Gregg Lambert

In A Thousand Plateaus, Deleuze and Guattari call for what they term a ‘pharmacoanalysis’ as an ancillary, but nevertheless related, component of schizoanalysis. Employing Spinoza's theory of affections, they argue that if desire is only the conscious idea of the effect of an external body on our own, then especially around the question of drugs psychoanalysis fails to provide an adequate idea of the real effective bodies that act on our bodies and our minds. Instead, it conceals these real and effective bodies behind a symbolic form that organises our ideas according to a consistent pattern of signification. In the case of certain drugs, moreover, desire bypasses a symbolic order and directly invests the perception and the perceived. A pharmacological investigation reveals real social and political consequences in that molecules, like individuals, are organised into living societies, and the drug can enter into one society in order to effect a change in composition, either by adding new relations or causing existing relations to decompose. This insight is then applied to the threefold illusion of consciousness, producing a more accurate analysis of the problem of addiction and a critique of the moral prohibition that usually determines the representation of illicit drugs, and at the same time, the ‘Oedipalisation’ of certain other drugs prescribed by the legal dealer, or clinical physician.

This article responds to the question of the ‘implicit and presupposed theological turn of phenomenology’ by providing a close reading of Jacques Derrida’s Le Toucher—Jean-Luc Nancy (2000 French/2005 English translation), particularly concerning what Derrida alludes to as ‘the Christian thinking of the flesh’ in the French phenomenological tradition post-Husserl. In reading Derrida’s own text, the article identifies and then performs a ‘cryptonomy’ of references to the ‘Christian body,’ and of the ‘return of religion.’ The article also focuses on the more recent writings of Jean-Luc Nancy, especially Corpus (2000 French), concerning the body and its relationship to the concept of corporality (Leiblichkeit) from Husserl’s Ideas II

A new translation of two essential works on Deleuze, written by one of his contemporaries. From the publication of Deleuze: A Philosophy of the Event to his untimely death in 2006, Francois Zourabichvili was regarded as one of the most important new voices of contemporary philosophy in France. His work continues to make an essential contribution to Deleuze scholarship today. This edition makes two of Zourabichvili's most important writings on the philosophy of Gilles Deleuze available in a single volume. A Philosophy of the Event is an exposition of Deleuze's philosophy as a whole, while the complementary Deleuze's Vocabulary approaches Deleuze's work through an analysis of key concepts in a dictionary form. This new translation is set to become an event within Deleuze Studies for many years to come. Key Features: Distinguishes Deleuze's notion of the event from the phenomenological, ontological and voluntarist conceptions that continue to lay claim to it today; With an introduction by Gregg Lambert and Daniel W. Smith, two of the world's leading commentators on Deleuze, explaining the key themes and arguments of Zourabichvili's work.

This article addresses the chapter in A Thousand Plateaus, “Year Zero: Faciality,” by examining Deleuze and Guattari’s proposal to “dismantle” the abstract machine that is responsible for producing the subject’s collective or group face. After examining the components of the abstract machine, including its relationship to visual perception and emotion from the perspective of American Ego Psychology, a comparison is drawn between faciality and Walter Benjamin’s earlier thesis of the reproducibility of certain kinds of images in a technological or modern media society. The article concludes by outlining the three-step program of “schizoanalysis” that Deleuze and Guattari proposed as the political objective of “dismantling the face.”

Gregg Lambert demonstrates that since the publication of _Proust and Signs_ in 1964 Gilles Deleuze’s search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Félix Guattari. Lambert, like Deleuze, calls this “the image of thought.” Lambert’s exploration begins with Deleuze’s earliest exposition of the Proustian image of thought and then follows the “tangled history” of the image that runs through subsequent works, such as _Kafka: Toward a Minor Literature_, _The Rhizome_, and several later writings from the 1980s collected in _Essays Critical and Clinical._ Lambert shows how this topic underlies Deleuze’s studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image—particularly in _The Time-Image_. Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of _What Is Philosophy? _By connecting the various appearances of the image of thought that permeate Deleuze’s entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy that has developed into a hallmark of the term “Deleuzian.” However, Lambert argues, this aspect of the philosopher’s vision has not been fully appreciated in terms of its significance for philosophy: “not only ‘for today’ but, to quote Nietzsche, meaning also ‘for tomorrow, and for the day after tomorrow.’”

This three-volume set is a collection of key critical responses by leading scholars to the philosophical and theoretical writings of this late postmodern philosopher. Organized thematically, the collection includes commentaries on Lyotard's life and early philosophical writings, as well as on ethics, aesthetics, and politics. With a new introduction by the editor providing a comprehensive overview of Jean-François Lyotards life and works, this impressive collection provides students and scholars with a valuable resource for studying this important philosophical figure.

Gregg Lambert examines two facets of the return to religion in the 21st century: the resurgence of overtly religious themes in contemporary philosophy and the global 'post-secular' turn that has been taking place since 9/11. He asks how these two 'returns to religion' can be taking place simultaneously, and explores the relationship between them. Lambert reflects on statements of these returns from contemporary philosophers including Alain Badiou, John D. Caputo, Jacques Derrida and Jean-Luc Nancy. He discovers a unique - and forboding - sense of the term 'religion' that belongs exclusively to our contemporary perspective.

The Elements of Foucault presents a critical study of Foucault's concept of method from the earlier History of Sexuality, Volume 1, to the last lectures on biopolitics and neoliberal governmentality. Gregg Lambert begins from the perception that Foucault's work has been erroneously perceived as fragmented and at odds with itself. To counter this widely held impression, Lambert breaks Foucault's thought down into its most basic elements (its statements, propositions, hypotheses, and figures) in order to understand its method and its own immanent rules of construction.