Giovanni De Ridder

In his recent book Waar geest is, is vrijheid [Where there is mind, there is freedom], Guus Labooy sets forth an original and intriguing argument, inspired by the work of John Duns Scotus, for substance dualism in the philosophy of mind. In this paper we argue that his argument, although worthy of serious attention, is under-supported. In section 2 we question the significance of the particular scotistic notion of freedom he uses in his argument, even though we agree with his premise that humans do possess freedom in the libertarian sense. In section 3 we argue that Labooy fails to make his key contention that significant freedom requires an irreducible immaterial soul sufficiently plausible. The key problem is that he does not consider the work of physicalists who also believe in libertarian freedom. In addition, it is not self-evident that an immaterial soul, as opposed to a physical body, can possess significant freedom. This requires argument. In section 4 we comment on Labooy’s specific conception of dualism and advise him to change it into a conception in which the soul — and not the composition of soul and body — is the human person, for the latter conception has absurd consequences.

Philosophers of science have by and large neglected technology. In this book, I have tried to do something about this lacuna by analyzing a few aspects of technical artifacts from a philosophical angle. The project was part of the research program "The Dual Nature of Technical Artifacts" based at Delft University of Technology in the Netherlands. Technical artifacts are both plain physical objects and objects that have been purposefully made for a purpose; which is to say they have a physical structure and a technical function. As a result, they belong equally in a purely physical conceptualisation of the world "in which human intentions and goals seem to have no place" and in an intentional conceptualisation, which is used to describe and understand people and their mental lives. My main goal was to find out how these two philosophically very different aspects of artifacts are related to one another. To achieve this goal, I looked at two contexts in which these aspects are regularly brought together in a systematic fashion. First, the context of design; design can be characterized as a transition from a desired function or goal to a physical structure. In particular, I have studied and analyzed the role of functional decomposition in design processes. The second context is the explanation of how artifacts are able to fulfill their technical function in virtue of their specific physical structure. The result of this part of the project is a general account of such explanations.