Martin Renz

Present whenever people act together and yet never seen for what they do, spaces of appearance come in many guises: a car crash in Vienna, a discussion forum in Dresden, a baker’s queue in Paris, an art festival in Shiraz, an unbuilt house in Istanbul, a law court in Berlin, a photograph from Arkansas. Taking their cue from Hannah Arendt’s famous concept, the case studies in this volume, written in close collaboration, examine how the perceptive standards of a given political situation may subtly change or consolidate. Supported by a wealth of images, this volume demonstrates how the concept can be activated for innovative research ‒ especially in cases where an understanding of aesthetics and politics needs to go beyond their analogization. Featuring an essay by Susan Buck-Morss.

ABSTRACT Drawing on Hannah Arendt, this article sketches out the field in which the potential effectivity of a claim to free speech—its power—may play out. The article combines Arendt’s thoughts on free speech and its (in)effectivity with a rather odd-sounding word that she reinserted into the German translations of her texts from the original English: “Schwindel.” This word translates at once to “fibbing” and “lying,” “fraud” and “scam,” as well as to “dizziness” and “vertigo.” Attention to the complex range of connotations of the German word in its English translations unexpectedly discloses how debates around free speech connect with three aspects of contemporary political life: the social opportunism of a lifestyle centered around “hustling,” the unavailability of truth in politics, and a dysfunctional social economy.