Mathias Spohr

University of Bayreuth
  • This paper proposes a fundamentally different reading of quantum-mechanical paradoxes by relocating their source from physical reality to the institutional and operational conditions that make physics possible in the first place. Standard interpretations implicitly treat the observer’s standpoint, reproducibility, and symmetry as innocent, cost-free features of the formalism. We argue instead that observer equivalence is not a physical given but a socially enforced requirement that has been natu…Read more
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    Paradoxically, Western media render things, places, institutions, roles and people interchangeable by asserting their distinctive identities. This is particularly evident in the historical genre of operetta. This text analyses this strategy in the context of a 1934 world premiere in Vienna.
  • François Delsarte’s theory influenced Charles Sanders Peirce’s categories of Firstness, Secondness, and Thirdness. Unlike Delsarte, who fundamentally valued natural causality as a moral guide, Peirce was sceptical about the causality of the index.
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    François Delsarte (1811-1871), a French rhetoric teacher and semiotician, was very well known around 1900, but has since been largely forgotten. He exerted a great deal of influence, particularly in the United States, on Charles Peirce’s theory of signs in particular. This trilingual publication (English, French and German) was released to celebrate the 200th anniversary of his birth.
  • This text argues that measurement is the most universal medium in the Western world. It distinguishes between technical and social media, identifying conflicting objectives as the main problem between the two: technical media produce effects, rendering people and things interchangeable; social media, on the other hand, create rituals and seek to connect people. This structural tension has resulted in the emergence of highly successful, yet problematic, cultural traditions.
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    In the following study, I outline the history of the modern era as a social construction of causality that follows this principle: rules replace rulers. I try to explain why equality, competition or technology have changed in the course of modernity from something frightening to something attractive, and why the exhaustion of this aspiration is becoming increasingly apparent. My semiotic concern is as follows: I suggest substituting the ahistorical models of 20th- century semiotics with a histor…Read more
  • Denis Diderot, an Enlightenment philosopher, was a driving force behind the French Encyclopédie. In his dialogue Le neveu de Rameau, he voices fundamental doubts about his own work. Here, the emphasis on causality in art and science is presented as a fascinating yet amoral pursuit. Through this dialogue, Diderot anticipates concepts that would only receive particular attention in the 20th century: the causal chain, the control loop, and self-reference.