Marco Angella

ABSTRACT In this paper, I will offer some examples of the effectiveness of Adorno’s concept of mimesis for an analysis of extreme violence and for a defence of democratic institutions against possible regressions into authoritarian regimes. I will start by reading the concept of mimesis through the lens of the interlacement between the concepts of play and power. My aim is twofold: first, I wish to further the analysis of Adorno’s concept of mimesis by showing that it can be interpreted as a form of play, which either empowers subjectivity or becomes a means of domination; second, I will use these speculations to highlight the relevance of Horkheimer and Adorno’s explanation of anti-Semitic violence when seen through the lens of the concept mimesis. Before concluding, I will briefly highlight Adorno’s ideas about what makes democracy vulnerable to potential regressions into extreme violence, and examine what can be done practically – from an Adornian perspective – to avoid regression: defending democratic institutions, and working towards a removal of those barriers that obstruct genuine mimetic experience and self-reflection.

I begin by briefly reconstructing Honneth’s concept of reification. His paradigm gives the reification of the non-human environment a marginal position in comparison to the reification of human beings, thereby detracting from its explanatory and critical potential. In order to avoid this outcome, I subsequently present a paradigm of subject identity formation in which not only affectively-based intersubjective interactions but also affectively-based interactions with the non-human environment are, in both a “genetic” and a “conceptual” sense, essential to establish an objective and meaningful relationship with external reality. On the basis of this paradigm a closer connection can be identified between the reification of human beings and the reification of the non-human environment—a connection in which the reification of the latter may reinforce human reification.

Over three decades, Axel Honneth has developed one of the most fully-structured recognition paradigms in the field of social philosophy. Although it has undergone considerable theoretical changes, this paradigm retains a strong unity. I will analyze it in light of the Frankfurt school critical social theory research program. By so doing, I aim, first, to outline a defense of Honneth’s theory against growing criticisms, which tend to see depletion of its critical insights in his most recent works. Secondly, I aim to highlight that most of the weaknesses pointed out by his critics derive from the methodology with which Honneth frames the concept of recognition, and which he explicitly related to the Frankfurt school critical social theory. Thirdly, I argue that, insofar as we are at present witnessing a transformation in the nature of current struggles for recognition, it is precisely one of the premises of this methodology that runs the risk of being undermined (i.e. the classical relation between theory and “praxis”).

In this paper, I will analyze Axel Honneth’s theory against the background of some of the criticisms that Amy Allen levelled against it. His endeavor seems to partially compromise his ability to identify the domineering forms of power that the subject does not acknowledge consciously and affectively. I will argue that, despite some significant limitations, Honneth’s theory has become increasingly able to analyze social negativity since The struggle for recognition. Also, in both defending Honneth’s methodology and delimiting its scope, I aim to contribute to the debate between two understandings of power: power as ‘domination’ and power as ‘constitution’.

Recently, following the social and subjective consequences of the neoliberal wave, there seems to be a renewed interest in work as occupying a central place in social and subjective life. For the first time in decades, both sociologists and critical theorists once more again regard work as a major constituent of the subject’s identity and thus as an appropriate object of analysis for those engaged in critique of the social pathologies. The aim of this article is to present a succinct analysis of Axel Honneth’s thoughts on the concept of work and to propose an approach granting it a more substantial role in social theory. To this end, this article will embark upon a reappraisal of the importance of the material and psychological dimensions of the subject’s interactions in the world of work. It aims to demonstrate that the normative demands associated with these dimensions are, like the normative demands of recognition, immanent and universal. In other words, it will argue that the normative ideals related to individuals’ bodily and psychic life (in the workplace and beyond) are not necessarily utopian in the negative sense (abstract and unrealistic). If this is indeed the case, theorists could take these normative demands for emancipation as a guide to analyzing the sociological, political and moral implications of the transition from the ‘Fordist’ to the ‘post-Fordist’ organization of labor.