Janet McIntosh

This paper analyzes the practice of writing inscriptions on munitions, termed “bomb mail,” with a focus on inscriptions on artillery shells used in the Ukraine–Russia conflict and in Israel’s bombardment of Gaza. To better understand bomb mail’s enigmatic appeal, I examine its uncanny and quasi-magical affordances. First, through the medium of writing, bomb mail offers the inscriber a form of distributed personhood that extends into the weapon. Second, in bomb mail, violence becomes a vehicle for augmenting verbal meaning, while the words’ meanings are inseparable from the violence itself. This intertwining may contribute to the impression that bomb mail possesses a kind of spell-casting power. Third, bomb mail gives rise to an uncanny enemy other, a target shaped by an uneasy simultaneity of humanizing and dehumanizing stances. Working in tandem, these three qualities make bomb mail compelling and encourage cosmopolitan militarism among civilians, while embodying a form of political communication that shuts dialogue down altogether.

The language used by American military personnel can be intense and confrontational, yet the relationship between language and military violence is rarely examined in depth. This groundbreaking book offers a unique perspective on how language facilitates the work of combat infantry-the state's killable killers. Through vivid ethnographic research, Janet McIntosh meticulously traces the nuances of military “kill talk” as it permeates the vast nervous system of the military, from the first exposure to yelling in Marine Corps basic training to the dark humor and nihilistic expressions found in war zones in Vietnam and the Middle East. McIntosh reveals how military trainers use language to deindividuate, toughen, and masculinize recruits, while infantry soldiers develop distinct linguistic repertoires and attitudes to suppress empathy, dehumanize and racialize the enemy, cope with loss, and dwell in a moral gray zone. Kill Talk also addresses national debates over language use in a diverse world, exploring tensions between calls for sensitivity and restraint in military speech and the perception that these can threaten national security. The book highlights the contradictions between the rhetoric of military honor and moral integrity and the harsh, sometimes depraved, language of combatants, suggesting that these paradoxes enable military violence yet contribute to moral injury. It concludes with an exploration of veteran poets and artists who have found innovative ways to use language and other forms of expression to critique military institutions and begin the process of demilitarizing their psyches.

This article examines the blunt conceptual instrument of dehumanizing American military terms for the enemy in the context of the Vietnam War and the Global War on Terror. I examine language that dehumanizes American service members themselves, who are semiotically framed as expendable. Next, I explore the essentialist, semi-propositional qualities of derogatory epithets for the enemy and the affectively charged, deadly stances they encourage. I examine how generic references to the enemy during training make totalizing claims that risk encompassing civilians in their typifications. And I show that, in the context of war, the instability of derogatory epithets can manifest itself when the servicemember is confronted with the behavioral idiosyncrasies and personal vulnerabilities of actual ‘enemies’ on the ground. The putative folk wisdomfound in generic references to the enemy can thus fall apart when confronted with countervailing experience; in such cases, service members may shift stance by renouncing military epithets. (Military language, epithets, slurs, generics, othering, dehumanization, necropolitics)