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    Christopher Peacocke's 'the perception of music'
    British Journal of Aesthetics 49 (3): 293-297. 2009.
    Unlike the grasp of metaphor in natural language, there is in music a patent confusion of roles between the ‘tenor’ and ‘vehicle’ of a metaphor: the expressive content configures the metaphorical understanding of a musical moment as much as the experience of the musical moment shapes how we perceive expressive content. This observation prompts consideration of a model (different from Peacocke’s) in which a spiralling reciprocity of invertible metaphorical operations gives rise to the specificity…Read more