Li Wang

The Shanghai Cooperation Organization is the largest regional security and cooperation organization and has existed for nearly two decades. Since its inception China and Russia have acted as the driving force behind it, playing a leading role in its development. The main goals of the Big Two’s cooperation are to ensure the Eurasian corridor is developed, to promote collective security through regional cooperation organizations, including the United Nations, and to recast the world order on the basis of political dialogue, mutual respect, equality and international law. Nonetheless there are disagreements between China and Russia and among the member states. China is keen to tackle terrorism, extremism and separatism and pursue economic collaboration, while Russia is more ambitious about transforming the SCO into a strategic counterbalance to U.S. hegemony. Looking forward, people may wonder how China, a rising economic power and military force, will continue to share liabilities within the SCO, particularly with Russia but also the other member states. There is no definite answer to that question at the moment. All we can say is that the SCO has steadily evolved into one of the most multilateral and dynamic organizations. But if progress is to be sustained, reforms and systematic change are necessary.

Marxist philosophy is the wisdom of Western philosophy in the traditional process of subversion and beyond to stand out, but from the grasp of Marx's philosophical revolution in the philosophy of Marx's philosophy of opening of the new paradigm, in order to find its current intellectual resources of China's social development and useful suggestions, which is the contemporary study of Marxist philosophy an indispensable perspective. In this context we can see: the value of a rational and double scale study and expand the Time Life; to the rationalization of social relations based on reality truly people-oriented; the development of innovative Marxist philosophy to always face the reality of practice, which may be brought to contemporary Marxist revolution major revelation

"Strange • King Sima" emergent Wang Yu Ji Yi with counterfeit Takeo clothes to trick clothes Yi, Yi served to charm the hero, the gallant culture directly from the Sui and Tang dynasties. Han Dynasty as "barbarians serving pride" for the performance of the centralized position of prestige, medieval Buddhist Translation contest for gambling technology is the story motif another source. Ming extraordinary Takeo Central Plains to the north of the aliens fear of war, may have an impact on PU. Although the public interested in the background and Po "Northern people" really refers to dilute, the main character's actions reveal the embarrassment of their situation, suggesting a general frustration and decrees from the court's stupid uncertain, reflecting the demise of the Ming Pu deep thinking. Wang Jiyu had been described as a hero in Strange Tales of a Lonely Studio. Wang Sima that he conquered the barbarians by his courage, his trickeries and his charisma which came from the cavalier culture during Sin-Tang period. The stories that the heroic spirit brought the barbarians to subjection in Han Fu as a synbo1 of the central authority empire originated from the story that a competition in martial skills for gambling in the Buddhist Scriptures. The generals from the Central Plains frightened the Northerners in Ming dynasty which might also influence Pu Songling. Even Pu Songling tried to weaken the background of Wang Jiyu, it also reflected his deep reflection on the decline of Ming dynasty

Life-like painting, Magic is real, men, women expressed a strong pursuit; people often fell in love with fairy drawing as a medium for the "props"; the development of the novel into a real portrait of Illusion; picture also often form the Celestial interaction with the mortal characters laity way, the performance of the specific text in a mystical atmosphere of illusion and a source of and evidence. Artist athletics, early medieval Chinese translation is interesting to the story of a Buddhist motif; Buddhist scriptures written on a beautiful painting too lifelike, caused by men who Pursues Acacia, also inspired by the paintings of Chinese literature into a true narrative. Buddhist stories into Central Asia Turkey has also been influenced by the art of painting, its true motif for painting constitutes an important intermediary. Buddhists in China about the activities recorded in the Central Plains, it is not difficult to find traces of paint come true. Chinese paintings were an intermediary for a human being falling in love an immortal, a way for a female immortal to contact with a worldly male, and an original of fairyland and magic in some fictions' texts. It has been an interesting story topic in Buddhism classics during the middle-ancient period that the painters made competitions. Moreover, it enlightened the narrative structure that the figure in paintings became a real person in the world because the lifelike beauty in Buddhism paintings attracted the female 'seeking. There are some traces of the figure in painting becoming a real person in some records of Buddhists in the Central Areas