Lisa Maroski

It is difficult to express integral consciousness using ordinary language because of the inherent tendency of language to separate and distinguish. Jean Gebser, in The Ever-Present Origin, suggested concepts such as transparency and diaphaneity as ways to access integral consciousness, and the Gnostic text The Thunder, Perfect Mind (TPM) is written from the perspective of a being with integral consciousness. I use Jean Gebser’s concepts of transparency and diaphaneity to explicate TPM, an enigmatic, paradoxical poem in the Nag Hammadi Library. Because TPM is written from the perspective of an integral being, one who is All-of-It (i.e., paradoxical completeness rather than a consistent but incomplete persona), the poem calls the reader to embody such a perspective of being All-of-It, thereby enabling one to get beyond the limitations of either/or languaging and thinking by apperceiving the transparency of experience in space and through time.

In Embracing Paradox, Evolving Language, L.E. Maroski proposes that humanity is poised on the cusp of a transformation of consciousness that requires not only a shift in values and perspectives, but also a shift in a basic technology we take for granted—language. Because we use language to create social structures and institutions, including education, governance, and our most intimate relationships, the structure of our language contributes to the way we structure those creations. Maroski questions the cultural assumptions that are built into the structure of language—primarily English—and invites the reader to imagine and ultimately to help develop novel structures of language that arise from different assumptions. To do so, she shows how we can draw inspiration from paradoxical topological forms, such as the Möbius strip and Klein bottle, as they embody both unity and duality/multiplicity. By seeing our reality not simply in terms of either/or but also in terms of both (many)/and, perhaps our feelings of fragmentation and the stultifying oppositions that have polarized society can transform into appreciation for the wholeness of all existence.

The One That Is Both is a philosophical exploration of energy and matter, unity and duality, separateness and interconnectedness--disguised as fiction. It takes up cutting-edge topics in science, such as zero-point energy, and pushes them into metaphysics. It asks the question, what would life be like if we understood ourselves to be first and foremost energy beings rather than material beings--and then attempts to show an answer to that question. The One That Is Both intimates at a utopia without proclaiming to be utopian.

First, I briefly recapitulate the main points of Rosen’s article, namely, that the word “Being” does not adequately signify the paradoxical unification of subject and object and that the Klein bottle can serve as a more appropriate sign -vehicle than the word. I then propose to apply his insight more widely; however, in order to do that, it is first necessary to identify infra- and exostructures of language, including culture, category structure, logic, metaphor, semantics, syntax, concept, and sign vehicles, that preserve the status quo and keep subject and object disjunct. After analyzing those infra/exostructures, I engage a complementary process of integrating them, coagula, in order to spark ideas for innovating ways in which more of those facets of language can embrace paradox.