Maria Giovanna Corrado

The study of perception has often taken the perspective of vision and, to date, less attention has been dedicated to the other senses, including hearing. Research in auditory perception itself has been predominantly occupied with sounds, overlooking further aspects of the auditory perceptual experiences that we ordinarily undergo. Carrying out an inquiry in auditory perception, I present an account of the material objects of auditory perceptual experience. Examining the objects of auditory perceptual experience via the notion of force, a power essential to material bodies, we come to appreciate that we are ordinarily auditorily presented with material bodies. A set of auditory perceptual experiences, such as that of the crunching of a carrot, evidently present us with material bodies in presenting us with bodies in interaction, exerting and being governed by force. This will further provide an opportunity to uncover biases in our understanding of what constitutes objects of material nature and how we consider these to be present in perceptual experience. The first part of this thesis looks into the sources of these biases, beginning with a sceptical challenge set out by Hume and considering a set of responses to this. Hume is sceptical of the idea that what we perceive continues to exist unperceived which we may derive from experience of material bodies. As I will observe in chapter two, philosophers have often assigned a central role to spatial aspects of material bodies in the resolution of this issue. Given so, in chapter three, I identify the source of a challenge as to whether the auditory presents us with material bodies in the thesis that auditory perceptual experience does not present us with spatially extended bodies. In the second part, I develop my positive account. In chapter four, posing a challenge to indirect accounts of auditory perception, according to which we hear material bodies indirectly via auditory perceptual experience of sounds, I begin to put forward the claim that there is a set of cases of auditory perceptual experience in which we do appear to be presented with material bodies. In chapter five, I move on to assess our conception of the material taking a short historical excursus in the understanding of the power of bodies to exert and be governed by force. In chapter six, I turn to consider what it means to be perceptually sensitive to this condition of materiality and in what sense such power can be considered to be present in auditory perceptual experience. In chapter seven, I finally point to a further direction of inquiry into mind-independence that the account developed in this thesis opens.