Jerrold R. Caplan

Bernard Williams turns not to philosophy, but to poetry--to archaic and fifth century Greece--as the source of the Greeks' ethical world. His declared aim is to understand the poets as poets, not as philosophers. At first blush this seems problematic. Can we take seriously the notion of a responsible moral agent in a world where the forces of supernatural necessity, fate, and luck make mortals seem like divine playthings? It is in this context, however, that Williams investigates the role of tragedy and its place in Greek society, thus paying homage to his teacher at Oxford, Eric Dodds, author of The Greeks and the Irrational. Williams discusses specific agents in specific circumstances--Ajax bent on self-destruction, Oedipus ignorant of the pollution of his actions, Agamemnon in a fit of madness about to murder his daughter, Achilles fully aware of his chosen fate, and others--in order to display people who make decisions and act on them. He attempts to show that the foundations of our ethical views, rooted in conceptions of agency, responsibility, shame, and necessity, are already present in Homer, thus silencing the claim of certain modern moralists that the Homeric characters are childish and incapable of true morality.

Plato is the first philosopher to see courage as primarily a philosophical virtue. This innovation, the necessary link between courage and philosophy, stands in stark opposition to the traditional view linking courage with military or civic affairs. Plato makes courage so central to the life of philosophy that this fact alone sets him apart from almost every other author in the western philosophical canon. Courage of a new type, philosophical courage, emerges in his writings, a kind of courage necessary for and configured to the philosophical life. ;The Introduction presents an overview of the pre-philosophical development of courage from Homer to Thucydides in order to prepare the transition to the Platonic understanding. Chapter One discusses the Laches, the most extensive Platonic text on courage. Chapter Two takes up the Protagoras, which discusses the issue of knowledge and its relation to courage. Chapter Three turns to the Republic and argues that whereas the highest civic activity is characterized by a desire for honor, whose psychological basis is thumos, the life of philosophy is essentially erotic. Thus, thumos and eros are connected respectively to two distinct types of courage and the move from thumos to eros is the key to explaining the move from courage in the conventional sense to philosophical courage. ;Philosophical courage implies faith in the abiding power of reason to shed light on how to face ignorance, evil, and injustice with the conviction that the remedy is philosophy itself. Plato's account of the life of philosophy is, in its very essence, characterized by philosophical courage as an enduring commitment to the project of showing that the good is the ruling principle of the universe. Philosophy remains, therefore, a quest and philosophical courage is the virtue needed to endure in that quest. Philosophical courage sustains the life of philosophy, the striving after wisdom, by maintaining the conviction of the ultimate goodness of such a life in the absence of complete and comprehensive knowledge. If the life of philosophy represents the highest human activity, then the type of courage associated with this life is correspondingly highest