J Zong Zhang

As the first dictionary of philosophy in East Asia, Neo-Confucian Terms Explained constructed for the first time a category system of Neo-Confucianism and incorporated annotation methods as an important part of it. The book contains two volumes: Volume I is the learning toward inward sagehood, including the Mind-and-Heart Theory and the Theory of Morality (or the Theory of Method); Volume II is the learning of governing, including the theory of Neo-Confucian Principles, the theory of Education and criticism against heresy. In terms of the interpretation of categorical relations, the discussions in this book range from the boundary and connections between different categories and the complicated categorical relations.

During the 1940s, Zhang Junmai was a leader of the China Democratic Socialist Party and an important figure of the socalled third force in the struggle between the Chinese Communist Party and the GMD. Zhang kept himself informed about discussions on human rights in the West and the work in progress in the United Nations on the Universal Declaration of Human Rights. During the 1940s, Zhang discussed human rights in the magazines Zaisheng and Minxian. He introduced and translated discussions on human rights in the West, such as the declaration of human rights adopted by the French organization Ligue des Droits de l'homme in 1936, and a human rights manifesto written by H.G. Wells in 1939. Both these declarations were fairly radical in nature and called for economic rights, including the right to subsistence

In recent years, studies on Wang Fuzhi's theory of poetics have tended to emphasize his depiction of circumstantial relationships. After reading Wang Fuzhi's theoretical writings on poetry, this author has come to believe that the proposition, "Poetry and music derive from the same principle" [shi yue zhi li yi],1 is also one of the fundamental perspectives in Wang Fuzhi's theory of poetry and song-making. Wang Fuzhi clearly described the relationship between poetry and music as one in which "music and poetry take each other mutually for essence and for usage" [yue yu shi xiang wei ti yong zhe ye]2 and "poetry and music take each other mutually as external [expression] and internal [substance]" [shi yu yue xiang wei biao li].3 Thus, in his view, music is the essence and the internal for which poetry is a usage and an outward expression. Since Wang Fuzhi has placed such emphasis on the intrinsic connection between poetry and music, and because he considered music to be the essence of poetry, we are obliged to give this theory our greatest attention.

The mind thoughts of Wang Yangming come from long-term moral and spiritual practices. After the knowledge and action are honed, they fall on the level of conscience. In the early years, Yangming paid close attention to the mind. With the help of the concentrated observation amendments of law in Buddhism, Yangming looked at the ideas that have been developed and not developed from the perspective of the doctrine of the mean. Yangming believes that the essence of the dynamic mind is natural. Therefore, it realizes the subtle purity of the mind from keeping one and settling down and from pure to spontaneous. At the same time, Yangming believes that the depth of Tao has a charm that is different from ordinary consciousness. However, Yangming criticized Buddhism for obtaining the silence of the no mind and the immobile mind through the practice of emptiness. Contrarily, Yangming paid more attention to the experience of "light" in moral practice, which made Confucianism standardize the practice of knowledge and action to the practice of mindfulness and doing instead of being in vain. The paper explored the philosophy of mind of Wang Yangming from three dimensions: one mind, no mind, and Mindfulness.

Confucius is considered to be a great philosopher and educator in Chinese society and one of the greatest scholars ever in world history. He was the founder of Confucianism, which constitutes a major part of traditional Chinese culture and made tremendous contribution to the unfolding of Chinese civilization over the centuries. In this study, the authors have presented a comprehensive outline of Confucianism and have attempted to gauge the attitude of contemporary Chinese people towards Confucian concepts, values and attributes as well as their influences on the social lives of present-day Chinese population. The Likert Scale was applied in the study to assess the attitude of the Chinese educated class belonging to the educational institutions like the universities in Beijing towards Confucianism. It was found from the survey that the Confucian concepts still wield substantial influence on the social outlook of the modern-day Chinese people and these attributes are still relevant in the day to day lives of the Chinese society. Philosophy and Progress, Vol#61-62; No#1-2; Jan-Dec 2017 P 109-132.