Laÿna Droz

This paper exposes a significant mismatch between accelerating changes in nature and the science-policy-litigation process in biodiversity governance, due to procedural time lags and shifting baselines. Time lags accumulate throughout the procedural institutional making of science, policy and litigation. In a pressing context of acceleration of biodiversity loss and climate change impacts, such gaps could lead to a misalignment of well-intended policies and actions with environmental problems. On top of the accumulation of institutional and procedural time lags, biodiversity governance baselines and frames shift due to the personal experiences and standpoints of stakeholders, environmental generational amnesia and nostalgia, disciplinary framings, and the fragmentation of scientific knowledge. To minimise the impacts of temporal biases as well as procedural time lags in their practice and fields, stakeholders need to be equipped with tools at each step of the science-policy-litigation process.

Sounds are motions, vibrations, affordances, and key tools for intra- and interspecies exchanges. This paper explores how emotions from sounds constitute embodied pathways to push the limits of perspectival anthropocentrism towards interspecies understanding. It suggests that sounds can serve as empathic bridges that connect our emotions to other species’, such as bees. Sound combinations (harmonies, rhythms, melodies) are tied to specific emotions in patterns that can be explained by the physics, ecology and biology of sounds. As we share these tools with bees and other species, by learning to listen, we could grasp echoes from their buzzing inner worlds.

The world in which we live is literally made by plants. We do not only live in this world as a container for our existence, but we also live from this world, as we drink and eat -mainly plants-, and breathe. We breathe in what plants breathe out, exchanging flows every moment. We also live with this world of plants that paints green most of our landscapes. Finally, we, humans, also live through the world, as nexuses of multispecies flows and exchanges. Plants also live through the world. In this essay, we will explore how plants live through the world, as our companions with whom we constantly exchange flows that keep us alive. Reversely, we will see how we and the world actually live through plants, from the leaves, to the roots and fruits.

Multispecies thinking articulates a core tension: the attempt to imagine the world in terms of other species’ needs and behaviours; and the unavoidability of perspectival anthropocentrism; the fact that we cannot live, perceive and think except from within our human body and cognitive system. This paper explores how Zhuangzi (Taoism) navigates this tension by analysing three selected stories: the centipede and the snake, the mirror and Mr. Tai. First, the idea of perspectival anthropocentrism constitutes an unavoidable epistemological ground. Second, considering multispecies needs and agency leads to three practical pathways: (a) letting go of our judgments and desires; (b) engaging in dynamic embodied practices; (c) accepting not to know and letting things be. To conclude, the epistemological and ethical insights inspired by Zhuangzi can, combined with the observations gathered through sciences, pave the way to develop further ethical and methodological tools to bring us closer to multispecies sustainability.

Sounds are motions, vibrations, affordances, and key tools for intra- and interspecies exchanges. This paper explores how emotions from sounds constitute embodied pathways to push the limits of perspectival anthropocentrism towards interspecies understanding. It suggests that sounds can serve as empathic bridges that connect our emotions to other species’, such as bees. Sound combinations (harmonies, rhythms, melodies) are tied to specific emotions in patterns that can be explained by the physics, ecology and biology of sounds. As we share these tools with bees and other species, by learning to listen, we could grasp echoes from their buzzing inner worlds.

Environmental philosophy – broadly conceived as using philosophical tools to develop ideas related to environmental issues – is conducted and practised in highly diverse ways in different contexts and traditions in Asia. ‘Asian environmental philosophy’ can be understood to include Asian traditions of thought as well as grassroots perspectives on environmental issues in Asia. Environmental issues have sensitive political facets tied to who has the legitimacy to decide about how natural resources are used. Because of this, the works, practices, and researchers in Asian environmental philosophy are exposed to being (mis)used by diverse stakeholders and actors to support political ends not related to environmental sustainability. Two processes are at play at the nexus of the construction of identities in relation to conceptualisations of nature: eco-orientalism and ecological nationalisms. This paper analyzes and exemplifies these dynamics through a conceptual framework that distinguishes ideological and socio-technical explanations of environmental degradation. Finally, to minimise the risks of political misuse, five pathways are presented to carefully help curate environmental, philosophical statements: contextualise, quantify uncertainty and ‘uniqueness’, downscale, confront claims with local realities and literature, and collaborate with researchers from other disciplines. Conjointly, these pathways aim at favouring intercultural collaboration while valuing diversity, thus supporting the development and exchanges in environmental philosophy in Asia and beyond.

Confronted by the multiscaled ecological crisis, many experience so-called ecological emotions such as ecological grief and eco-anxiety. Visual media can channel and contribute to creating and nurturing ecological emotions. Specifically, eco-documentaries are one of the triggers of ecological emotions. This paper explores the role of images in the generation of emotions regarding the environmental crisis through a case study of five contemporary Swiss eco-documentaries: It All Begins, Citizen Nobel, Lynx, Taming the Garden and The Mushroom Speaks. It analyses the ecological emotions expressed by the characters or the filmmakers, or the expected emotions of the viewers, with regard to the types of images and their framing, editing, narrative and attractiveness. Finally, drawing on interdisciplinary literature from environmental humanities, this paper discusses the variety and intertwinement of ecological emotions and their interrelations to knowledge of the ecological crisis and pro-environmental actions.

What is a disaster? This paper explores the different hermeneutic levels that need to be taken into consideration when approaching this question through the case of Japan. Instead of a view of disasters as spatiotemporal events, we approach disasters from the perspective of the milieu. First, based on the Japanese «dictionaries of disasters», the Japanese vocabulary of disaster is described. Second, this paper reviews briefly the Japanese interdisciplinary disaster-management tradition. To highlight the human-made aspect of disasters, the idea of fūdo 風土 is introduced. This concept allows us to see disasters as a phenomenon of the milieu, which emerges from the co-constitutive relations between individuals, communities, and the local environment. The final part debates the narratives by some national and international political actors that link «Japanese identity and culture» to disaster management and sometimes include nationalist claims rooted in the essentialization of the «Japanese exception». Given the cruciality of sociocultural and political representations of disasters tied to identity politics, and the increasing frequency and intensity of disasters, a long-term, local people-focused and culturally sensitive perspective on disasters might be better adapted to the climate change era.

Recent research about the microbiome points to a picture in which we, humans, are ‘living through’ nature, and nature itself is living in us. Our bodies are hosting—and depend on—the multiple species that constitute human microbiota. This article will discuss current research on the microbiome through the ideas of Japanese ecologist Imanishi Kinji (1902–1992). First, some of Imanishi’s key ideas regarding the world of living beings and multispecies societies are presented. Second, seven types of relationships concerning the human microbiome, human beings, and the environment are explored. Third, inspired by Imanishi’s work, this paper develops the idea of dynamic, porous, and complex multispecies societies in which different living beings or species are codependent on others, including microbiota and human beings.

This article sheds light on the diversity of meanings and connotations that tend to be lost or hidden in translations between different conceptualizations of nature in East and South-East Asia. It reviews the idea of “nature” in Chinese, Japanese, Vietnamese, Filipino, Tagalog, Cebuano, Lumad, Indonesian, Burmese, Nepali, Khmer, and Mongolian. It shows that the conceptual subtleties in the conceptualization of nature often hide wider and deeper cosmological mismatches. It concludes by suggesting that these diverse voices need to be represented in global reports on sustainability, which can be fostered by the direct involvement of experts from diverse traditions of thought who have access and interpretative knowledge of sources in languages other than English. To take into consideration the diversity of conceptualizations of nature can lead to better decisions about sustainability and improve the acceptability and efficiency of environmental policies in each local context, as well as internationally. Solutions and policies on the ground must be designed based on the local conceptual and cultural frames.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Watsuji on Nature: Japanese Philosophy in the Wake of Heidegger by David W. JohnsonLaÿna DrozDavid W. Johnson, Watsuji on Nature: Japanese Philosophy in the Wake of Heidegger Evanston, IL: Northwestern University Press, 2019.Recently, Watsuji Tetsurō’s work has drawn wide interest, in particular around his concept of fūdo and his approach to ethics. The word fūdo (風土) is composed of the Chinese character for the wind, and the character for the soil. It attempts to grasp the relation between humans and their environment while recognizing the essential subjectivity of the relation itself. David W. Johnson’s book is thus timely. In Watsuji on Nature, Johnson focuses on what he refers to as “Watsuji’s philosophy of nature” (3). Thanks to his interpretation of Watsuji’s idea of fūdo, Johnson aims at “reenchanting nature” and at giving us “the possibility of finding ourselves at home in the world once again” (49). This quest already sets the stage for Johnson’s argument that seems to be addressed to an English-speaking audience and to attempt to reconcile a particular Western conception of nature with Watsuji’s concept of fūdo. Within these parameters, his reasoning flows clearly and Johnson guides us elegantly through his interpretation of Watsuji across the eight chapters of his book.In the first chapter, Johnson traces the history of the concept of fūdo, and the difficulties it presents for translation. He briefly discusses ongoing conflicts of interpretation, namely the tension between nature and culture, and the issue of natural determinism. Johnson rejects the “equation of fūdo with everything that environs a human being” (31), for fear that it might reduce its explanatory power and “render this notion almost useless” (32). Instead, Johnson proposes to follow two criteria to clarify what the philosophical concept of fūdo entails. The first criterion “comes from nature itself, which is a kind of given that presents certain regions as articulated wholes around which boundaries can be drawn” (34), which Johnson claims is found in Watsuji’s “taxonomy of basic types of fūdo.” With the second criterion, Johnson aims at distinguishing “nature from artifice,” and draws the line as follows: “A newly created species of crop and a reservoir count as constituents of a fūdo; the installation of telephone poles and the erection [End Page 129] of skyscrapers do not, even though they affect the space and scenery of a landscape” (37). Johnson insists that the plant and the river are a “sheerly given self-unfolding of things.” This particular Heideggerian interpretation of Watsuji’s fūdo is the cornerstone of Johnson’s reasoning and of his description of Watsuji’s philosophy of nature.Arguably, more philological references would have been beneficial to defend such a controversial interpretation of the concept of fūdo. For example, Watsuji writes in the first line of the first chapter of Fūdo that fūdo is a “general term including for a particular region, climate, weather, geology, soil quality, geographical features, landscape (keikan 景観) etc.”1 Later, in Rinrigaku (倫理学), he defines and discusses the landscape as “an internal scene in the human existence; it is not an environment which surrounds from the outside human beings.”2 Furthermore, he insists that far from being a given, “the environment or natural region” is changed by human activities3 throughout history—which contrasts with Johnson’s first criterion that characterizes fūdo in terms of natural regions that appear as “a given” from nature. Watsuji also specifies that in this “environment or nature,” we have “cultivated countryside, planted mountain areas, towns lined with water streams, and villages scattered across the plains,” which are nothing but the “shape” of the human groups. Thus, Johnson’s second criterion that draws a line between human-made artifice and nature seems to conflict with Watsuji’s recurrent emphasis on the dynamicity and inseparability of human activities and their landscape, which includes villages, and thus would probably include telephone poles and skyscrapers. Moreover, Johnson’s distinction between artificial and natural does not evade central problems that have been lengthily discussed in the interdisciplinary field of environmental philosophy, such as the difficulties of defining...

Anthropocentrism has been claimed to be the root of the global environmental crisis. Based on a multidisciplinary (e.g. environmental philosophy, animal ethics, anthropology, law) and multilingual (English, Spanish, French, German, Japanese) literature review, this article proposes a conceptual analysis of ‘anthropocentrism’ and reconstructs the often implicit argument that links anthropocentrism to the environmental crisis. The variety of usages of the concept of ‘anthropocentrism’ described in this article reveals many underlying disagreements under the apparent unanimity of the calls to reject anthropocentrism, both regarding what exactly is the root of the problem, and the nature of the possible solutions. It highlights the limitations of the argument of anthropocentrism as the scapegoat of the environmental crisis and identifies two main challenges faced by attempts to go beyond anthropocentrism: an epistemological challenge regarding knowledge and the place of sciences, and a metaethical challenge related to values and cultural pluralism. Beyond the issue of an anthropocentric point of view, the core of the problem might be an intertwinement of views and assumptions that work together to undermine attempts to protect the environment from the greed of some humans, such as the human-nature dichotomy, capitalism, consumerism, industrialism, etc. Finally, this article suggests that making the nuances and the presuppositions that underlie various versions of the anti-anthropocentric rhetoric explicit is necessary to foster constructive dialogue among different anti-anthropocentrism proponents, as well as with their detractors.

Watsuji proposes a conception of the self as embodied and dynamic in constant cyclic relationship with the historical milieu. I argue that the concept of a relational individual can provide some solutions to the problem in environmental ethics of the spatial distance between an agent and the consequences of her actions. Indeed, by becoming aware of the interdependent relation between the self and the local shared milieu, one develops and recognizes feelings of care and belonging, which promote more environmentally sensitive lifestyles. Furthermore, this care and awareness of interdependence can be expanded to a global level, including distant human beings and natural environments. Ethics thus emerges from the constant dynamic relation between the relational individual and the historical milieu. keywords: Watsuji Tetsurō—environmental ethics—sustainability— self—relational self— milieu— Japanese philosophy— historicity— spatial distance— Augustin Berque.

The Concept of Milieu in Environmental Ethics discusses how we can come together to address current environmental problems at the planetary level, such as climate change, biodiversity loss, transborder pollution and desertification. The book recognises the embedded individual sociocultural and environmental contexts that impact our everyday choices. It asks, in this pluralism of worldviews, how can we build common ground to tackle environmental issues? What is our individual moral responsibility within the larger collaborative challenge? Through philosophical reasoning, this book pragmatically addresses these questions and builds a framework to support sustainable ways of living. At the core of the book, it draws on the concept of milieu (fūdo) inspired by the Japanese philosopher Watsuji Tetsurō, which captures how we act within and perceive our surroundings as a web of culturally, historically and geographically situated meanings and values. It argues that the milieu connects us as individuals with community, past and future history, and the natural world, providing us with common ground for global environmental ethics. This book will be an engaging and interesting read for scholars, researchers and students in environmental ethics, philosophy and sustainability.

The concept of humans as relational individuals living in a milieu can provide some solutions to various obstacles of theorization that are standing in the way of an ethics of sustainability. The idea of a milieu was developed by Tetsuro Watsuji as a web of signification and symbols. It refers to the environment as lived by a subjective relational human being and not as artificially objectified. The milieu can neither be separated from its temporal—or historical—dimension as it is directly related to the “now” of perceptions and actions in the world. In other words, elements of the natural milieu can be said to have a constitutive value as they contribute to our well-being by helping us make sense of our life and our world. In their temporal and relational dimensions, Watsuji’s notions of the milieu and human being are thus directly related to the notion of sustainability. This concept offers some convincing solutions to overcoming the problem of temporal distance, by shifting the center of argumentation from unknown, passive, and biologically dependent not-yet- born people to the transmission of a meaningful historical milieu. The turning point here is that if what matters is the survival of ideal and material projects that people live for, then future generations have tremendous power over them, as the actions of those future people will determine the success or failure of the projects started by present generations.

This article approaches the challenges of the distribution of responsibility for climate change on a local level using the framework of the milieu. It suggests that the framework of the milieu, inspired by Japanese and cross-cultural environmental philosophy, provides pathways to address the four challenges of climate change (global dispersion, fragmentation of agency, institutional inadequacy, temporal delay). The framework of the milieu clarifies the interrelations between the individual, the community, and the local milieu and is open to a conservative view of human communities and an inclusive view of multispecies communities. On this basis, an account of individual responsibility that is anchored in the local milieu and includes a responsibility to collaborate across milieus is developed. It consists of a forward-looking responsibility that balances a degree of contributory responsibility for one’s imprints on the milieu with a degree of capacity-responsibility that varies regarding the individual’s knowledge and powers, and the acceptability of practices within the local milieu.

Climate change and many environmental problems are caused by the accumulated effects of repeated actions by multiple individuals. Instead of relying on collective responsibility, I argue for a non-atomistic individual responsibility towards such environmental problems, encompassing omissions, ways of life, and consequences mediated by other agents. I suggest that the degree of causal responsibility of the agent must be balanced with the degree of capacity-responsibility determined by the availability of doable alternatives. Then, the more an agent has powers as a group member, the more she is responsible to design the social structure and the infrastructures of the group towards sustainability. Finally, one can hold another agent responsible only if the accused is not in a vulnerable position and if she is capable to take reparative and adaptive actions.

“Sustainability” is widely used by diverse organizations as the normative direction to coordinate common actions. But what should we sustain or maintain? Through philosophical reasoning and a literature review in environmental ethics, this paper explores this question and develops a working definition of “sustainability” that intends to be compatible with the global diversity of worldviews. I argue that sustainability is the maintenance of the conditions of possibility of continuation of (1) self-determining flourishing human existences. It entails (2) maintaining the natural processes of the global environment autonomous to limit the possible harmful consequences of the conflicts of distribution and domination, and (3) cultivating meaningful, diverse, and adaptable nurturing milieus. This definition encompasses the three intricate ideas of self-determination, autonomy of the global environment, and diversity. Self-determination as well as the preservation of the autonomy of global environmental processes are crucial elements to prevent the unescapable domination of some powerful groups and worldviews over others. Diversity is also a key piece of the sustainability puzzle as it provides ranges of options that make self-determination possible. This paper proposes an inclusive and flexible working definition of sustainability that is mindful of the global diversity of worldviews.