Joanna Hodge

This is a comprehensive investigation into the theme of time in the work of Jacques Derrida and shows how temporality is one of the hallmarks of his thought. Drawing on a wide array of Derrida's texts, Joanna Hodge: compares and contrasts Derrida's arguments concerning time with those Kant, Husserl, Augustine, Heidegger, Levinas, Freud, and Blanchot argues that Derrida's radical understanding of time as non-linear or irregular is essential to his aim of blurring the distinction between past and present, biography and literature, philosophical and religious meditation, and the nature of the self explores the themes of death, touch and transcendence to argue that if considered under the theme of temporality there is more continuity to Derrida's thought than previously considered.

Heidegger and ethics is a contentious conjunction of terms. Martin Heidegger himself rejected the notion of ethics, while his endorsement of Nazism is widely seen as unethical. This major new study examines the complex and controversial issues involved in bringing them together. By working backwards through his work, from his 1964 claim that philosophy has been completed to _Being and Time_, his first major work, Joanna Hodge questions Heidegger's denial that his enquires were concerned with ethics. She discovers a form of ethics in Heidegger's thinking which elucidates his important distinction between metaphysics and philosophy. Against many contemporary views, she proposes therefore that ethics can be retrieved and questions the relation between ethics and metaphysics that Heidegger had made so pervasive.

Heidegger and ethics is a contentious conjunction of terms. Martin Heidegger himself rejected the notion of ethics, while his endorsement of Nazism is widely seen as unethical. This major new study examines the complex and controversial issues involved in bringing them together. By working backwards through his work, from his 1964 claim that philosophy has been completed to _Being and Time_, his first major work, Joanna Hodge questions Heidegger's denial that his enquires were concerned with ethics. She discovers a form of ethics in Heidegger's thinking which elucidates his important distinction between metaphysics and philosophy. Against many contemporary views, she proposes therefore that ethics can be retrieved and questions the relation between ethics and metaphysics that Heidegger had made so pervasive.

This is a comprehensive investigation into the theme of time in the work of Jacques Derrida and shows how temporality is one of the hallmarks of his thought. Drawing on a wide array of Derrida's texts, Joanna Hodge: compares and contrasts Derrida's arguments concerning time with those Kant, Husserl, Augustine, Heidegger, Levinas, Freud, and Blanchot argues that Derrida's radical understanding of time as non-linear or irregular is essential to his aim of blurring the distinction between past and present, biography and literature, philosophical and religious meditation, and the nature of the self explores the themes of death, touch and transcendence to argue that if considered under the theme of temporality there is more continuity to Derrida's thought than previously considered.

This piece offers a response to Michel Serres’s Relire le relié (Citation2019) by way of a series of interruptions, which release unexpected meanings from the trinitarianism of Father, Son, and Holy Spirit. It considers the problematics of translating the title into English as Religion: Rereading What is Bound Together (2021), and connects the discussion back to themes from two earlier texts, The Parasite (Citation1980) and the conversations with Bruno Latour, Éclaircissements (Citation1992), as well as to a modalization of interference in Serres’s Hermès II (Citation1972). This series of interruptions and interferences consider the hybrid, pagan, and Christian nature of Serres’s religious inheritance and legacy. Understated, and awaiting discovery, is a connection between Hestia and Aphrodite, and between the woman caught in adultery, whom a crowd of learned men seek to stone, with whom the text opens, and Mary, the mother of God.

This essay locates Jean-Luc Nancy's analyses, developed in relation to three invented terms, expeausition, excription, sexistence, in a threefold context: between Immanuel Kant on experience and Heidegger on existence; with Derrida on rethinking life and death ( lavielamort); and as a response to the alteration in phenomenology consequent on a transposition of key themes out of the German speaking context of the analyses of Husserl and Heidegger into the French language context of the French reception. An intensification ( survie) of life forces may arrive in a ‘living on’ ( survivre) where thought processes only partially brought to expression in the lifetimes of their originators acquire precision and definition in moments of extremity, danger and horror, adding a fourth dimension to the initial three.

Encrypted in Derrida’s contribution to the Capri Seminar on Religion in 1994 are three retrievals: of his discussions of speech and of systems of inscription; of a concealment of splittings in the supposed continuities of traditions; and of a complicity between the operations of religion and those of a dissipation of the unities of science, Enlightenment, and knowledge, into proliferating autotelic tele-technologies. These retrievals take place between the lines of this discussion of faith, knowledge and religion, which arrives in two halves, each in twenty-six sections. The first half arrives in italics, as spoken on the day, and ends by invoking Voltaire on toleration and a contrast between Christianity as Institution and Christianity as the legacy of Jesus and the Apostles. The second half, appended as a written supplement, with footnotes, is signed and dated April 26, 1995. Husserl’s epoche arrives as recurrent performance, challenging the unity of Heidegger’s Ereignis; contrasting modes for the arrival of futurity are invoked in a juxtaposition of the names: Kant, Hegel, Husserl, Heidegger, and Bergson, thus providing more than two sources for Derrida’s meditations on religion.

Adorno develops critiques in parallel of the phenomenologies of G. W. F. Hegel and of Edmund Husserl. While respecting their differences, he rehearses conjoined objections to their accounts of philosophy, and of progress, of history, and of nature. Critical of Hegel’s idealist dialectics, and of Husserl’s transcendental idealism, Adorno also in his readings of their texts reveals a textual materiality of their philosophical enquiries, which provides material evidence in support of his critique. This essay seeks to reveal the dynamic of this process, and show certain parallels with results supplied in the phenomenological enquiries of Michel Henry, and in the deconstructions of Jacques Derrida. If an epoch may still be captured in the concept, then the negative dialectical conceptuality developed by Adorno must capture a condition common to that epoch, and, in part, shared by other such thinkers.