Jean-Pierre Cavaillé

Only rarely does Descartes deal with specifically political questions, and then when he does so, it is only by denial, to justify his refusal to “become involved” in politics. All the texts show that this attitude of rejecting politics is not dictated primarily by prudence, the rule in this century of intolerance, but by a concern for philosophical consistency. This denial, as we will be attempting to establish, seems conditioned by fundamental options of Cartesian philosophy. For the moment we will only examine the theoretical effects of this refusal to write about politics other than by denial; such effects seem to us to consist in the exclusion of politics outside the realm of knowledge and its problematic inclusion into that of morality. And although it has been possible to speak of a “political Descartes”, it is completely against his stated intentions. This Descartes would be political in spite of himself. In fact, such an approach can only consist in a political interpretation of this denial, in a political reading of the texts that reject, or more often pass over in silence, politics as such. Although a reading of this kind can be at best a hazardous one, we will not attempt to challenge its legitimacy, for it is certainly possible to affirm that the work of Descartes is ridden and wrought by the question of politics (just as all philosophical thought, in one way or another, must of necessity confront political reality), but it is not without importance to begin by noting that it is never touched upon other than indirectly, obliquely, through the use of theoretical devices whose finality is not political.

Toute situation de persécution a des effets sur les actions, les discours et les écrits de ceux qui en sont les victimes. Ce postulat conduit à une lecture critique de quelques - uns des traits saillants et des présupposés de « art d ' écrire entre les lignes », dont traite Leo Strauss dans son fameux essai Writing and Persecution. Le double constat de la pertinence de la méthode de lecture proposée et de son caractère problématique, inhérent à l ' anthropologie élitiste qui sous - tend la démarche, conduit à revenir sur l ' histoire de la notion de persécution, pour en mettre en évidence la forte connotation religieuse, mais aussi l ' importance philosophique, à condition d ' assumer clairement le jugement éthique qui s ' y trouve engagé. Une étude de l ' écriture en régime de persécution devient alors possible, qui ne renie pas l ' inspiration straussienne, mais va plutôt chercher ses outils dans les sciences sociales contemporaines. Any persecution situation has effects on the actions, discourses and writings of its victims. Such a postulate leads to a critical reading of a few features and assumptions of an « art of writing in - between the Unes » Leo Strauss deals with in his famous essay Writing and Persecution. The twofold report of the relevant reading method and of its problematic character, inherent to the elitist anthropology underlying such an approach, leads to resume to the history of the concept of persecution such as to stress its strong religious connotation, but also its philosophical importance, provided one should fully acknowledge the ethical judgment thus implied. A study of writing in persecution regime thus becomes possible not denying the Straussian inspiration but rather trying to find new tools in contemporary social sciences.

Dans les années 1650, l’Angleterre fut le théâtre d’une longue série d’exhibitions prophétiques et protestataires, d’hommes et de femmes nues en des lieux publics (rues, églises, universités...), provoquant le scandale et l’incompréhension de la plus grande partie du public. Ces femmes et ces hommes allaient nus « as a sign », renouvelant ainsi un épisode de l’Ancien Testament (Ésaïe 20.2-3) pour dénoncer la « nudité » spirituelle de ceux devant lesquels ils s’exhibaient. Cette pratique visait à montrer ce que Dieu était sur le point de leur infliger : une mise à nu, un dépouillement complet de tous leurs biens, pouvoirs et prérogatives sociales. Une approche genrée de ces exhibitions de nudité éclaire les enjeux théologico-politiques et sociaux d’un phénomène qui accompagna la naissance et le développement du mouvement quaker et se prolongea jusqu’en Nouvelle-Angleterre.