Kevin Aho

A keen athlete in his late forties, philosophy professor Kevin Aho hadn't given much thought to his own mortality, until he suffered a sudden heart attack that left him fighting for his life. Confronted with death for the first time, he realized that the things he thought gave his life meaning, such as his independence or his ability to plan his own future, were in tatters. Aho turned to those thinkers who have reflected deeply on the meaning of life and the anxiety of living when every heartbeat might be your last: the existentialists. Armed with insights from the likes of Kierkegaard, Heidegger, Nietzsche, and de Beauvoir, he found new meaning and comfort in a view of life that strives for authenticity and accepts aging and death as part of what makes life worthwhile. Existentialism asks us to face the frailty of our existence and to live with a sense of urgency and gratitude toward its manifold beauties. It is only then that we can be released from patterns of self-deception and begin to appreciate what truly matters in our fleeting, precious lives.

In this paper, I draw on Heidegger’s phenomenology of “moods” (_Stimmungen_) to interpret loneliness as a diffused and atmospheric feeling-state that often undergirds the lives of older adults, shaping the ways in which they are attuned to and make sense of the world. I focus specifically on residents in long-term care facilities to show how the social isolation and lockdown measures of the COVID-19 pandemic dramatically intensified the mood. The aim is to shed light on how profound and totalizing the experience has been for residents. Making use of Heidegger’s account of the affective “collapse” or “breakdown” (_Zusammenbruch_) of meaning, I argue that when older adults are functionally locked in their rooms for months at a time and cut off from the orienting routines and rhythms of the relational world, the result is a crumbling of the fundamental meaning-structures that constitute subjectivity. The global sense of abandonment and disconnection strips away the possibility for self-understanding, and residents are often left confused and abandoned to an existence that has been drained of meaning and significance.

This paper offers a phenomenological analysis of Heidegger’s account of “the uncanny” as it relates to the coronavirus pandemic. It explores how the pandemic has disrupted Dasein’s sense of “homelike” familiarity and how this disruption has undermined our ability to be, that is, to understand or make sense of things. By examining our experience of temporality, lived-space, and intersubjectivity, the paper illuminates different ways in which the pandemic has left us confused and anxious about our self-interpretations and future projects. The paper concludes by showing how the uncanny is not simply something we feel in times of crisis; it is, for Heidegger, who we are. This means the secure feeling of familiarity that we embodied prior to the pandemic was an illusion all along, that we are not and never have been at-home in the world.

In her article, “Melancholia, temporal disruption, and the torment of being both unable to live and unable to die,” Emily Hughes offers a provocative and powerful analysis of an experiential aspect of depression that is often overlooked in the psychiatric literature. Drawing on Heidegger’s account of ontological death, what he calls “dying” in Being and Time, Hughes illuminates how episodes of major depression can disrupt the synchronous unity of time that structures our experience and gives meaning to our lives. When this happens, the sufferer enters a paradoxical liminal space, one in which we live through our own death, where death is understood ontologically as an inability-to-be. For Heidegger, “to...

This essay explores the unique temporal experience in anxiety. Drawing on first-person accounts as well as examples from literature, I attempt to show how anxiety not only disrupts our physiological and cognitive timing but also disturbs the embodied rhythms of everyday social life. The primary goal, however, is to articulate the extent to which human existence itself is a temporally structured event and to identity the ways that anxiety disrupts this structure. Using Martin Heidegger’s account of human existence as a point of departure, I show how the mood of anxiety has the power to alter our self-interpretations by closing down or constricting our experience of the future. I argue that a constricted future impedes our ability ‘to be’ because it closes off the range of projective meanings that we would ordinarily draw on to create or fashion our identities.

The rise of medically unexplained conditions like fibromyalgia and chronic fatigue syndrome in the United States looks remarkably similar to the explosion of neurasthenia diagnoses in the late nineteenth century. In this paper, I argue the historical connection between neurasthenia and today’s medically unexplained conditions hinges largely on the uncritical acceptance of naturalism in medicine. I show how this cultural acceptance shapes the way in which we interpret and make sense of nervous distress while, at the same time, neglecting the unique social and historical forces that continue to produce it. I draw on the methods of hermeneutic philosophy to expose the limits of naturalism and forward an account of health and illness that acknowledges the extent to which we are always embedded in contexts of meaning that determine how we experience and understand our suffering.

This essay explores the unique temporal experience in anxiety. Drawing on first-person accounts as well as examples from literature, I attempt to show how anxiety not only disrupts our physiological and cognitive timing but also disturbs the embodied rhythms of everyday social life. The primary goal, however, is to articulate the extent to which human existence itself is a temporally structured event and to identity the ways that anxiety disrupts this structure. Using Martin Heidegger’s account of human existence as a point of departure, I show how the mood of anxiety has the power to alter our self-interpretations by closing down or constricting our experience of the future. I argue that a constricted future impedes our ability ‘to be’ because it closes off the range of projective meanings that we would ordinarily draw on to create or fashion our identities.

Many critics have attempted to give an account of a gendered incarnation of Dasein in response to Heidegger’s “neutral” or “asexual” interpretation. In this paper,I suggest gendered readings of Dasein are potentially misleading. I argue Dasein is gendered only to the extent that “the Anyone” (das Man)—understood as relational background of social practices, institutions, and languages—constitutes the space or “clearing” (Lichtung) of intelligibility. However, this reading misrepresents the core motivation of Heidegger’s early project, namely to arrive at “temporality” (Zeitlichkeit) as the original source of any intelligibility whatsoever. For Heidegger, Dasein is to be understood in terms of the twofold movement of being “thrown” into the Past (Vergangenheit) and “projecting” into the Future (Zukunft). It is only the basis of the neutral temporal structures of “thrown projection” that beings can emerge-into-presence as such, enabling us to make sense of our Present (Gegenwart) gendered practices in the first place.

In Being and Time, Martin Heidegger introduces a unique interpretation of death as a kind of world-collapse or breakdown of meaning that strips away our ability to understand and make sense of who we are. This is an ‘ontological death’ in the sense that we cannot be anything because the intelligible world that we draw on to fashion our identities and sustain our sense of self has lost all significance. On this account, death is not only an event that we can physiologically live through; it can happen numerous times throughout the finite span of our lives. This paper draws on Arthur Frank’s (At the will of the body: reflections on illness. Houghton, Boston, 1991) narrative of critical illness to concretize the experience of ‘ontological death’ and illuminate the unique challenges it poses for health care professionals. I turn to Heidegger’s conception of ‘resoluteness’ (Entschlossenheit) to address these challenges, arguing for the need of health care professionals to help establish a discursive context whereby the critically ill can begin to meaningfully express and interpret their experience of self-loss in a way that acknowledges the structural vulnerability of their own identities and is flexible enough to let go of those that have lost their significance or viability.

Drawing on the work of Fowers, Richardson, and Slife, this commentary offers an overview and critical assessment of the theory and practice of virtue ethics in psychology. The commentary highlights the importance of a hermeneutic or relational understanding of selfhood and the value of interpreting human meanings within the context of a shared tradition. I conclude with some critical remarks that focus on reconciling the assumptions of naturalism with hermeneutic philosophy, the issue of conservatism in virtue ethics, and problems of access and efficacy in approaches to psychotherapy. 2012 APA, all rights reserved)

This paper attempts to reconcile, what appear to be, two conflicting accounts of authenticity in Heidegger’s thought. Authenticity in Being and Time is commonly interpreted in ‘existentialist’ terms as willful commitment and resoluteness in the face of one’s own death but, by the late 1930’s, is reintroduced in terms of Gelassenheit, as a non-willful openness that “lets beings be.” By employing Heidegger’s conception of authentic historicality , understood as the retrieval of Dasein’s past, and drawing on his writings on Hölderlin in the 1930’s and 1940’s, I suggest that the ancient interpretation of leisure and festivity may play an important role in unifying these conflicting accounts. Genuine leisure, interpreted as a form of play , frees us from inauthentic busy-ness and gives us an opening to face the abyssal nature of our own being and the mystery that “beings are” in the first place. To this end, leisure re-connects us with wonder as the original temperament of Western thought. In leisurely wonder, the authentic self does not seek purposive mastery and control over beings but calmly accepts the unsettledness of being and is, as a result, allowed into the original openness or space of play of time that lets beings emerge-into-presence on their own terms

Many critics have attempted to give an account of a gendered incarnation of Dasein in response to Heidegger’s “neutral” or “asexual” interpretation. In this paper,I suggest gendered readings of Dasein are potentially misleading. I argue Dasein is gendered only to the extent that “the Anyone” (das Man)—understood as relational background of social practices, institutions, and languages—constitutes the space or “clearing” (Lichtung) of intelligibility. However, this reading misrepresents the core motivation of Heidegger’s early project, namely to arrive at “temporality” (Zeitlichkeit) as the original source of any intelligibility whatsoever. For Heidegger, Dasein is to be understood in terms of the twofold movement of being “thrown” into the Past (Vergangenheit) and “projecting” into the Future (Zukunft). It is only the basis of the neutral temporal structures of “thrown projection” that beings can emerge-into-presence as such, enabling us to make sense of our Present (Gegenwart) gendered practices in the first place.

Heidegger's assessment of animals in his 1929/30 Freiburg lecture course, The Fundamental Concepts of Metaphysics, has been the focal point of much recent debate. In this course, it appears Heidegger preserves the prejudices of metaphysical humanism by establishing an opposition between animal "behavior" (Benehmen) and human "comportment" (Verhalten) to the extent that humans, unlike animals, embody an understanding of being and, therefore, encounter beings as such. In this essay, I suggest this distinction can be properly understood only by turning to Heidegger's earliest Freiburg lectures where the question of "factical life" (das faktische Leben) is explicitly addressed. In these lectures, I argue Heidegger develops a three-tiered distinction that allows us to differentiate human life from animal life: (1) Humans, unlike animals, can articulate how things in the world matter to them in terms of where they fit in a meaningful nexus of social relations. (2) By becoming absorbed in these everyday social relations, human life has a unique tendency to secure itself from the abyssal structure of its own temporal "movement" (Bewegung). (3) Human life has the capacity to announce its abyssal structure, an announcement that affects us as anxiety, and makes it possible for us to own up to our temporal and historical constitution. Finally, I suggest that, for Heidegger, any interpretation of animality--whether anthropocentric or not--is itself made possible by a horizonal "event" that is more-than-human, that is always prior to and makes possible any understanding of being whatsoever.

Heidegger's Being and Time is often interpreted as an important contribution to the canon of Existentialist philosophy. This popular interpretation is due largely to the theme of "authenticity" that is carefully developed in Division II. Here, Heidegger explains how we, as human beings, can temporarily sever ourselves from our bondage to a "fallen" public world by owning up to the anxious awareness of our inevitable death. It is in resolutely facing death that we can become individuals for the first time and see through the illusions of stability and comfort that our roles in public life offer us. As "beings-towards-death" we can soberly come to grips with our finitude and bring this awareness back into our everyday lives, realizing and accepting that there is no security or permanence to our existence.But this existentialist interpretation fails to acknowledge the fundamental role that historicity plays in Heidegger's conception of authenticity. The experience of anxiety that can motivate us to authenticity and resoluteness is only initially an individuating experience. Our historicity determines the structure of our existence in such a way that the authentic human being is never an isolated individual . Human beings can never rebel against or overcome their own socio-cultural and historical world because they are always already interwoven to a specific historical situation. In this paper I will attempt to explain the relevance of historicist authenticity as a critical response to the common, existentialist interpretation. I will focus on the crucial role that one's historical background, in the sense of community and heritage, has on Heidegger's interpretation of authenticity

Written in a jargon-free way, Body Matters provides a clear and accessible phenomenological critique of core assumptions in mainstream biomedicine and explores ways in which health and illness are experienced and interpreted differently in various socio-historical situations. By drawing on the disciplines of literature, cultural anthropology, sociology, medical history, and philosophy, the authors attempt to dismantle common presuppositions we have about human afflictions and examine how the methods of phenomenology open up new ways to interpret the body and to re-envision therapy

The instrumental classification of depression made possible by the Diagnostic and Statistical Manual and the widespread pharmacological approach to treatment in mainstream biopsychiatry has generated a cottage industry of criticism. This paper explores the potential shortcomings of the DSM/bio-psychiatric model and introduces the value of philosophical counseling—specifically by means of integrating the insights of Existentialism and Buddhism—as a way to overcome a number of diagnostic and methodological problems. Philosophical counseling, in this regard, is not overly concerned with the objective question of “What we are?” as biophysical beingswith overt behaviors but with a more fundamental question, namely, “How we are?” that is, how do we experience our existence as finite, impermanent beings, how does this experience shape and determine depressive episodes, and how can we come to accept our own finitude and impermanence?

This short essay offers a critical overview of David Nowell Smith's book Sounding/Silence, focusing on, what the author calls, the “ontologization of poetry” as a way to grasp Heidegger's critique of traditional aesthetics and the novel claim that the human body is already implicated in Heidegger's account of language and poetry. To this end, there is a brief discussion of Heidegger's controversial views on the human/animal relation, the connection between poetry and thinking, and the value of Heidegger's poetics for future scholarship in the area

With the increasingly close relationship between the pharmaceutical industry and the American Psychiatric Association (APA) there has been a growing tendency in the mental health professions to interpret everyday emotional suffering and behavior as a medical condition that can be treated with a particular drug. In this paper, I suggest that hermeneutic phenomenology is uniquely suited to challenge the core assumptions of medicalization by expanding psychiatry's narrow conception of the self as an enclosed, biological individual and recognizing the ways in which our experience of things--including mental illness--is shaped by the socio-historical situation in which we grow. Informed by hermeneutic phenomenology, psychiatry's first priority is to suspend the prejudices that come with being a medical doctor in order to hear what the patient is saying. To this end, psychiatry can begin to understand the patient not as a static, material body with a clearly defined brain dysfunction but as an unfolding, situation existence already involved in an irreducibly complex social world, an involvement that allows the patient to experience, feel, and make sense of their emotional suffering.

Dostoevsky's disturbing and groundbreaking novella appears in this new annotated edition with an Introduction by Charles Guignon and Kevin Aho. An analogue of Guignon's widely praised Introduction to his 1993 edition of "The Grand Inquisitor," the editors' Introduction places the underground man in the context of European modernity, analyzes his inner dynamics in the light of the history of Russian cultural and intellectual life, and suggests compelling reasons for our own strange affinity for this nameless man who boldly declares, "I was rude and took pleasure in being so.”

This paper integrates personal narratives with the methods of phenomenology in order to draw some general conclusions about ‘what it means’ and ‘what it feels like’ to be depressed. The analysis has three parts. First, it explores the ways in which depression disrupts everyday experiences of spatial orientation and motility. This disruption makes it difficult for the person to move and perform basic functional tasks, resulting in a collapse or contraction of the life-world. Second, it illustrates how depression creates a situational atmosphere of emotional indifference that reduces the person’s ability to qualitatively distinguish what matters in his or her life because nothing stands out as significant or important anymore. In this regard, depression is distinct from other feelings because it is not directed towards particular objects or situations but to the world as a whole. Finally, the paper examines how depression diminishes the possibility for ‘self-creation’ or ‘self-making’. Restricted by the illness, depression becomes something of a destiny, preventing the person from being open and free to access a range of alternative self-interpretations, identities, and possible ways of being-in-the-world