Mehdy Shaddel

For the past fifty years, there has been a debate over whether the Umayyad caliph Muʿāwiya introduced a short-lived gold coinage in Syria. After reappraising the literary evidence, this study argues that an enigmatic phrase in a papyrus from this period constitutes evidence for state enforcement of the circulation of a new kind of gold coinage issued under Muʿāwiya. A die-study of the extant specimens of a peculiar imitation of Byzantine gold which has had its crosses effaced, and has been attributed to Muʿāwiya on the basis of the testimony of literary sources, confirms them to be the result of a large-scale, albeit ultimately unsuccessful, initiative. This demonstrates that, in addition to the east, there also existed a separate drive towards an expansion of the money supply in Syria-Egypt during the latter half of Muʿāwiya’s caliphate, a development which testifies to a relatively substantial programme of state-building by the caliph.

This paper addresses itself to the enigmatic phrase snh qaḍāʾ al-muʾminīn that appears in a papyrus sheet from early Muslim Egypt. It takes issue with the earlier interpretations of the phrase, arguing that it is indeed a dating formula that is probably to be read as sanat qaḍāʾ al-muʾminīn and understood as ‘the year according to the reckoning of the believers’. Based on the testimony of this papyrus fragment, it is further argued that the epoch of the Muslim calendar was, in all likelihood, originally meant to count the years from Muḥammad’s foundation of a new community and polity at Medina, a momentous event that the early Muslims conceived of as the dawn of a new age.

The subject of the present paper is a prophetic tradition found in some compendia of eschatological aḥādīth which has received considerable scholarly attention since Wilferd Madelung dedicated an article to it in 1981. Whereas Madelung shares the opinion of earlier scholars that only some of the incidents ‘prophesied’ by this tradition are historical, this study aims to show that it is a wholly ex post facto composition which, in its various strata, remarkably captures episodes from the Zubayrid war of propaganda against their rivals as well as their later attempts to redeem the memory of their lost cause as a just one. The discussion closes by producing a highly singular Syrian tradition most certainly put into circulation with the intent of countering these Zubayrid propaganda efforts.