This article proposes an interpretation of the theatrical experience mobilising Alfred Schütz’s theoretical framework and conceptual tools. The text presents the accounts of some theatre operators (actors, directors, students in training, both amateurs and professionals) from whose words it is possible to seize, without forcing or over-interpretate them, the expendability, the relevance and the topicality of the Schützian thought and lexicon. Such an approach allows not only to question and inve…
Read moreThis article proposes an interpretation of the theatrical experience mobilising Alfred Schütz’s theoretical framework and conceptual tools. The text presents the accounts of some theatre operators (actors, directors, students in training, both amateurs and professionals) from whose words it is possible to seize, without forcing or over-interpretate them, the expendability, the relevance and the topicality of the Schützian thought and lexicon. Such an approach allows not only to question and investigate the phenomenological status of the artistic world but also to sketch a “dramatization” of the phenomenology of the social world proposed by the Viennese intellectual. In this perspective the text focuses on the processes of typification, sedimentation and reorganization of the stock of knowledge, on the structuring of the socio-spatio-temporal sphere and on the negotiation between expressed and interpreted meaning, in order to analyse how they work in the theatrical experience.
