Manuel Cortés

RESUMEN Este artículo problematiza la forma en la que el feminismo ha interpretado al escepticismo como una amenaza para su proyecto epistemológico, ético y político, y plantea que, a pesar de dicha interpretación, el escepticismo es inherente a la filosofía feminista y un aliado útil para su proyecto. El problema ha estado en cómo el feminismo ha reducido su comprensión del escepticismo a una versión cartesiana extrema y ha pasado por alto otras corrientes de la tradición —como la de David Hume— que podrían ser fructíferas para promover una actitud crítica y emancipatoria. Muestra así como una alianza entre una comprensión moderada del escepticismo y el feminismo puede brindar las herramientas necesarias para cuestionar formas de dominación patriarcal y poner en marcha investigaciones que combatan la opresión de género. ABSTRACT This article problematizes feminism's current interpretation of skepticism as a threat to its epistemological, ethical, and political project, and argues that, despite this common view, skepticism is inherent to feminist philosophy and the latter can benefit from it. The problem lies in feminism's narrow understanding of skepticism that identifies it with a form of extreme Cartesianism, and leaves aside other skeptical variants, such as David Hume's moderate skepticism, which can be useful in promoting a critical and emancipatory stance, akin to feminism. The article demonstrates, then, how an alliance between feminism and this moderate kind of skepticism can contribute to question forms of patriarchal domination and propose lines of research that aim at combatting gender oppression.

At the beginning, the poetry was considered as the genesis of the arabic art, and after then the prose of adab, both of them appeared with the idea of the "beauty science". This idea would be projected on the music. On the other hand, the greek heritage of the classic arabic philosophy legacy was reflected during the first manuscripts of the arabic philosophers and musical theoreticians as al-Kindf and al-Farabf, as a result appeared a new conception of the "beauty" and "aesthetic". By this way, taking as a point of reference the greek classical world, the new parameters would appear as an result of this own reality and idiosyncrasy. Their poetry and musical legacy, joined to the philosopher and religious mind would complete the work of the "aesthetic musical art". The study of the arabic middle music prove that the harmony in the poetry, lingüistic and rhitmycal contents, go in parallel with the melodic content until it reached a harmonic relation and in definitive cosmic, and as a result an "aesthetic ideal". This ideal was based on "beauty" and the "aesthetic emotion" produced by the art and all that as reflet to the harmonic until the corp and the spirit and oriented to the spherical work and to the divinity.

En el presente escrito busco esclarecer las dificultades a las que se enfrenta la metafísica de Spinoza, a la luz de su contexto histórico intelectual. En particular, exploro cómo el desarrollo del concepto de grados de perfección en la escolástica tardía ejerce una fuerte influencia en el pensamiento espinosista, hasta el punto de arrojarlo a una serie de dificultades, en las que el horizonte cualitativo de la realidad se confunde con el cuantitativo. De este modo, el proyecto de naturalización de Dios de Spinoza no parece solventar completamente el problema del abismo relacional que hay entre una entidad absolutamente infinita y los compuestos finitos procedentes de ella.