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Antiguos y modernos. Reelaboraciones filosóficas de la Querelle entre clasicismo e idealismo en AlemaniaIn Maximiliano Hernández Marcos, Estal Sánchez & Héctor del (eds.), Conceptos en disputa, disputas sobre conceptos, Dykinson. 2022.
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111Who’s afraid of Seneca? Conflict and pathos in the romantic-idealistic theory of tragedyEstetica 116 (Art and Knowledge in Classical G): 151-168. 2021.This paper reconsiders the Idealistic aesthetics of tragedy from an unconventional point of view. It investigates the relationship between theory and dramatic canon by focusing on those works and authors that are excluded from the canon by the theoretical discourse. My aim is to show that Idealist philosophers and Romantic critics concur in constructing a unitary model of the tragic conflict that is partly defined through its contraposition to the ‘Senecan’ conception of tragedy as a representat…Read more
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202The Aesthetics of Idealism. Facets and Relevance of an Aesthetic Paradigm. Introduction.Rivista di Estetica 81 (2022,3 The aesthetics of German): 5-15. 2022.1 More than two centuries later, the aesthetic reflection of Idealism does not seem to have lost interest in philosophical debate at all. It is a multifaceted interest, which has partly historical-conceptual reasons, since it was post-Kantian philosophy that first posed the problem of defining art in systematic and cognitive terms, and partly more genuinely theoretical ones, for instance the contemporary declinations of a typically Idealistic theme such as the socio-historical determination o...
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16The Role of Philosophy in Schiller’s PlaysIn Antonino Falduto & Tim Mehigan (eds.), The Palgrave Handbook on the Philosophy of Friedrich Schiller, Springer Verlag. pp. 405-422. 2023.Philosophical reflection is a constitutive element of Schiller’s dramatic production from its very beginning. This chapter reconstructs the different stages of the interaction between Schiller’s tragedies and philosophy, the turning point of which can be seen in his theoretical work inspired by Kant. In his early tragedies, philosophical themes enter directly into the dramatic construction: in Die Räuber, we find a philosophical anthropology and critique of materialism, whereas in Fiesco and in …Read more
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575Literature and action. On Hegel’s interpretation of chivalryRivista di Estetica 70 141-155. 2019.Literature plays a relevant role in Hegel’s philosophical discourse. On the one hand, literary references are often interwoven with his speculative argumentation, on the other hand, the Aesthetics regards poetry as the highest form of artistic expression, for it is able to represent the different ways of human action and to bring up their hidden ideal presuppositions. The aim of this paper is to show how the concept of action is crucial to the interpretation of literary phenomena in the Aestheti…Read more
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375Solgers Konzeption der IronieIn Gethmann-Siefert A. L. de Vos (ed.), Die geschichtliche Bedeutung der Kunst und die Bestimmung der Künste. - Hegels Berliner Ästhetikvorlesungen im Kontext der Diskussion um die Grundlagen der Philosophischen Ästheti, Fink. pp. 325-336. 2005.
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318Gewissen und Identität. Philosophisches zu Kleists Prinz von Homburg und Marquise von O.,In Simon Bunke (ed.), Gewissen zwischen Gefühl und Vernunft. Interdisziplinäre Perspektiven auf das 18. Jahrhundert, ed. by S. Bunke, Königshauesen Und Neumann. pp. 373-386. 2015.In the article I discuss the philosophical premises of Kleist's literary work, focussing on the relationship between his conception of moral conscience and Kant's ethics.
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60Karl Wilhelm Ferdinand Solger, Vorlesungen über Ästhetik (edited book)Felix Meiner Verlag. 2017.The first commented edition of K.W.F. Solger's Vorlesungen über Ästhetik (1819), edited by Giovanna Pinna
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630Hegel über das Porträt und die spezifisch moderne Konzeption des IdealsIn Ursula Franke & Annemarie Gethmann-Siefert (eds.), Kulturpolitik und Kunstgeschichte. Perspektiven der Hegelschen Ästhetik und des Hegelianismus, Felix Meiner Verlag. pp. 143-154. 2005.
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Pathos ed esistenza. La teoria della tragedia tra romanticismo e idealismoGiornale Critico Della Filosofia Italiana 12 (n/a): 405. 1992.
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Aesthetics of philosophy of art. Textual revisions and interpretation of Hegelian aestheticsGiornale Critico Della Filosofia Italiana 22 (3): 503-511. 2002.
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Ironia, negazione e creazione fantastica in KWF SolgerRivista di Estetica 27 (26-27): 170-189. 1987.
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363Zwischen Naturphilosophie und Anthropologie. Konzeptionen des Alters zwischen Aufklärung und RomantikIn Jörg Vögele, Johannes Siegrist, Hans-Georg Pott, Andrea von Hülsen-Esch, Christoph auf der Horst, Henriette Herwig, Monika Gomille & Heiner Fangerau (eds.), Alterskulturen Und Potentiale des Alters, Akademie Verlag. pp. 141-152. 2007.
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399Conflit et dialectique des sentiments dans la fiancée de Messine de SchillerLes Etudes Philosophiques 77 (2): 237. 2006.
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1450Il sublime romantico: storia di un concetto sommersoCentro Internazionale Studi di Estetica. 2007.That there is a connection between Romanticism and the sublime seems obvious, and it is indeed evident in the poetic, artistic, and musical production of European Romanticism as a whole. The sublime, as tension toward infinity, as elevation of the soul, and as experience of the absolute in nature, constitutes undoubtedly one of the characterizing features of the poetics of Romanticism. Much less known, however, is the theoretical reflection on the concept of the sublime, and in fact scholarship …Read more
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89Estetica e filosofia dell’arte: Revisioni testuali e interpretazioni dell’estetica hegelianaGiornale Critico Della Filosofia Italiana 22 (3). 2002.
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Pathos ed esistenza. La teoria della tragedia tra Romanticismo e IdealismoGiornale Critico Della Filosofia Italiana 12 (3): 405-421. 1992.
Giovanna Pinna
Università Del Molise
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Università Del MoliseDipartimento Di Scienze UmanisticheAssociate Professor
Areas of Specialization
Aesthetics |
19th Century Philosophy |