Mark Eli Kalderon

What is the relation between colors and our experience of them? A na?ve thought is this?the phenomenal character of color experience is determined by the qualitative character of the perceived color. When Norm perceives a red tomato, the qualitative character of his color experience is determined by the qualitative character of the color manifest in his experience of the tomato. If however, colors are mind- independent qualities of material objects, as they seem, pre-philosophically to be, then this can seem to con?ict with the possibility, if it is one, of veridical perceptual variation. Indeed, it is largely on this basis that Shoemaker ?????? criticizes the version of representationalism defended by Hilbert and Kalderon ??????

Now with extra footnotes, by editorial demand! Final version accepted by Oxford Studies in Ancient Philosophy. This essay consists in a trick and a potential insight. The trick consists in a minimalist interpretation of color mixture. The account of color mixture is minimalist in the sense that, given certain background assumptions, there is no more to Timaeus’ account of color mixture than the list of the chromatic pathēmata and the list of how these combine to elicit perceptions of all the colors. The only potential controversial elements of the minimalist interpretation are the relevant background assumptions and the interpretation of the chromatic pathēmata. The potential insight concerns a motive that Plato, in the guise of Timaeus, may have for presenting an account of color mixture. Specifically, I shall argue that on the minimalist interpretation, Plato may be read as reconciling the Democritrean four color scheme with an older tradi- tion where white and black are the fundamental chromatic opposition. As we shall see, this bears on the interpretation of the chromatic pathēmata.

Fictionalism is the view that a serious intellectual inquiry need not aim at truth. It came to prominence in philosophy in 1980, when Hartry Field argued that mathematics does not have to be true to be good, and Bas van Fraassen argued that the aim of science is not truth but empirical adequacy. Both suggested that the acceptance of a mathematical or scientific theory need not involve belief in its content. Thus the distinctive commitment of fictionalism is that acceptance in a given domain of inquiry need not be truth-normed, and that the acceptance of a sentence from the associated region of discourse need not involve belief in its content. In metaphysics fictionalism is now widely regarded as an option worthy of serious consideration. This volume represents a major benchmark in the debate: it brings together an impressive international team of contributors, whose essays represent the state of the art in various areas of metaphysical controversy, relating to language, mathematics, modality, truth, belief, ontology, and morality.

Transparency is the following (alleged) property of truth: if one possesses the concept of truth, then to assert, believe, inquire whether it is true that S just is to assert, believe, inquire whether S (and conversely). It might appear (as it did to Frege in 'Thoughts') that if truth ascriptions were transparent, then the truth predicate must be redundant; but the fact that some truth ascriptions are not transparent-for instance, those that quantify over, name, or describe the proposition(s) to which truth is ascribed-shows that the truth predicate could not be redundant. It is argued that the apparent paradox is resolved by treating content as more basic than truth (and arguing, accordingly, that content cannot be explained, even in part, in terms of truth conditions). This strategy is illustrated by three candidate analyses, each of which treats the truth predicate as non-redundant but can, nevertheless, account for transparency.

I defend and develop a traditional view in the metaphysics of sound, The Wave Theory of Sound. According The Wave Theory, as developed herein, sounds are not patterned disturbances so much as their propagation. And the propagation of a patterned disturbance is not a form of travel, but a dynamic in-formation, the wave-form successively inhering in diferently located parts of the dense and elastic medium. This conception, along with the assumption that we hear not only sounds but their sources, has the resources to address many of the most recent criticisms of this traditional view.

We hear sounds, and their sources, and their audible qualities. Sounds and their sources are essentially dynamic entities, not wholly present at any given moment, but unfolding through their temporal interval. Sounds and their sources, essentially dynamic entities, are the bearers or susbtrata of audible qualities. Audible qualities are qualities essentially sustained by activity. The only bearers of audible qualities present in auditory experience are essentially dynamic entities. Bodies are not, in this sense, essentially dynamic entities and so are not present in our auditory experience. Though absent in auditory experience, we may, nonetheless, attend to bodies in audition, when an audible sound-generating event in which they participate presents a dynamic aural image of them.

The Frege Geach problem was rst raised by ? (1939: 33•34) and independently by ? (1958, 1960, 1965) and Searle (1962, 1969) and was originally directed at expressivist proposals such as Ayer's (1946: 108) emotivism: It is worth mentioning that ethical terms do not serve only to express feeling. They are calculated also to arouse feeling, and so to stimulate action. . . . In fact we may de ne the meaning of the various ethical words in terms both of the di erent feelings they are ordinarily taken to express, and also the di erent responses which they are calculated to provoke. Ayer's talk of `de ning' the meanings of ethical words suggests that he identi ed the meaning of an ethical word with the attitudes it expresses and provokes. Ayer's emotivism is subject to the Frege Geach problem because it is a form of atomistic reduction. It is atomistic in that it assumes a one•one correlation between the meanings of ethical words and the linguistic actions they perform (such as the expression and provoca• tion of the relevant attitudes). It is a reduction in that it identi es the meaning of an ethical word with attitudes it expresses and provokes. Atomistic reductions face the following dilemma: Suppose that freestanding and embedded occurrences of `wrong' mean the same. The problem is that words can occur in embedded contexts and fail to express the attitudes they do in freestanding contexts. This di culty would be avoided if the atomistic reduction applied only to the meaning of freestanding occurrences. However, if the account applies only to freestanding occurrences, then it is incomplete, for the expressivist would lack an account of the meaning of ethical words in embedded contexts. Furthermore, some guaran• tee must be given that freestanding and embedded occurrences mean the same despite their meanings being di erently determined. For, if freestanding and embedded occurrences dif• fer in meaning, then the expressivist is apparently committed to the invalidity of recognized forms of valid argument (due to the fallacy of equivocation)..

The presence of the fiery substance illuminates the transparent medium. White (leukon) corresponds to the presence of this determinant of what is actually transparent. Conversely, black (melaton) corresponds to its absence. The absence of the fiery substance darkens the transparent medium. White and black are thus associated with a fundamental condition on the visibility of remote external particulars. No doubt in part because of this Aristotle attempts to explain the other hues in terms of the ratio of white and black. He considers three such accounts, in terms of (1) juxtaposition, (2) overlap, and (3) mixture, advocating the third. On all three accounts chromatic hues are determined by white and black in various ratios, the accounts differing only in how these ratios are implemented

Very often, objects in the scene before us are somehow perceived to be constant or uniform or unchanging in color, shape, size, or position, even while their appearance with respect to these features somehow changes. This is a familiar and pervasive fact about perception, even if it is notoriously difficult to describe accurately let alone adequately account for. These difficulties are not unrelated—how we are inclined to describ the phenomenology of perceptual constancy will affect how we are inclined to accoun for it.

Producing language that other people will be able to understand involves not just having a picture in your mind of the scenario…You have to deploy a shared linguistic system, according to established rules, using lexemes of known meaning, to present that picture to others in a way that will work for them. You have to consider whether there are other ways of viewing the situation at hand. You have to examine the wording you have chosen to see if it has ambiguities or unclarities. You have to put yourself in the place of a person who did not [develop the picture], and you have to ask yourself whether they would understand..

Jimmy expresses sympathy for Scanlon’s contractualism but wonders whether it might be better developed in the context of a Humean expressivism. Jimmy presses this point, in part, by observing that much of what Scanlon wants to say about moral and normative discourse, such as their logical discipline and apparent truth-aptitude, can be accommodated by the expressivist. If all that Scanlon wants to say about moral and normative discourse can be accommodated by the expressivist then what content can be given to his denial of expressivism, to his commitment to a cognitive understanding of moral judgment and judgments of reasons? The appearance of a genuine dispute between Scanlon and the expressivist can seem to slip quietly out of view. In this reply I will focus in detail on one strand of Scanlon’s thought that raises difficulties for the expressivist model that Jimmy favors. The point is to emphasize that there is indeed a genuine dispute between Scanlon and the expressivist and to suggest, tentatively, that Scanlon’s contractualism might require its present cognitive development.

Shoemaker argues that one could not hold both that the qualitative character of colour experience is inherited from the qualitative character of the experienced colour and that there are faultless forms of variation in colour perception. In this paper, I explain what is meant by inheritance and discuss in detail the problematic cases of perceptual variation. In so doing I argue that these claims are in fact consistent, and that the appearance to the contrary is due to an optional and controversial conception of experience that should be rejected

As standardly conceived, an illusion is an experience of an object o appearing F where o is not in fact F. Paradigm examples of color illusion, however, do not fit this pattern. A diagnosis of this uncovers different sense of appearance talk that is the basis of a dilemma for the standard conception. The dilemma is only a challenge. But if the challenge cannot be met, then any conception of experience, such as representationalism, that is committed to the standard conception is false. Perhaps surprisingly, naïve realism provides a better account of color illusion.An apparence ymaad by som Magyk. Chaucer

In his 1904 letter to G.F. Stout, Cook Wilson distinguishes objective and sub- jective conceptions of appearance, and provides a diagnosis for the modern acceptance of the subjective conception in terms of a confused misdescrip- tion of the objective appearances that perceptual experience affords. More- over, Cook Wilson links subjective appearances with idealism, the suggestion being that perceptual appearances must be objective if they are to afford us with something akin to proof of a world without the mind.