Margaret A. Peg Simons

This chapter, first published in 1983, initially breaks the news of the scandal of the first English translation of _Le deuxième sexe_ to the English speaking world. Through a painstaking comparative reading of the Parshley translation, published by Knopf, alongside the original French, the chapter reveals the abridgment and editing of the original text with no indication of specific cuts in the text. It shows that Parshley’s version of _The Second Sex_ exhibits a sexist pattern of selection that reduces the impact of Beauvoir’s discussions of women’s history; drastically reduces the number of references to women writers, poets, politicians, military figures, etc.; curtails discussions of women’s oppression; and obscures Beauvoir’s philosophical commitments. This text was the first of those that ignited the flood of contemporary Beauvoir scholarship in the English-speaking world. It was because of Margaret Simon’s work that Beauvoir became aware of the flawed translation shortly before her death in 1986, and expressed her ardent wish for a new translation.

In this interview, Margaret A. Simons describes her path to philosophy and existentialism, her struggles in the male-dominated field in the 1960s and 1970s, and her political activism in the civil rights and women’s liberation movements. She also discusses her encounters with Simone de Beauvoir and Beauvoir’s refusal to own her philosophical originality, suggesting that Beauvoir may have adopted a more conventional narrative of a female intellectual to circumvent the public’s resistance to her radical ideas in the 1950s.

Résumé L’ autrice analyse l’ influence de Richard Wright sur la philosophie féministe de Simone de Beauvoir. Après avoir observé le virage théorique et philosophique que représente Le Deuxième Sexe dans la pensée de Beauvoir, elle en interroge les influences possibles. C’ est chez Richard Wright que l’ autrice trouve les racines de la pensée beauvoirienne de l’ oppression des femmes, de l’ engagement de l’ écrivaine et du féminisme radical selon lequel les femmes doivent se constituer en groupe à part entière pour se libérer.

Colette Audry pointed to a mystery in observing that during the 1930s Simone de Beauvoir had not been concerned with the “woman question” and that her friend must have encountered a “serious obstacle” that “made her change her mind” and write The Second Sex. Unfortunately, Beauvoir obscured the genesis of her most important work. Using evidence uncovered by her biographers about her relationship with Sartre, and digging more deeply into their posthumously published letters and diaries, this paper uncovers a series of events that together tell a likely story of Beauvoir’s feminist turning point.

This chapter is a memoir of my efforts to solve the puzzle of Beauvoir's denials of her work in philosophy including: an account of my interviews with Beauvoir and my findings that The Second Sex influenced Sartre's later philosophy; Kate and Edward Fullbrook's discovery of clues in the posthumously published texts leading to their solution of the puzzle; and my work on the new puzzle of Beauvoir's misrepresentation in her Memoirs of her early work in philosophy and relationship with Sartre, including their 1929 debate in the Luxembourg Gardens that allegedly drove her out of philosophy.

Simone de Beauvoir's 1949 feminist masterpiece, The Second Sex, has traditionally been read as an application of Sartrean existentialism to the problem of women. Critics have claimed a Sartrean origin for Beauvoir's central theses: that under patriarchy woman is the Other, and that 'one is not born a woman, but becomes one.' An analysis of Beauvoir's recently discovered 1927 diary, written while she was a philosophy student at the Sorbonne, two years before her first meeting with Sartre, challenges this interpretation. In this diary, Beauvoir affirms her commitment to doing philosophy, defines the philosophical problem of 'the opposition of self and other,' and explores the links between love and domination. In 1927, she thus lays the foundations of both Sartre's phenomenology of interpersonal relationships and of her own thesis, in The Second Sex, that woman is the Other. Her descriptions of the experience of freedom and choice point to the influence of Bergson, specifically his concepts of 'becoming' and élan vital. Tracing Beauvoir's shift from her apolitical position of 1927 to the feminist engagement of The Second Sex points to the influence of the African-American writer, Richard Wright, whose description of the lived experience of oppression of blacks in America, and whose challenge to Marxist reductionism, provide Beauvoir with a model, an analogy, for analyzing woman's oppression.

In December 1924 when Simone de Beauvoir almost certainly wrote her essay analyzing Claude Bernard's "Introduction to the Study of Experimental Medicine," a classic text in the philosophy of science, she was a 16 yr old student in a senior-level philosophy class at a private Catholic girls' school. Given the popular conception of existentialism as anti science, Beauvoir's early interest in science, reflected in her baccalaureate successes as well as her paper on Bernard, may be surprising. But her enthusiasm for Bernard is unmistakable. We have identified three themes in Beauvoir's essay that reappear in her later work, including the valuing of philosophical doubt

The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?"

Dating from her years as a philosophy student at the Sorbonne, this is the 1926-27 diary of the teenager who would become the famous French philosopher, author, and feminist, Simone de Beauvoir. Written years before her first meeting with Jean-Paul Sartre, these diaries reveal previously unknown details about her life and offer critical insights into her early philosophy and literary works. Presented here for the first time in translation and fully annotated, the diary is completed by essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. The volume represents an invaluable resource for tracing the development of Beauvoir’s independent thinking and influence on the world.

In a compelling chronicle of her search to understand Beauvoir's philosophy in The Second Sex, Margaret A. Simons offers a unique perspective on Beauvoir's wide-ranging contribution to twentieth-century thought. She details the discovery of the origins of Beauvoir's existential philosophy in her handwritten diary from 1927; uncovers evidence of the sexist exclusion of Beauvoir from the philosophical canon; reveals evidence that the African-American writer Richard Wright provided Beauvoir with the theoretical model of oppression that she used in The Second Sex; shows the influence of The Second Sex in transforming Sartre's philosophy and in laying the theoretical foundations of radical feminism; and addresses feminist issues of racism, motherhood, and lesbian identity. Simons also draws on her experience as a Women's Liberation organizer as she witnessed how women used The Second Sex in defining the foundations of radical feminism. Bringing together her work as both activist and scholar, Simons offers a highly original contribution to the renaissance of Beauvoir scholarship.

The posthumously published diaries and letters of Beauvoir and Sartre challenge the traditional account of Beauvoir as Sartre's philosophical follower. They show Sartre drawing on Beauvoir's account of relations with the Other in her metaphysical novel, She Came to Stay, as he began writing Being and Nothingness, and point to an unexplored Beauvoirean lineage of existentialism, including Bergson as well as Hegel, Kierkegaard, Husserl and Heidegger, and the African-American writer, Richard Wright.

Simone de Beauvoir, still a teen, began a diary while a philosophy student at the Sorbonne. Written in 1926-27—before Beauvoir met Jean-Paul Sartre—the diaries reveal previously unknown details about her life and times and offer critical insights into her early intellectual interests, philosophy, and literary works. Presented for the first time in translation, this fully annotated first volume of the Diary includes essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. It remains an invaluable resource for tracing the development of Beauvoir’s independent thinking and her influence on philosophy, feminism, and the world.

The first issues of the journal Hypatia, published from 1983 through 1985, truly heralded the rebirth of a feminist philosophy. Women in philosophy had been silenced since the days of the fourth-century Alexandrian woman philosopher and mathematician, Hypatia. With the establishment of the journal by the Society for Women in Philosophy, feminist issues and philosophy were legitimized. The first three issues of the journal were actually published as special issues of Women's Studies International Forum. From this unique incubational arrangement, the journal has grown to be a successful independent voice for feminist philosophical concerns. In response to demand, essays from those early, now out-of-print issues are being published in book form as a testament to the rebirth of feminist philosophy.

Written from September 1939 to January 1941, Simone de Beauvoir’s Wartime Diary gives English readers unabridged access to one of the scandalous texts that threaten to overturn traditional views of Beauvoir’s life and work. The account in Beauvoir’s Wartime Diary of her clandestine affair with Jacques Bost and sexual relationships with various young women challenges the conventional picture of Beauvoir as the devoted companion of Jean-Paul Sartre, just as her account of completing her novel She Came to Stay at a time when Sartre’s philosophy in Being and Nothingness was barely begun calls into question the traditional view of Beauvoir’s novel as merely illustrating Sartre’s philosophy. Most important, the Wartime Diary provides an exciting account of Beauvoir’s philosophical transformation from the prewar solipsism of She Came to Stay to the postwar political engagement of The Second Sex. Cast in the crucible of the Nazi Occupation, Beauvoir’s existentialist ethics reflects dramatic collective experiences, such as joining the tide of refugees fleeing the German invasion in June 1940, as well as the courageous reaffirmation of her individuality in constructing a humanist ethics of freedom and solidarity in January 1941.

For philosophers familiar with the traditional interpretation of Simone de Beauvoir as a literary writer and philosophical follower of Jean-Paul Sartre, Beauvoir’s 1926-27 student diary is a revelation. Inviting an exploration of Beauvoir’s early philosophy foreclosed by the traditional interpretation, the student diary reveals Beauvoir’s early dedication to becoming a philosopher and her early formulation of philosophical problems and positions usually attributed to Sartre’s influence, such as the central problem of “the opposition of self and other,” years before she first met Sartre in 1929.… Reading the student diary within a larger historical context, we discover that it reflects Beauvoir’s experience as one of the first generation of French women to gain full access to the academic world of philosophy, an experience that problematizes her identity as a woman. The diary shows Beauvoir struggling to accommodate herself to the male world of philosophy while striving to make philosophy her own. For Beauvoir this means following Henri Bergson in rejecting a philosophy that engages only the abstract intelligence. Defining her own unique literary philosophical methodology, Beauvoir vows to create a philosophy that is able, like literature, to encompass emotion as well as reason. This creative process begins in her diary where Beauvoir describes the concrete realities of her own lived experience. Searching for a sense of self in the “nothingness of everything human,” Beauvoir grapples with the existential problem of despair and the temptations of bad faith. Celebrating her newly found freedom and academic achievements, Beauvoir still struggles with the masochistic asceticism of her Catholic upbringing and longs for love, fearing a solitary future bereft of the comforts of woman’s traditional role. Beauvoir’s student diary thus allows us to trace the development of her early philosophy within the context of her life, while providing as well an intimate view of an academic world in transformation…. When the diary opens, with an entry dated August 6, 1926 Beauvoir is grappling with a central problem of her early life and philosophy, the conflicting moral obligations to self and others. Recounting a pilgrimage to Lourdes with an aunt, Beauvoir recalls feeling “ashamed” when faced with the physical suffering of the invalids: “[O]nly a life which was a complete gift of oneself, a total self-abnegation seemed possible to me.” But then, anticipating her critique of self-abnegation in The Second Sex, Beauvoir rejects it, describing the “absolute gift” as “moral suicide.” She vows, instead, to achieve an “equilibrium” between the duty to self and the duty to others. In the August 12, 1926 diary entry, Beauvoir frames the problem in metaphysical terms, referring to one part of herself “made to be given away,” and another “made to be kept and cultivated.” Later, in the November 5, 1926 entry, Beauvoir returns to the problem, writing that she split her “existence into two parts”: one part “for myself” and the other part “for others,” that is “the bonds that unite me with all beings.” Beauvoir’s 1926 description of existence “for myself” and “for others” lays the ground for her later philosophical work on the problem of the Other, as in her 1943 metaphysical novel, She Came to Stay, where the main female protagonist struggles to reclaim an existence for herself instead of existing solely for others, and in The Second Sex (1949) where Beauvoir argues that women are forced to assume themselves not as they exist for themselves but solely as they exist for men, thus as the absolute Other. During the course of the 1926 diary, Beauvoir’s efforts to reconcile these two “parts” of her existence are complicated by various influences, including her reading of Henri Bergson, the leading French philosopher of the early twentieth century. Beauvoir quotes at length in her 1926 diary from Bergson’s Essay on the immediate data of consciousness, which she describes, on August 16, as “a great intellectual rapture.” This diary entry may surprise those who remember the reference to Bergson in Beauvoir’s Memoirs: “I would not have been at all pleased if someone had prophesized that I would become a kind of Bergson; I didn’t want to speak with that abstract voice which, whenever I heard it, failed to move me” (MJFR 288). In this case as in so many others, Beauvoir’s diaries present a very different picture. In the August 16 diary entry, Beauvoir is critical of Bergson’s “impersonal” philosophical voice. But she lauds his methodological “appeal to intuition," which brings philosophy in contact with the « palpable reality » of life, as more characteristic of literature than philosophy. Beauvoir quotes Bergson’s celebration of the « bold novelist » able to tear aside « the cleverly woven web of our conventional self, » and reveal the « fundamental absurdity » of impressions underneath. « Nobody has better than he … defined the art of the modern novelist » Beauvoir writes, suggesting Bergson’s influence on Beauvoir’s developing literary philosophical method. Beauvoir writes, in the August 16 entry, that she is “thrilled” by Bergson’s “analysis of the two aspects of the self,” the authentic inner self and the external social self. For Bergson, unlike Beauvoir who is concerned with serving others as well as the self, our responsibility is wholly to the self and its freedom, which we discover only by breaking through the superficial “crust” of the social self. If his ethic of individual freedom complicated Beauvoir’s search for an ethical “equilibrium,” Bergson’s methodological turn to intuition and rejection of philosophy’s sole reliance on reason might have appealed to a young women trying to enter the male world of philosophy and make it her own….