•  242
    Space and time in film
    British Journal of Aesthetics 27 (2): 169-177. 1987.
  •  121
    The creative process in art
    British Journal of Aesthetics 17 (3): 230-241. 1977.
    The article maintains, By appeal to documentary evidence relating to the creative processes of various artists, That the two major rival theories of the creative process--The "teleological" and the "propulsive" ("non-Teleological") theories--Are inadequate. Rather than always being goal-Directed or always propulsive, Creative processes exhibit a wide range of patterns. Six of them are considered. They range from works "which have been created without any, Or with scarcely any, (1) "vision" of th…Read more
  •  97
    The expression theory of art: A critical evaluation
    Journal of Aesthetics and Art Criticism 23 (3): 335-352. 1965.
  •  76
    On the nature of painting and sculpture
    British Journal of Aesthetics 14 (4): 326-343. 1974.
  •  74
    Compensation and reparation are two parts or forms of compensatory or corrective justice. This essay aims, first, to distinguish, define, and analyze these two forms as against distributive and penal justice; and, second, to provide a moral justification of a system or social practice of compensation and of reparation, drawing on the ideas of Aristotle, William Blackstone, Bernard Boxill, John Rawls, and James Sterba. Then, by applying the results of the analysis to the first genocide of the twe…Read more
  •  62
    What is rationality?
    Theoria 24 (3): 172-187. 1958.
  •  54
    Terrorism and Morality
    Journal of Applied Philosophy 5 (2): 131-145. 1988.
    ABSTRACT The paper addresses the fundamental issue of the morality of terrorism. It distinguishes four types of terrorism—‘predatory,’‘retaliatory,’‘political’and ‘moralistic’—and argues that in all of them terrorism (in a ‘descriptive,’value‐neutral sense of the word) is always wrong. After a short introductory section the paper considers in some detail the conceptual problem of defining ‘terrorism’. Next it considers the possible application to terrorism, with the necessary modifications, of t…Read more
  •  54
    Common names and "family resemblances"
    Philosophy and Phenomenological Research 18 (3): 341-358. 1957.
  •  43
    Family resemblances and the classification of works of art
    Journal of Aesthetics and Art Criticism 28 (1): 79-90. 1969.
  •  42
    Movement and action in the performing arts
    Journal of Aesthetics and Art Criticism 37 (1): 25-36. 1978.
  •  36
    Pacifism
    World Futures 21 (3): 263-278. 1985.
  •  35
    Frege on Concepts
    Theoria 22 (2): 85-100. 1956.
  •  34
    Vagueness
    Philosophical Quarterly 12 (47): 138-152. 1962.
  •  33
    Film as art
    Journal of Aesthetics and Art Criticism 33 (3): 271-284. 1975.
  •  30
    Some metaphysical presuppositions of science
    Philosophy of Science 22 (3): 194-204. 1955.
    In order to determine what are the metaphysical presuppositions of science, we have to first define the terms ‘presupposition’ and ‘metaphysics’ or ‘metaphysical’. We shall begin with the former.Arthur Pap in his article Does Science Have Metaphysical Presuppositions? discusses two senses of the term. A presupposition may be a necessary condition: p presupposes q, dt = p implies q, i.e. not-g implies not-p. a premise or a rule of inference used in deriving a belief. Thus in this sense, p presupp…Read more
  •  29
    Is the Principle of Double Effect Morally Acceptable?
    International Philosophical Quarterly 28 (1): 21-30. 1988.
  •  28
    Ambiguity
    Theoria 30 (3): 166-182. 1964.
  •  28
    Self-defense and the just war
    World Futures 20 (3): 151-178. 1985.
  •  26
    God, Happiness and Evil
    Religious Studies 2 (1). 1966.
    In a recent article, George Schlesinger adds his thoughts to the quite extensive literature on the Problem of Evil and the Problem of Suffering. What is noteworthy about this article is the fact that the author, after briefly discussing a number of familiar arguments for and against the traditional theistic conception of God as both omnipotent and perfectly good, attempts to dissolve the problem itself as a pseudo-problem. In the present paper I wish to try to show that Schlesinger's attempt fai…Read more
  •  25
    The Coherence Theory of Truth: A Critical Evaluation
    with Alan R. White
    Philosophical Quarterly 13 (50): 85. 1963.
  •  25
    Movement and action in film
    British Journal of Aesthetics 20 (4): 349-355. 1980.
  •  24
    Just ethical punishment
    Journal of Value Inquiry 16 (1). 1982.
    THE PAPER ANALYZES THE NATURE, FORMS AND PURPOSE OF JUST ETHICAL PUNISHMENT, LAYING DOWN THE NECESSARY CONDITIONS FOR IT. THEY INCLUDE: (1) SELF-ADMINISTRATION OF PUNISHMENT; (2) PROPORTIONALITY OF PUNISHMENT (DEPRIVATION OF VALUES, MENTAL PAIN, ETC.) TO THE VICTIM’S DEPRIVATION OF VALUES AND HIS PAIN; (3) NON-INFLICTION OF PHYSICAL PAIN OR MENTAL CRUELTY; AND (4) THE PUNISHER’S MORAL ENTITLEMENT (AND PROPER EXERCISE OF THE RIGHT) TO PUNISH THE OFFENDER. THE CONCLUDING SECTION CONSIDERS WITTGENS…Read more
  •  24
    Art and the Aesthetic, An Institutional Analysis
    Noûs 13 (1): 113-117. 1979.
  •  24
    Art-Names and Aesthetic Judgments
    Philosophy 36 (136). 1961.
    In an earlier paper I have attempted to show, among other things; that the names of human artifacts and man-devised activities and processes involve in their uses the notion of some end-in-view, function, or use , which partially regulates these uses. In this paper I shall limit myself to a somewhat detailed discussion of one very important class of such common names which requires a separate treatment. I mean art-names
  •  24
    “Intrinsic” and “instrumental” good: An untenable dichotomy (review)
    Journal of Value Inquiry 4 (3): 172-190. 1970.
  •  23
    Gestures as Self-Expression and Communication
    International Philosophical Quarterly 11 (2): 153-164. 1971.