Kenneth L. Pearce

Two arguments in Hume’s essay on miracles are reductios ad Catholicism: if you believe in the miracles in the Bible, then you ought to believe in Catholic miracles as well. Hume’s intended readers hated Catholicism and would sooner reject miracles than follow the pope. Hume argues that Jansenist miracle stories meet the standards of trustworthiness as well as any miracles in history. He knows that his Protestant believers don’t believe the stories, and he hopes to persuade his readers to reject any testimony that falls short of that standard. In the ‘Contrary Religions Argument,’ Hume argues that contrary religions should undermine our belief in the trustworthiness of miracle reports. The main contrary religion Hume has in mind is Catholicism, since most miracles stories are Catholic, and Hume’s readers would have rejected them out of hand. He then concludes that if most religiously motivated testimony for miracles is false such testimony is generally unreliable, including testimony for Biblical miracles.

Philosophers have accused locke of holding a view about propositions that simply conflates the formation of a propositional thought with the judgment that a proposition is true, and charged that this has obviously absurd consequences.1 Worse, this account appears not to be unique to Locke: it bears a striking resemblance to one found in both the Port-Royal Logic (the Logic, for short) and the Port-Royal Grammar. In the Logic, this account forms part of the backbone of the traditional logic expounded in the text. As a result, the account’s alleged faults seem to seriously threaten the coherence and value of the whole approach to logic. And to the extent that Locke’s core philosophical commitments, in particular his ..

Nearly as famous as his denial of the existence of matter is Berkeley's insistence that his philosophy is somehow a defense of commonsense. This is most often taken to mean that Berkeley thinks of his philosophy as supporting commonsense beliefs. However, the inadequacies of such views have persuaded some to disregard entirely Berkeley's claims about commonsense. Both readings are undesirable. Extant interpretations misunderstand the relationship between Berkeley's philosophy and commonsense. In this paper, I present a new account of how to understand Berkeley's so-called defense of commonsense; it is not a defense-cum­-apology for commonsense beliefs, but a defensive attack against a skeptical threat. I then examine two rival accounts of the defense of commonsense and show how each fails to satisfy the criteria for a successful account. Finally, I briefly address the implications this view has for future scholarship.

This article details the variety of critical strategies in Mary Wollstonecraft’s A Vindication of the Rights of Woman, finding strong connections with her writing as a reviewer for the Analytical Review, the literary review published by the reformer and Dissenter Joseph Johnson. In Rights of Woman, Wollstonecraft employed textual analyses and an evolving set of theoretical positions that had been introduced in the course of her career at the Analytical Review. By elucidating the importance of the reviews and the specificity of Wollstonecraft’s procedures, this article contributes to a growing consensus that Rights of Woman initiated feminist literary criticism.

The seventeenth century witnesses the demise of two core doctrines in the theory of perception: naive realism about color, sound, and other sensible qualities and the empirical theory, drawn from Alhacen and Roger Bacon, which underwrote it. This created a problem for seventeenth century philosophers: how is that we use qualities such as color, feel, and sound to locate objects in the world, even though these qualities are not real? Ejecting such sensible qualities from the mind-independent world at once makes for a cleaner ontology, since bodies can now be understood in purely geometrical terms, and spawns a variety of fascinating complications for the philosophy of perception. If sensible qualities are not part of the mind-independent world, just what are they, and what role, if any, do they play in our cognitive economy? We seemingly have to use color to visually experience objects. Do we do so by inferring size, shape, and motion from color? Or is it a purely automatic operation, accomplished by divine decree? This volume traces the debate over perceptual experience in early modern France, covering such figures as Antoine Arnauld, Robert Desgabets, and Pierre-Sylvain Regis alongside their better-known countrymen Rene Descartes and Nicolas Malebranche.