A man stands barefoot on the sand, his back to us, his shoes in his hand, his shadow gathered close against his feet. Within seconds we have decided what the scene means, long before we have found a word for it. How does that happen? What Art Keeps Out of Sight answers with the Theory of the Learnable, a framework born in the study of language and leadership. At the heart of the book is the Umbra Cone, the region that every representation shelters from view so that something else can come forwa…
Read moreA man stands barefoot on the sand, his back to us, his shoes in his hand, his shadow gathered close against his feet. Within seconds we have decided what the scene means, long before we have found a word for it. How does that happen? What Art Keeps Out of Sight answers with the Theory of the Learnable, a framework born in the study of language and leadership. At the heart of the book is the Umbra Cone, the region that every representation shelters from view so that something else can come forward. The authors show that what a work keeps out of sight is part of what it means, that the shape of that shadow can be described, and that whoever shapes a configuration for others is answerable for it. Their distinction between earned closure, which passes through a real rupture and keeps its alternatives alive, and sealed closure, the closure of kitsch and propaganda, speaks directly to an age of feeds, generated images and messages built to leave no room for doubt. From Leonardo, Caravaggio, Vermeer, Holbein, Rothko and Richter to contemporary painters such as Gonzho, Pippo, Cristian Mesa Velázquez and Samantha French, the book follows a single method of seven steps, clear enough to be taught and open enough to be disputed. It offers critics, curators, and art historians a new way of reading works; painters a vocabulary for reflecting on their own practice; and leaders a precise account of what it means to shape how others see. Luca Magni, Giorgio Marchetti, and Ahlam Alharbi, the co-developers of the Theory of the Learnable, bring together philosophy, organizational psychology, the science of mind, and critical discourse analysis in a book that asks us to look again at every image we are shown and at what it is keeping from us.