John Caputo

John D. Caputo explores the very roots of religious thinking in this thought-provoking book. Compelling questions come up along the way: 'What do I love when I love my God?' and 'What can Star Wars tell us about the contemporary use of religion?' (are we always trying to find a way of saying 'God be with you'?) Why is religion for many a source of moral guidance in a postmodern, nihilistic age? Is it possible to have 'religion without religion'? Drawing on contemporary images of religion, such as Robert Duvall's film _The Apostle_, Caputo also provides some fascinating and imaginative insights into religious fundamentalism.

John D. Caputo explores the very roots of religious thinking in this thought-provoking book. Compelling questions come up along the way: 'What do I love when I love my God?' and 'What can Star Wars tell us about the contemporary use of religion?' (are we always trying to find a way of saying 'God be with you'?) Why is religion for many a source of moral guidance in a postmodern, nihilistic age? Is it possible to have 'religion without religion'? Drawing on contemporary images of religion, such as Robert Duvall's film _The Apostle_, Caputo also provides some fascinating and imaginative insights into religious fundamentalism.

I characterize Merold Westphal’s synthesis of Christian faith and postmodern philosophy as an “epistemological” or “methodological,” postmodernism, one that sees postmodern thought as describing certain limits upon human understanding while leaving open the question of how things are in the nature of things, that is, how things are understood by God. Postmodernism (unless it waxes dogmatic) is not denying God, but only that we are God. In a characteristically postmodern way, Westphal has found it useful to limit knowledge in order to make room for faith, in the tradition of Kant, where these limits are historical and linguistic rather than ahistorical and apriori. In the second half of this paper, I advance the notion that postmodernism cuts deeper than epistemology and makes questionable certain features of the self and God.

The issue of the institution is not addressed systematically anywhere in the literature on Foucault, although it is everywhere to be found in Foucault's writings._ Foucault and the Critique of Institutions_ not only interprets the work of Foucault but also applies it to the question of the institution. Foucault is a master at analyzing the web of social relations ("power") that effectively shape ("normalize") the modern individual. While these social relations are smaller and finer than institutions, institutions are, by Foucault's account, saturated with such relations. This study is the first sustained account to follow up the implications of Foucault's provocative theses about power for the analysis of institutions. _Foucault and the Critique of Institutions _offers a set of preliminary essays that raise basic questions about the theoretical character of Foucault's thought and then several groups of other essays that go on to take up the practical issues raised by his work. Joseph Margolis and Jitendra Mohanty address one of the most complex problems posed by Foucault's texts: his status as a philosopher. Mark Poster explores the problem of the "self" in Foucault, while Judith Butler focuses her searching investigation of the self on its gendered nature. Joseph Rouse examines the functioning of the natural sciences within the institutional setting of the university and the academic profession, while Chuck Dyke and Mary Schmelzer present vigorous critiques of the normalizing power of the university. Robert Moore and Mark Yount offer original studies of the implications of Foucault's work for the workplace, labor law, and affirmative action. Finally, John Caputo studies Foucault's famous history of madness and raises the question of the possibility of exercising a "healing" and not merely a "normalizing" power in the mental hospital and the church.