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Volume 3. Nietzsche and Kant on aesthetics and anthropologyIn Marco Brusotti (ed.), Nietzsche's engagements with Kant and the Kantian legacy, Bloomsbury Academic. 2017.
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26As the Spider Spins: Essays on Nietzsche's Critique and Use of Language (edited book)De Gruyter. 2012.Nietzsche's metaphor of the spider that spins its cobweb expresses his critique of the metaphysical use of language - but it also suggests that ‟we, spiders‟, are able to spin different, life-affirming, healthier, non-metaphysical cobwebs. This book is a collection of 12 essays that focus not only on Nietzsche's critique of the metaphysical assumptions of language, but also on his effort to use language in a different way, i.e., to create a ‟new language‟. It is from this viewpoint that the book…Read more
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12References, Citations, and AbbreviationsIn João Constâncio (ed.), Nietzsche and the Problem of Subjectivity, De Gruyter. 2015.
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7List of Contributors/affiliationsIn João Constâncio (ed.), Nietzsche and the Problem of Subjectivity, De Gruyter. pp. 695-696. 2015.
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10Introduction to Nietzsche and the Problem of SubjectivityIn João Constâncio (ed.), Nietzsche and the Problem of Subjectivity, De Gruyter. pp. 1-46. 2015.
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9IndexIn João Constâncio (ed.), Nietzsche and the Problem of Subjectivity, De Gruyter. pp. 697-710. 2015.
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16Complete BibliographyIn João Constâncio (ed.), Nietzsche and the Problem of Subjectivity, De Gruyter. pp. 668-694. 2015.
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13AcknowledgementsIn João Constâncio (ed.), Nietzsche and the Problem of Subjectivity, De Gruyter. 2015.
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21The Song of the Sirens: Nietzsche and Hegel on Music and FreedomIn Leonel R. dos Santos & Katia Dawn Hay (eds.), Nietzsche, German Idealism and its Critics, De Gruyter. pp. 100-114. 2015.
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13„Wachs in den Ohren“. Nietzsches Deutung der philosophischen Furcht vor der Musik in der ModerneNietzsche Studien 45 (1): 132-142. 2016.Name der Zeitschrift: Nietzsche-Studien Jahrgang: 45 Heft: 1 Seiten: 132-142.
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4Vom Tragischen Zum Lachen. Fünf Untersuchungen Zum Begriff Des Tragischen Bei Nietzsche Und Seiner Entwicklung in der Modernen Kunst Und PhilosophieNietzsche Studien (1973) 38 (1): 464-476. 2009.
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14“uma certa falta de urbanidade”. As hesitações de Kant a respeito da músicaCon-Textos Kantianos 1 (12): 270-291. 2020.This paper explores Kant’s ambivalent views on music. It aims to show, on the one hand, how these ambivalences are in line with the modern philosophical reflection on this art; on the other hand, to show their place within Kantian aesthetics, a place that justifies Kant’s hesitations as whether to classify music as beautiful or agreeable, art or mere enjoyment, free or dependent beauty, culture or nature.
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1718. Questioning Introspection: Nietzsche and Wittgenstein on “The Peculiar Grammar of the Word ‘I’”In João Constâncio (ed.), Nietzsche and the Problem of Subjectivity, De Gruyter. pp. 454-486. 2015.
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42Musicofobia, musicofilia e filosofia: Kant e Nietzsche sobre a músicaKriterion: Journal of Philosophy 54 (128): 497-512. 2013.O presente estudo propõe-se questionar a alegada musicofobia de Kant comparando-a com a bem conhecida musicofilia de Nietzsche. A partir da análise das considerações, à primeira vista tão díspares, de ambos os filósofos sobre a música, procurar-se-á mostrar que tal disparidade é apenas aparente, pois, quer para Kant, quer para Nietzsche, a experiência de ouvir música relaciona-se de modo profundo com a experiência de pensar. This paper aims to question Kant's alleged musicophobia by comparing it…Read more
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20A música, nossa percursora: Acerca da música na filosofia de NietzscheCadernos Nietzsche 31 209-234. 2012.
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11Nietzsche on Instinct and Language (edited book)De Gruyter. 2011.The volume offers various considerations of Nietzsche s attempt to connect language to the instinctive activity of the human body. In focusing on how Nietzsche tries to dissolve the traditional opposition between instinct and language, as well as between instinct and consciousness and instinct and reason, the different papers address a great variety of topics, e.g. morality, value, the concept of philosophy, dogmatism, naturalization, metaphor, affectivity and emotion, health and sickness, trage…Read more
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13A lição da músicaCadernos Nietzsche 38 (1): 106-126. 2017.Resumo O texto explora as afinidades que podem ser encontradas entre o pensamento de Nietzsche e o de Rousseau a partir da análise do interesse de ambos pela música. Não escamoteando o que os separa, procura-se esclarecer as razões deste interesse e a sua relação quercom a preocupaçãoque partilham acerca da cultura ocidental moderna, quer com crise da subjectividade que essa cultura parece acarretar.The text aims at exploring the affinities that might be found between Nietzsche’s and Rousseau’s …Read more
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24Vom Tragischen Zum Lachen. Fünf Untersuchungen Zum Begriff Des Tragischen Bei Nietzsche Und Seiner Entwicklung in der Modernen Kunst Und PhilosophieNietzsche Studien (1973) 38 (1): 464-476. 2009.
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6Nietzsche contra Schopenhauer? A reavaliação nietzschiana do valor metafísico da músicaRevista de Filosofia Moderna E Contemporânea 4 (1): 6-18. 2016.O presente artigo explora as concepções schopenhaueriana e nietzschiana da música e as suas consequências para a reflexão filosófica de Schopenhauer e Nietzsche acerca desta arte. Começando por identificar algumas contradições na ‘metafísica da música’ de Schopenhauer procura-se, num segundo momento, confrontá-las com as ideias de Nietzsche sobre a importância filosófica desta arte e mostrar em que medida Nietzsche se inspirou e se afastou da estética musical de Schopenhauer. Em particular, proc…Read more
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