to fully capture Merleau-Ponty’s late ontology. Inasmuch as Hutto and Myin’s formulation combines features of the extended mind thesis and enactivism, and expresses both in a sufficiently radical fashion, it overcomes the deficits of both theories and can serve as a translation, so to speak, of Merleau-Ponty’s “ontology of the flesh” into contemporary terms. In particular, their formulation makes explicit several central aspects of his theory: the intimate, mutually constitutive relationship between perceiver and perceived world, the equal weight given to the contributions of perceiver and world within this relationship, and the displacement of representational content from its central position in the understanding of consciousness. It is thus the ideal vehicle for demonstrating some perhaps unexpected ways in which Merleau-Ponty’s thought is compatible with contemporary conversations concerning the nature of mind.