John Wood

Recent work on the philosophy of G.W.F. Hegel has emphasized his interest in skeptical concerns. These contemporary scholars argue that, despite common opinions to the contrary, Hegel actually had a very keen interest in skepticism, one that informed and motivated much of his overall project. While I welcome this recent literature, I argue here that contemporary scholars have overemphasized the importance of skepticism for Hegel. By looking closely at Hegel’s arguments against skepticism in the Phenomenology of Spirit, I argue that Hegel’s anti-skeptical arguments are in fact major failures. Hegel’s failure is at odds with the emphasis that contemporary literature places on Hegel’s interests in skepticism. For a philosopher who was supposedly centrally concerned with skeptical issues, Hegel sure does not act like it. I conclude that the tension here is the result of contemporary scholars’ overemphasis of the role that skepticism plays in Hegel’s project.

The Virtual Embodied is intended to inform and provoke. It juxtaposes cutting-edge theories, polemics, and creative practices to uncover ethical, aesthetic and ecological implications of why, how and in particular where, human actions, observations and insights take place. It refuses simply to hold a euphoric view of technology yet equally resists the apocalyptic scorn which surrounds the new. The contributors use a range of interdisciplinary strategies to point to a re-worked aesthetic for embodying knowledge and explore such areas as colonialism and the internet, the virtual unconscious in electronic systems, theatre as a virtual space, 'information' and the capitalist society, ecstatic bodies and the rave scene, desire and the 'virtual comfort' zone. In The Virtual Embodied many of the authors, artists, performers and designers apply their interdisciplinary passions to questions of embodied knowledge and virtual space.