John Lysaker

A new ethics of human finitude developed through three experimental essays. As ethical beings, we strive for lives that are meaningful and praiseworthy. But we are finite. We do not know, so we hope. We need, so we trust. We err, so we forgive. In this book, philosopher John T. Lysaker draws our attention to the ways in which these three capacities—hope, trust, and forgiveness—contend with human limits. Each experience is vital to human flourishing, yet each also poses significant personal and institutional challenges as well as opportunities for growth. Hope, Trust, and Forgiveness explores these challenges and opportunities and proposes ways to best meet them. In so doing, Lysaker experiments with the essay as a form and advances an improvisational perfectionism to deepen and expand our ethical horizons.

Brian Eno's Ambient 1: Music for Airports is a seminal album in the history of electronic music. Using Deleuze and Guattari's notion of the assemblage, I explore the album's compositional structure as well as its ambient function, by attending to specific tracks and locating the album in musical history, particularly relative to the work of John Cage, La Monte Young, and Steve Reich. In an extended discussion of its ambient function, I argue that the LP offers music for reverie that is capable of initiating processes of potential self-transformation.

Many with schizophrenia find social interactions a profound and terrifying threat to their sense of self. To better understand this we draw upon dialogical models of the self that suggest that those with schizophrenia have difficulty sustaining dialogues among diverse aspects of self. Because interpersonal exchanges solicit and evoke movement among diverse aspects of self, many with schizophrenia may consequently find those exchanges overwhelming, resulting in despair, the sensation of fusion with another, and/or self-dissolution. In short, compromised dialogical capacities may be a contributing factor to social dysfunction in schizophrenia.

Gambits and gambles -- Iron filings -- Pardon the interruption -- Content and form -- Form and content -- In the beginning was the deed -- Reworking making -- Deliberate writing -- Mistaking instrumental reason -- Fits and starts -- A cultivar -- Quotation beyond quotas -- For examples -- In nuce -- Irony -- Message in a bottle -- The hour of the wolf -- It's the gesture that counts -- Furnishing the space of reasons -- A struggle with ourselves -- Who's on first -- Every one is everybody -- The secret addressee -- When we undo things with words -- Unknown friends -- Resoundingly reticent -- Provocation/demonstration -- Among the pros (and cons). A: "O my friend, there are no friends" ; B: "At least we've got each other" -- Then came history -- Equal to the moment -- Unequal to the moment -- After Beauvoir -- Property is theft -- Strange alchemy -- Public commitment -- Propagation without propaganda -- Bit by bit -- Taking stances -- Character studies -- Where do we find ourselves.

Some poems can change our lives; they lead us to look at the world through new eyes. In this book, inspired by Martin Heidegger—who found in poetry the most fundamental insights into the human condition—John Lysaker develops a concept of ur-poetry to explore philosophically how poetic language creates fresh meaning in our world and transforms the way in which we choose to live in it. Not limited to a single poem or collection of poems, ur-poetry arises when, in the interaction of an author's principal tropes, the origin of poetry is exposed as a process whereby words with inherited meaning take on a new poetic life that draws our attention to the "birth of sense"—the manner in which the manifold realities that surround us are revealed. And it is precisely through an experience of the birth of sense that we are able to understand and dwell differently among these realities. To demonstrate ur-poetry in action, the book frequently refers to such poets as Akhmatova, Ammons, Celan, Mandelstam, and Stevens, but it focuses on the work of Pulitzer Prize winner Charles Simic. By addressing the nature of human existence, the origins of sense, and the significance of history in and for human action, Lysaker argues that Simic's writing exemplifies the import that poetry can have for how we understand and live our lives

In general, current biomedical models of schizophrenia focus on distinguishing discrete elements that, on their own or in combination with others, might lead to some form of disability. These different and potentially autonomous aspects of the disorder that might disrupt daily activities include positive and negative symptoms as well as disturbances in neurocognitive and psychobiological processes. Such disturbances include genetic vulnerabilities that increase the risk of abnormalities in brain development, and resultant neurocognitive deficits which interfere with the ability to carry out specific tasks.These approaches to schizophrenia, which have...

Amid its romantic excesses such as "[t]o believe your own thought, to believe that what is true for you in your private heart, is true for all men,—that is genius" (Porte 2001, 121), Emersonian individualism remains a living project, one we would do well to understand more thoroughly and pursue more rigorously. To aid in this recovery, I will, in a translating repetition of Emerson's thought that engages a range of texts, offer eight theses that any successful reconstruction of individualism must embrace.

Through a critique of Richard Rorty, I develop a program of self-creation. While Rorty rightly encourages ironic and poetic redescriptions, his feel for this work is disembodied and context-blind. In contrast, I propose an institutionally situated and full-bodied creative exercise which contextually reworks central tropes. Rorty's position is also overly privatized. This hinders 'public' discourse and imprisons marginalized persons within institutionalized identities. Self-creation should not be a solely 'private' affair. Rorty's public/ private distinction has some merit, however. We should, on the whole, primarily treat self-creation as a 'private' endeavor. The end of self-creation should not be legislation. Instead, we should dethrone disempowering identities and reconstruct new ones beyond the reach of policy debates. If we do so, we will proceed with greater sophistication, stability and radicality than would otherwise be the case. This in turn will produce richer selves and offer novel resources to works of 'public' reconstruction. Key Words: community • Dewey • identity • Rorty • self-creation.

How do I live a good life, one that is deeply personal and sensitive to others? John T. Lysaker suggests that those who take this question seriously need to reexamine the work of Ralph Waldo Emerson. In philosophical reflections on topics such as genius, divinity, friendship, and reform, Lysaker explores "self-culture" or the attempt to remain true to one's deepest commitments. He argues that being true to ourselves requires recognition of our thoroughly dependent and relational nature. Lysaker guides readers from simple self-absorption toward a more fulfilling and responsive engagement with the world

The ongoing task of self-discovery, which I figure as self-finding, following Emerson, is integral to the human condition. While its results are always fragmentary, self-finding also conducts the currents of life in ways that establish conditions for our lives and those of others. This activity is mistakenly constrained by Charles Taylor, who argues that it remains tied to moral space. Charles Scott’s work shows how moral space can be found in a manner that suspends the necessity of moral space and generates new possibilities.