Matthew Brake

The Doctor Strange offers a unique opportunity to explore the question: how can people say that something exists if it can't be detected in the physical world. As a physician and a man of science, Doctor Stephen Strange has a strictly materialist worldview. Before Kamar‐Taj, Strange sought his cure through the only means he could understand: medicine and science. Medicine and science always push the boundaries of what people can know about the human body and the universe, constantly discovering new methods and drugs through research and experimentation. The Doctor Strange provides an opportunity to consider the Danish philosopher Soren Kierkegaard. Kierkegaard writes that “it is also the ultimate passion of the understanding to will the collision” with the unknown. Kierkegaard describes two different kinds of teachers in the Philosophical Fragments: Socratic teacher and the god as teacher. The Ancient One seems to be a combination of the Socratic teacher and the god as teacher.

Final Crisis was an event comic produced by DC Comics in 2008 and written by Grant Morrison. In the story, the villain Darkseid takes over the minds of a majority of the Earth's population, including many of its superheroes. Wonder Woman is a notable exception. When one digs into the history of Wonder Woman, though, it isn't difficult to see from where Morrison is coming. This chapter examines a term Zizek uses alongside his discussion of fetishes, the "symptom". In everyday use, it is easy to confuse what Zizek calls a symptom. If Morrison finds the concept of Wonder Woman to be bogus in light of the kinky sexuality associated with her origin, one could see his portrayal of Wonder Woman in Final Crisis as an attempt to bring to light the repressed truth underneath the surface of her image as a feminist icon.

Fifteen Million Merits depicts a reality remarkably similar to our own, in which technology has developed to the point where we could, in principle, work less, and reproduce the basic goods and services needed to survive into the future without arduous effort. Nevertheless, we cycle endlessly, towards nothing, and the only motivation keeping our feet rigidly attached to our peddles is vacuous entertainment in the form of pornography, video games, cruel comedy, and the improbable prospect of becoming a celebrity. Each of these lurid topics is explored in this chapter, with a special focus on the philosophers Marx, Marcuse, Adorno, and Lukacs. Finally, the issue as to whether or not resisting entertainment‐capitalist is possible is raised and addressed, albeit with pessimism.