Martin Pokorný

The concept of mimesis has been central to philosophical aesthetics from Aristotle to Kendall Walton: in plain terms, it highlights the links between a fictional world or a representational practice on the one hand and the real world on the other. The present collection of essays includes discussions of its general viability and pertinence and of its historical origins, as well as detailed analyses of various relevant issues regarding literature, film, theatre, images and computer games. The individual papers offer new arguments for the specialist, yet in their sum also provide a solid and helpful survey of the current state of the debate. Contributions by P. Alward, G. Currie, D. Davies, L. Dole el, J. Hamilton, T. Kobli ek, P. Kot'atko, A. Kuzmicova, J. Levinson, A. Meskin, A. Pettersson, M. Pokorny, J. Robson, G. Rossholm, R. M. Sainsbury, F. Stjernberg, E. Terrone, K. Thein, A. Voltolini.

Jan Patočka's “Galileo Galilei and the End of the Ancient Cosmos” was initially published in the popular science journal Vesmír, 33 (1954), no. 1, pp. 27–29. The year before, there had been published in the same journal, under the general heading “On the Development of the Ideas of Natural Science,” a series of Patočka’s articles, including “The First Critics of Aristotelianism” [Vesmír 32 (1953), no. 7, pp. 254–256]; “The Breakdown of Aristotle’s Dynamics and the Prelude to Modern Mechanicism” (ibid., no. 8, pp. 285–287); “Intermezzo on the Threshold of Modern Science: Cusanus and Comenius” (ibid., no. 9, pp. 322–325). This series had been introduced by yet another text: “Aristotle’s Philosophical Natural Science” [Vesmír 32 (1953), no. 3, pp. 102–105]. A last short essay on the theme of the birth of modern natural science—“On the Significance of Francis Bacon of Verulam” [Vesmír 40 (1961), no. 5, pp. 152, 155, and no. 6, pp. 186–188]—followed several years later. These texts were all subsequently revised to a greater or lesser extent and included in the book Aristoteles, jeho předchůdci a dědicové (Aristotle, His Forerunners and Successors), Prague: NČSAV, 1964.

The influence and reputation of Pierre Menard, Author of the Quixote, is easily comparable to the impact of groundbreaking theoretical texts. Numerous philosophers, aestheticians and theorists of literature, music, or visual arts have been induced by this short story by J.L. Borges to reconsider the status of the literary work of art, to rethink the relationship between work and text. The essays collected here move from analyses of the identity of the literary work of art, as it is explicitly established by Borges? narrator, to arguments that simply employ the Menard case as an opportunity for discussing broader issues of literary studies and the philosophy of literature. Selected essays even abandon the field of literature altogether, moving on to analogous issues in the theory of visual arts and music.