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Lisa Jones

University of St. Andrews
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  • University of St. Andrews
    Senior Lecturer
University of Liverpool
Department of Philosophy
PhD, 2004
Areas of Specialization
Aesthetics
Philosophy of Literature
Aesthetics and Culture
Aesthetic Value
Philosophy of Specific Arts
Feminist Philosophy
1 more
Areas of Interest
Value Theory
Aesthetics
Philosophy of Literature
Art and Artworks
Aesthetics and Culture
Aesthetic Value
Philosophy of Gender, Race, and Sexuality
Feminist Philosophy
Philosophy of Specific Arts
4 more
  • All publications (5)
  • Appropriation and Derogation: When is it Wrong to Appropriate?
    In Darren Hudson Hick & Reinold Schmücker (eds.), The Aesthetics and Ethics of Copying, Bloomsbury Press. pp. 187-210. 2016.
    Aesthetics
  •  648
    Der zweifache kognitiveWert des imaginativen Aspekts von fiktionalen Texten
    In Christoph Demmerling & Ingrid Vendrell Ferran (eds.), Wahrheit, Wissen und Erkenntnis in der Literatur: Philosophische Beiträge, De Gruyter. pp. 97-118. 2014.
    Literature and EthicsLiterature and KnowledgeFiction
  •  1
    Charles Altieri, Postmodernisms Now (review)
    Philosophy in Review 19 389-391. 1999.
    PoststructuralismPhilosophy of Visual Art, Misc
  •  80
    Contemporary Debates in Aesthetics and the Philosophy of Art (review)
    British Journal of Aesthetics 46 (3): 313-315. 2006.
    Art and Artworks
  •  152
    All caught up in the kayfabe: understanding and appreciating pro-wrestling
    Journal of the Philosophy of Sport 46 (2): 276-291. 2019.
    ABSTRACT Professional wrestling is a popular, global, performance phenomenon that is in many respects sport-like, but tends to be shunned by serious sports fans for its alleged ‘fakeness’. Yet its own fans often behave exactly like regular sports fans: getting caught up in the action, responding emotionally to the performances, and engaging in critical analysis of the competitive strategies and the turns of events. How does this alleged ‘fake sport’ engender such complex and deeply emotional ap…Read more
    ABSTRACT Professional wrestling is a popular, global, performance phenomenon that is in many respects sport-like, but tends to be shunned by serious sports fans for its alleged ‘fakeness’. Yet its own fans often behave exactly like regular sports fans: getting caught up in the action, responding emotionally to the performances, and engaging in critical analysis of the competitive strategies and the turns of events. How does this alleged ‘fake sport’ engender such complex and deeply emotional appreciation? Here I provide an analysis of pro-wrestling that explains and emphasises its narrative, dramatic and fictional aspects, showing it to be a complex representational work that can be appreciated aesthetically and emotionally on a number of levels.
    Aesthetics of SportPop CultureTheatrePhilosophy of Specific Arts, Misc
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