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    Music provides a provocative landscape to consider a posthuman ontology of immanence for interpretive research. Since it is not an object per se, it challenges taken-for-granted beliefs about sense-making. This chapter reworks ontology as untology to reaffirm the aesthetics of hermeneutic understanding as a being always becoming anew as it differentiates itself from the flow of existence as sensible, and thus, as also inescapably implicated in world-making. The movement of understanding reverber…Read more