Joshua Kerr

Spinoza has very little to say concerning the creative arts. A careful consideration of those passages in which he discusses art, however, reveals art to have an importance for him that far outstrips what his relative silence might suggest. In this paper, I argue that Spinoza situates art at the genesis of rational, philosophical knowledge. The importance of abstract reason, Spinoza’s “second kind” of knowledge to which most of philosophy belongs, has been well appreciated by scholars. In the Ethics, Spinoza offers a developmental account of this kind of knowledge: reason develops out of the knowledge of sense experience. By tracing his account of this process, I argue that art has an important role to play in the transition from sense experience to philosophical knowledge.

In his 1950 lecture entitled “Language,” Martin Heidegger announces a turn in the philosophy of language: for the opening theme, “man speaks,” he substitutes a countervailing theme: “language speaks”. Heidegger saw himself living in an era in which the historical determination of the inquiry into language that began with the Greek conception of human being as the animal with language had developed into a relentlessly technical way of thinking that viewed language instrumentally. By abandoning this conception, displacing the occurrence of language away from “man” and toward language itself, Heidegger enacts a dehumanization of language that attempts to open a different avenue for thought....