Iwan Williams

An important part of the explanatory role of concepts is that they enable us to combine a wide variety of objects, properties and relations in thought, with contents spanning diverse domains. I discuss an argument that appears to show that paradigmatic non-linguistic representational formats are unsuited to play this role, and thus conceptual representation could not occur in these formats. I show that this argument fails, because it overlooks the possibility of individual concepts being shared between a number of special purpose representational systems. Demonstrating this requires defending the possibility of cross-format redeployment of concepts.

Beat perception has received very little attention from either philosophers of mind or philosophers of music. This neglect is unfortunate, for the topic is rich with philosophical interest. This article addresses two questions. The first concerns the nature of our experience of musical beat. Here, we argue that experiences of beat are forms of auditory perception. The second question concerns the nature of musical beat itself: what are beats? We defend a form of anthropocentric realism about beats: beats are mind‐independent properties of sound sequences whose nature can be understood only in relation to our perceptual capacities.