Jonathan Solis

Do you dream in color? If you answer Yes, how can you be sure? Before you recount your vivid memory of a dream featuring all the colors of the rainbow, consider that in the 1950s researchers found that most people reported dreaming in black and white. In the 1960s, when most movies were in color and more people had color television sets, the vast majority of reported dreams contained color. The most likely explanation for this, according to the philosopher Eric Schwitzgebel, is not that exposure to black-and-white media made people misremember their dreams. It is that we simply don't know whether or not we dream in color. In Perplexities of Consciousness, Schwitzgebel examines various aspects of inner life and argues that we know very little about our stream of conscious experience. Drawing broadly from historical and recent philosophy and psychology to examine such topics as visual perspective, and the unreliability of introspection, Schwitzgebel finds us singularly inept in our judgments about conscious experience

Traditionally, pronouns are treated as ambiguous between bound and demonstrative uses. Bound uses are non-referential and function as bound variables, and demonstrative uses are referential and take as a semantic value their referent, an object picked out jointly by linguistic meaning and a further cue—an accompanying demonstration, an appropriate and adequately transparent speaker’s intention, or both. In this paper, we challenge tradition and argue that both demonstrative and bound pronouns are dependent on, and co-vary with, antecedent expressions. Moreover, the semantic value of a pronoun is never determined, even partly, by extra-linguistic cues; it is fixed, invariably and unambiguously, by features of its context of use governed entirely by linguistic rules. We exploit the mechanisms of Centering and Coherence theories to develop a precise and general meta-semantics for pronouns, according to which the semantic value of a pronoun is determined by what is at the center of attention in a coherent discourse. Since the notions of attention and coherence are, we argue, governed by linguistic rules, we can give a uniform analysis of pronoun resolution that covers bound, demonstrative, and even discourse bound readings. Just as the semantic value of the first-person pronoun ‘I’ is conventionally set by a particular feature of its context of use—namely, the speaker—so too, we will argue, the semantic values of other pronouns, including ‘he’, are conventionally set by particular features of the context of use.

The standing tradition in theorizing about meaning, since at least Frege, identifies meaning with propositions, which are, or determine, the truth-conditions of a sentence in a context. But a recent trend has advocated a departure from this tradition: in particular, it has been argued that modal claims do not express standard propositional contents. This non-propositionalism has received different implementations in expressivist semantics and certain kinds of dynamic semantics. They maintain that the key aspect of interpretation of modal claims is the characteristic dynamic effect they have on the context. I argue that pessimism about truth-conditions arises from an overly simplistic picture of content, context and their interaction. While I agree with the critics that an important aspect of modal meaning is the dynamic effect modals have on the context, I argue that they have mischaracterized the nature and the complexity of this effect. A more nuanced account of the interaction between modals and context shows that far from being incompatible with propositional meaning, the dynamic aspect of meaning is precisely what allows us to predict the correct propositional content of an utterance.

Recently, there has been a shift away from traditional truth-conditional accounts of meaning towards non-truth-conditional ones, e.g., expressivism, relativism and certain forms of dynamic semantics. Fueling this trend is some puzzling behavior of modal discourse. One particularly surprising manifestation of such behavior is the alleged failure of some of the most entrenched classical rules of inference; viz., modus ponens and modus tollens. These revisionary, non-truth-conditional accounts tout these failures, and the alleged tension between the behavior of modal vocabulary and classical logic, as data in support of their departure from tradition, since the revisionary semantics invalidate some of these patterns. I, instead, offer a semantics for modality with the resources to accommodate the puzzling data while preserving classical logic, thus affirming the tradition that modals express ordinary truth-conditional content. My account shows that the real lesson of the apparent counterexamples is not the one the critics draw, but rather one they missed: namely, that there are linguistic mechanisms, reflected in the logical form, that affect the interpretation of modal language in a context in a systematic and precise way, which have to be captured by any adequate semantic account of the interaction between discourse context and modal vocabulary. The semantic theory I develop specifies these mechanisms and captures precisely how they affect the interpretation of modals in a context, and do so in a way that both explains the appearance of the putative counterexamples and preserves classical logic.

That philosophy is an outlier in the humanities when it comes to the underrepresentation of women has been the occasion for much discussion about possible effects of subtle forms of prejudice, including implicit bias and stereotype threat. While these ideas have become familiar to the philosophical community, there has only recently been a surge of interest in acquiring field-specific data. This paper adds to quantitative findings bearing on hypotheses about the effects of unconscious prejudice on two important stages along career pathways: tenure-track hiring and early career publishing.

We can see ruins as objects that have a foot in three different times: the past, the present, and the future. This is the nature of the ruin: they help us imagine the past, affords us interesting aesthetic opportunities in the present, and asks us to project ourselves (and it) into the future. We think about those who once lived, our own current experience, and what will be. There are two kinds of aesthetic experiences of ruins that are often conflated: that of recording the ruin be it in poetry, prose, or picture and that of engaging with a ruin qua ruin (the experience of the ruin in situ). In this paper I discuss ruin appreciation and the major and minor appreciations discussed by Rose Macaulay. Minor forms of appreciation include graffiti while contemplating the sublime and engaging in multisensory ruinlust are considered major forms of appreciation.