Julia Ng

"I have a tree, which grows here in my close, / That mine own use invites me to cut down, / And shortly I must fell it" (Shakespeare 2001, 168)—Timon's lament, which in Shakespeare's rendition occurs shortly before its utterer's demise "upon the beached verge of the salt flood" (2001, 168) beyond the perimeter of Athens, is an indictment of the nature that Timon finds unable to escape. Having given away his wealth in misguided generosity to a host of parasitic sycophants, Timon turns misanthropic when his "friends" reject his requests for help in kind to repay his debts, eventually exiling himself from the city with the intent of sustaining himself on nothing but water and roots. Yet he soon finds that removing ..

Translator's Abstract: The right to have rights was never a right to be had. Hannah Arendt's famous formulation of the most elementary right of all, the right to participate in the definition of rights, is not a description of a given right that belongs to one or the other form of law, but an indictment of a deficit in the construction of legality on the basis of the right to withdraw legal protection from members of a community, and therefore to refuse rights. The one and only human right thus turns out to be ungrounded in anything but the idea of its being had: a " property right " that traces back to the legal, philosophical and linguistic definitions of " one's own " since antiquity. Only the gift of the incalculable and of that which cannot possibly be legitimated can ground the autarchic self-relation of having: ungrounded in the rationally organized nature of any given, possessing the right to membership in a political community turns out to be permission to freely transfer this possession to another, without expectation of a return.

At the end of one side of a manuscript entitled “On Kant” and housedin the Scholem Archive in Jerusalem, one reads the following pro-nouncement: “it is impossible to understand Kant today.” 1 Whatever it might mean to “understand” Kant, or indeed, whatever “Kant” is heremeant to be understood, it is certain, according to the manuscript,that such understanding cannot come about by way of purporting tohave returned to or spoken in the name of “Kant.” For “[t]oday,” sothe document begins, “there are many people who call themselvesKantians, and who profess to have—or actually do have—cognitions inKantian terminology.” Whatever the degree of truth or falsity to suchcognitions, however, neither those who produce these cognitions nor aphilosophy consisting in these cognitions have a right to call themselves“Kantian,” since it is “obvious” that “such terminology is not equivalent to Kantian language” but is abstracted from “language” as innovationstowards the better description of the world.

Death is ironic; as the archi-semiotician and first historian, death fixes object and meaning in a semiotic complex, separates non-sensuous meaning from bare physical existence, but thereby exposes meaning to the capriciousness of interpretation and tradition. The pause, however, conserves that which does not happen in repose, yet does not interrupt history, and lets history emerge in a movement in which all determination of meaning is suspended. This essay is written in memory of Werner Hamacher, whose life in writing shaped language around its distance and delay from the fixity of sound and sense, which, as he argued, are the subliminal conditions to every communication, presentation, and form in general: formative limits that separate and conjoin that which is and the surplus of un-actuality and incompletion that accompanies each instant of our intentional lives.

This paper argues that the principle of continuity that underlies Benjamin’s understanding of what makes the reality of a thing thinkable, which in the Kantian context implies a process of “filling time” with an anticipatory structure oriented to the subject, is of a different order than that of infinitesimal calculus—and that a “discontinuity” constitutive of the continuity of experience and (merely) counterposed to the image of actuality as an infinite gradation of ultimately thetic acts cannot be the principle on which Benjamin bases the structure of becoming. Tracking the transformation of the process of “filling time” from its logical to its historical iteration, or from what Cohen called the “fundamental acts of time” in Logik der reinen Erkenntnis to Benjamin’s image of a language of language (qua language touching itself), the paper will suggest that for Benjamin, moving from 0 to 1 is anything but paradoxical, and instead relies on the possibility for a mathematical function to capture the nature of historical occurrence beyond paradoxes of language or phenomenality.

This article draws on several crucial and unpublished manuscripts from the Scholem Archive in exploration of Gershom Scholem's youthful statements on mathematics and its relation to extra-mathematical facts and, more broadly, to a concept of history that would prove to be consequential for Walter Benjamin's own thinking on "messianism" and a "futuristic politics." In context of critiquing the German Youth Movement's subsumption of active life to the nationalistic conditions of the "earth" during the First World War, Scholem turns to mathematics for a genuine and self-consistent theory of action. In the concept of actual infinity (in Cantor and Bolzano) he finds an explanation of how mathematics relates to "the physical" without reducing the former to an "image" of the latter, and without relying on the concept of geometric intuition. This explanation, insofar as it relies on the notion of actual infinity, provides Scholem with a conception of mathematics (and the history of mathematics) that reconciles freedom and necessity—remarks on which he outlines in his diaries and communicates to Benjamin in early March 1916.