Iulian Apostolescu

For Husserl, the phenomenological epoché is primarily methodological, allowing access to the structures of transcendental consciousness by way of suspending worldly influence. This chapter will demonstrate how this methodological principle is rethought as political in the work of Bernard Stiegler. For Stiegler the epokhé is both the suspension of existing social systems, and a moment of critical redoubling, where the source of disruption is integrated into a new ‘epoch’. In particular it will be shown how Stiegler develops this double understanding of the epokhé through his reading of retentionality as found in the lectures On the Consciousness of Internal Time to develop an understanding of the epochal framing of temporality by technics. By drawing connections between this version of retentionality and the pharmacological character of technics, as simultaneously poisonous and curative, the political stakes of the epokhé lie in the need to fight the poisonous aspects of epochal suspension.

This edited volume offers a comprehensive view of various possible phenomenological approaches of the experience of love, ranging from classical historical perspectives up to contemporary and critical viewpoints. It explores both the crucial importance of the question of love for the history of phenomenology as well as the rich potential of phenomenology for a deeper insight in the experience of love and its various dimensions, such as its affective, relational, but also ethical and religious aspects.

The essays presented in this issue focus on the phenomenological investigation of religious phenomena. Scholars belonging to different phenomenological traditions address the following groups of questions in order to describe the structure that makes a phenomenon religious.First, is it actually possible to talk about religious experience? In this issue we decided not to give a final answer but, rather, to refer to religious experience as the religious structure of phenomena. In fact, the main question that informs our current contributions is: Could there be a phenomenology of religious experience?Second, we would like to ponder what different forms of phenomenological investigations can add to the description of...

In this contribution we first sketch an outline of the concept of lifeworld (_Lebenswelt_), to introduce the readers to the guest-edited collection of essays _Varieties of the Lifeworld: Phenomenology and Aesthetic Experience_, special issue of the “Continental Philosophy Review.” We trace back the origin of the concept of lifeworld to Husserl’s late phenomenology, although also explaining (on the basis of the careful historical-conceptual reconstructions offered by some distinguished scholars of Husserl and the phenomenological movement) that the development of Husserl’s phenomenology of the _Lebenswelt_ was gradual and was connected, among other things, to the question of the natural world of experience. Then, quickly referring to Gadamer, Landgrebe, Fink and other authors belonging to the phenomenological tradition, we explain that different interpretations of the topic “Lifeworld” in Husserl’s thinking have been provided: In our view, this contributes to the fact that still nowadays this topic is a fascinating and philosophically stimulating one. Finally, making reference to more recent works by such authors as Figal, Gallagher, Zahavi and Shusterman (a pragmatist philosopher, whose somaesthetics is nonetheless very rich in insights that can be connected to phenomenological views of the body and its place in the world), we emphasize how the question concerning the lifeworld is still capable today to open a great variety of perspectives and plurality of paths for thinking, as testified by the essays collected in this guest-edited special issue of the “Continental Philosophy Review.”

Bringing together established researchers and emerging scholars alike to discuss new readings of Husserl and to reignite the much needed discussion of what phenomenology actually is and can possibly be about, this volume sets out to critically re-evaluate the predominant interpretations of Husserl’s philosophy, and to adapt phenomenology to the specific philosophical challenges and context of the 21st century. “What is phenomenology?”, Maurice Merleau-Ponty asks at the beginning of his Phenomenology of Perception – and he continues: “It may seem strange that this question still has to be asked half a century after the first works of Husserl. It is, however, far from being resolved.” Even today, more than half a century after Merleau-Ponty’s magnum opus, the answer is in many ways still up for grasp. While it may seem obvious that the main subject of phenomenological inquiry is, in fact, the subject, it is anything but self evident what this precisely implies: Considering the immense variety of different themes and methodological self-revisions found in Husserl’s philosophy – from its Brentanian beginnings to its transcendental re-interpretation and, last but not least, to its ‘crypto-deconstruction’ in the revisions of his early manuscripts and in his later work –, one cannot but acknowledge the fact that ‘the’ subject of phenomenology marks an irreducible plurality of possible subjects. Paying tribute to this irreducible plurality the volume sets out to develop interpretative takes on the phenomenological tradition which transcend both its naive celebration and its brute rejection, to re-articulate the positions of other philosophers within the framework of Husserl’s thought, and to engage in an investigative dialogue between traditionally opposed camps within phenomenology and beyond.