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Jonathan Chaves

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  • All publications (10)
  •  4
    Another Chinese Connection with Chersterton
    The Chesterton Review 33 (1-2): 414-415. 2007.
  •  72
    Lu You
    with Michael S. Duke
    Journal of the American Oriental Society 99 (2): 326. 1979.
  •  91
    The Columbia Book of Later Chinese Poetry: Yüan, Ming, and Ch'ing Dynasties (1279-1911)The Columbia Book of Later Chinese Poetry: Yuan, Ming, and Ch'ing Dynasties
    with J. D. Schmidt
    Journal of the American Oriental Society 109 (3): 497. 1989.
    Chinese Neo-Confucianism
  •  90
    Wu Li (1632-1718) and the First Chinese Christian Poetry
    Journal of the American Oriental Society 122 (3): 506-519. 2002.
    Chinese Philosophy: Topics, Misc
  •  93
    G. K. Chesterton on the Boards Again!
    The Chesterton Review 37 (1/2): 258-260. 2011.
  •  133
    Pilgrim of the Clouds, Poems and Essays from Ming China
    with William Schultz and Yuan Hung-Tao
    Journal of the American Oriental Society 101 (2): 235. 1981.
    Chinese Philosophy: TopicsContemporary Chinese Philosophy
  •  582
    Soul and Reason in Literary Criticism: Deconstructing the Deconstructionists
    Journal of the American Oriental Society 122 (4): 828. 2002.
  •  22
    The Chinese Painter as Poet
    Art Media Resources. 2000.
    This exhibition explores the poetry-painting relationship in Chinese art, the Ways in which the relationship manifested in visual art and the common themes that have inspired painters and poets throughout Chinese history, from the Jin Dynasty (1115 - 1234) through the 20th century. The 36 artworks features paintings, calligraphy, woodblock printed rare books and objects with inscribed poems. Western examples are also presented to enable comparison to be drawn. Bringing anothor important point of…Read more
    This exhibition explores the poetry-painting relationship in Chinese art, the Ways in which the relationship manifested in visual art and the common themes that have inspired painters and poets throughout Chinese history, from the Jin Dynasty (1115 - 1234) through the 20th century. The 36 artworks features paintings, calligraphy, woodblock printed rare books and objects with inscribed poems. Western examples are also presented to enable comparison to be drawn. Bringing anothor important point of view to the study of Chinese painting and demonstrating that the linking of poetry and painting transcends the cultural borders between East and West and between China and Japan, this volume shows how that union, an ancient tradition, remains viable among artists today.
    Chinese Philosophy: Topics
  •  81
    Mei Yao-ch'en and the Development of Early Sung Poetry
    with William H. Nienhauser
    Journal of the American Oriental Society 98 (4): 529. 1978.
  •  129
    Singing of the Source: Nature and God in the Poetry of the Chinese Painter Wu Li
    with Stuart Sargent and Wu Li
    Journal of the American Oriental Society 115 (3): 517. 1995.
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