Luigi Russi

This paper is a review of R.C. Smith's "The Ticklish Subject? A Critique of Žižek’s Lacanian Theory of Subjectivity, with Emphasis on an Alternative". Whereas Lacan places central importance on the Oedipal phase as a necessary step on the road to the acquisition of subjectivity, R.C. Smith views it as a fundamentally authoritarian moment in early child development. This disagreement, in turn, puts Smith at odds with Žižek’s rupture between the Real and the Symbolic, leading him to advance instead an understanding of the subject as engaged in constant mediation in concert with others. The political ramifications of a notion of mediating subjectivity are intensely gripping, for they disclose nothing less than the promise to recover a sense of effective agency – the possibility of making a difference to one’s sociohistorical conditions – from the ruins of the neoliberal deformation of the subject.

This thesis innovates on existing literature on the Transition movement by relinquishing stock academic definitions of its ends and means, which purportedly spell out what Transition ‘is’. In its stead, it approaches Transition as phenomenon, namely as an evolving socio-material formation that proliferates a cultural repertoire to sustain a growing range of concerted everyday activities. This is the difference between an instrumental focus, whereby Transition is reduced to a strategy which is oriented towards an unchanging programmatic definition, and an orientational one; the latter attuned to the contingent process by which a movement expresses form and orientation in emergent fashion. The monograph and the introductory chapter contribute to this task in different ways. Everything Gardens and Other Stories undertakes a rich description of various practical realms of Transition and, to capture the coming into being of a phenomenon, it pays particular attention to its developmental trajectory. This entails focusing on the generative movement of the culture of Transition, as it emerges from the attempt to address embodied disquiets originally elicited by information about peak oil and climate change. That initial focus, however, forms merely a station along a path in which new sources of anxiety find validation and prompt further cultural production. The monograph also describes the tensions arising in the process, as a growing body of discursive and material resources have to negotiate an accommodation, in order to become reciprocally recognisable as participant parts enfolded in a common cultural milieu. The introductory chapter supports this account by fleshing out a methodological paradigm that helps direct attention to the unfolding of a socio-material phenomenon in its dilemmatic moments and continual negotiations. For this purpose, starting from canonical sources in phenomenology, it goes on to situate the ‘unfolding’ of a phenomenon in the proliferation of entanglements between actors, human and nonhuman. In the ‘mattering’ of a phenomenon so understood, dilemmatic moments call forth an ethical questioning and an ontological politics immanent to the very process of cultural production. This, it is submitted, is precisely how an orientational focus allows to access Transition as phenomenon, beyond the bounds of academic definitions.

The Transition movement is more than an instrumental strategy to address climate change and fossil fuel shortage. It is a collective form of life. Against the tendency to reduce social movements to mission statements and policy solutions, this book insists on de-strategising the development of Transition. It argues that the flourishing of its distinctive culture is open to both uncertainty and paradox, and resistant to prediction and mapping. Everything Gardens and Other Stories focuses instead on the body as the site where politics begins, engaging with the disquiets and anxieties that instigate the development of Transition practices: from Inner Transition, to food and currency activism, down to the REconomy project. Borne out of a sociologist’s accompaniment of Transition in Totnes, Everything Gardens and Other Stories inaugurates a new mode of accessing the everyday politics and ethical dilemmas that surface in the process of cultural innovation.