Mario Rodríguez

In a variety of synaesthesia, photisms result from affect-laden stimuli as emotional words, or faces of familiar people. For R, who participated in this study, the sight of a familiar person triggers a mental image of "a human silhouette filled with colour". Subjective descriptions of synaesthetic experiences induced by the visual perception of people's figures and faces show similarities with the reports of those who claim to possess the ability to see the aura. It has been proposed that the purported auric perception may be easily explained by the presence of a specific subtype of cross-modal perception. We analyse the subjective reports of four synaesthetes who experience colours in response to human faces and figures. These reports are compared with descriptions of alleged auric phenomena found in the literature and with claims made by experts in esoteric spheres. The discrepancies found suggest that both phenomena are phenomenologically and behaviourally dissimilar

Studies demonstrating the benefits of ethical behavior at an individual level are scarce. The business ethics literature centers its analysis on unethical behaviors and their consequences, rather than ethical behaviors and their benefits. There is now considerable debate on the role of auditors in society and the function of accounting firms in the free market capitalist system. Specifically, the eminently ethical nature of the auditor’s work has been highlighted. Therefore, the aim of our paper is to show the impact of auditors’ sustained ethical behavior: the trust it generates. This trust results in considerable benefits for the firm due to a reduction in the costs of the partner’s supervision of the auditor. The methodology chosen to validate these claims is a survey of partner of the audit firm in auditing companies. The results of this research confirm the hypotheses raised in the theoretical model.

After compulsory secondary education; many teenagers face the process of choosing a university degree. This process involves uncertainties referred to their personal abilities, interests, social expectations and professional future. The present work is aimed at determining whether the reasons behind the selection of a particular university degree differ depending on the chosen degree. Another objective is determining whether these reasons differ significantly according to gender. The sample comprises 983 students belonging to the area of social and legal sciences at the University of Seville. The obtained results reveal the existence of four main reasons behind the selection of university degrees for which significant gender-related differences were observed: easy degree, job opportunities, high wages and provision of social services. Besides, these seven reasons are observed to differ widely in six of the considered degrees

Resumen: Esta investigación busca dar cuenta de los espacios que habitan los personajes del cuento Alegres, libres y ruidosas de Pedro Juan Gutiérrez. Mediante los detalles que nos entrega el narrador, revisaremos los “operadores tonales”, estableciendo los enunciados descriptivos y los detalles inherentes a ellos, en cuanto a la composición de los personajes, así como el tipo de espacio en que se realizan, construyendo una identidad transgresora bajo la perspectiva de la poética de lo soez. En este sentido, los personajes serán “máquinas deseantes” que irrumpen en la realidad con un flujo sistemático de líquidos descompuestos que arrastran residuos políticos, éticos y estéticos presentes en la Cuba contemporánea. Así, podríamos hablar de un sexo eminentemente político que no se presenta denotativamente en el cuento sino en las metáforas construidas por aquellos operadores que fijan el “tono” del relato. Por último, postulamos que los detalles funcionan como “pistas” de una historia secreta que funciona bajo la historia visible que se narra en el cuento.: This research seeks to explain the spaces inhabited by characters from the story Alegres, libres y ruidosas by Pedro Juan Gutiérrez. Thoughout the details provided by the narrator, we will review “tone operators”, determining their descriptive and inherent statements, concerning characters, the space in which they are realized by building a transgressor identity under the view poetics of the vulgar. In this sense, the characters are "desiring machines" that burst into reality with a systematic flow of decomposed liquids that drag political, ethical and aesthetic residues present in contemporary Cuba. Thus, we could speak of an eminently political sex that does not occur denotatively in the story but in the metaphors constructed by those operators who fix the "tone" of the story. Finally, we postulate that the details function as "clues" of a secret story that works under the visible story told in the tale.

Este artículo sintetiza y analiza los principales cambios experimentados por la política exterior de la República Popular China desde su fundación en 1949 hasta la actualidad. Para explicar esas transformaciones se recurre fundamentalmente a tres variables, que las autoridades chinas han interpretado influidas por tres componentes ideacionales: el comunismo, el nacionalismo y el pragmatismo. A modo de conclusión se subraya que, a pesar de sus vaivenes, la política exterior de Pekín ha mantenido tres objetivos fundamentales en las últimas siete décadas: modernización, reconocimiento internacional como gran potencia y reunificación nacional.

Proponemos que ciertos “detalles” (la catálisis, según Barthes) revelan la presencia del poder disciplinario en la esfera del relato moderno. Iniciamos el análisis a partir de algunas unidades descriptivas del Purén Indómito, a las que consideramos antecedentes directos de esa revelación, y concluimos con la novela Martín Rivas y el cuento El matadero. El texto colonial da cuenta detallada de la vida cotidiana en el reino de Chile, cuenta que expresa las estrategias del poder de soberanía, mientras que en los relatos modernos relevará la presencia del poder disciplinario. Así, la presencia de detalles dramáticos en el Purén obedece a lograr la intervención jurídica-moral del monarca en el reino. En cambio, a partir del realismo esos detalles muestran el actuar de los cuerpos a someter y disciplinar, tal y como ocurre en Martín Rivas y El matadero. La estrategia narrativa será entonces sacar a la luz los detalles de las costumbres retrógradas, bárbaras, sucias, de la sociedad latinoamericana para disciplinarlas, limpiarlas y conseguir, así, naciones modernas y productivas. Our proposition is that certain “details” (catalysis, according to Barthes) reveal the presence of disciplinary power in the sphere of modern fiction. Our analysis starts with some of the descriptive units of Purén Indómito, which we consider to be a direct precedent for this revelation, and we conclude with the novella, Martín Rivas, and the short story, El matadero. The text dating from the colonial period gives a detailed account of daily life in the kingdom of Chile, describing the strategies of the sovereign power, while the modern stories highlight the presence of disciplinary power. Thus, the purpose of the dramatic details recounted in Purén is to ensure the legal-moral intervention of the monarch in the kingdom. In realist works, on the other hand, these details show the actions of organisations to subject and discipline the people, just as it occurs in Martín Rivas and El matadero. In this case, the narrative strategy is to exhibit the details of the foul, barbarous, reactionary customs of Latin American societies in order to discipline and purify them, and thus transform them into modern, productive nations

This paper explores the ritual function of horror movie villains from multiple perspectives within ritual studies, with particular emphasis on the functionalist branch and Roy Rappaport’s definition that ritual is “the per- formance of more or less invariant sequences of formal acts and utterances not entirely encoded by performers.” 1 First, the paper considers the ways in which horror movie villains are hybrid collective representations in the sense of French sociologist Emile Durkheim and uncanny metaphors mobilised through media as described by Steven Schneider. Second, a Neo-functionalist analysis of ritual defines the reinforcement of binary categories as a fundamental aspect of rituals. We can elaborate the notion of the ritual binary to then demonstrate the multiple ways in which the horror movie villain transgresses these to fulfill his or her ritual role. Third, the paper elaborates six specific ways in which horror movie villains transgress social binaries, such as those of gender, the space of the body, and life and death. The function of horror villains as transgressors gives them a critical, ritual role in horror movies from a functionalist ritual perspective: to reconstitute binaries. Fourth, according to Carolyn Marvin and David Ingle it is the job of media to perform ritual re-presentation of the original blood sacrifice of soldiers who died for the nation, a blood sacrifice that replenishes the Durkheimian totem of the US flag. Horror villains could be perceived as one such media re-presentation. This section builds further evidence for horror villains as both collective representations and ritual transgressors. The paper concludes with a comparison of the fates of anti-heroes in two films from the new ultra-violent genre of horror with two recent Academy Award-winning films to understand how the villain as construction for ritualised punishment may be changing