Katarzyna Filutowska

The paper focuses on the issue of truth-telling in non-fictional narratives of (in)justice. Based on examples of rape narratives, domestic abuse narratives, human trafficking narratives and asylum seeker narratives, I examine the various difficulties in telling the truth in such stories, particularly those related to various culturally conditioned ideas of how the world works, which at the same time form the basis of, among other things, legal discourse and officials’ decision-making processes. I will also demonstrate that such culturally conditioned ideas, which are the basis of official discourse, can be considered within the category of both the social imaginary of the just world in the Taylorian sense of the term, and the social master narrative, which in the case of stories of (in)justice is often based on the just world hypothesis.

Although Gołuchowski was inspired mainly by Schelling, he was well acquainted with the views of other German idealist thinkers, including Hegel. Referring to Gołuchowski’s early works, as well as to his last book Dumania nad najwyższemi zagadnieniami człowieka (“Thoughts about the highest human issues”, published posthumously in 1861), I will discuss the main Hegelian motifs in his philosophy and their relationship to the Schellingian “basis” of his thought. I will also consider the main motifs of Gołuchowski’s critique of Hegel’s system which can be treated – at least to some extent – as belonging to the revision of the assumptions of Hegelian absolute idealism made by such Polish adherents of Hegel’s philosophy as Trentowski, Libelt or Cieszkowski.

This paper considers the problem of a narrative philosophy according to F. W. J. Schelling and narrative logic according to Franklin Ankersmit. Referring to these examples, I ask whether there is any philosophy to narrative at all. First, I discuss Schelling’s views from his unfinished work “The Ages of the World,” as well as his later dialectics of mythology of revelation from the system of the ages of the world. I focus on a dialectics of figurative and speculative order, which is at the core of Schelling’s project to tell philosophy in the form of poetry and demonstrate the origins of Schelling’s narrative philosophy in his early, transcendental thought. Next, I juxtapose my findings with Ankersmit’s analysis of historians’ language. I also consider whether, and how, some of these ideas can be applied in contemporary narrative research.