In light of the recent efforts to resuscitate a form of historical realism by Branko Mitrović and others, this essay situates their efforts in between past and present debates not only about historical realism and anti-realism, but also about the scientific status of historiography. In the conviction that we can and should learn from our past, we present a genealogy of the idea of Universal History, starting from Kant, as it is also here where a certain dualism between empirical and philosophica…
Read moreIn light of the recent efforts to resuscitate a form of historical realism by Branko Mitrović and others, this essay situates their efforts in between past and present debates not only about historical realism and anti-realism, but also about the scientific status of historiography. In the conviction that we can and should learn from our past, we present a genealogy of the idea of Universal History, starting from Kant, as it is also here where a certain dualism between empirical and philosophical historiography was introduced. Our analysis eventually brings us to the radical rejection of Universal History by Louis Mink, and especially then Paul Roth, who draws substantial epistemological and metaphysical conclusions from this rejection. Roth’s work is often considered to be controversial since he makes a case not only for the plurality of historiographical methods, but for the very plurality of pasts, too. So, we show that Roth’s often misinterpreted appeals to methodological intersectionality and metaphysical multiplicity must be always understood from within his naturalism. We moreover show that Roth, contra the realists in question, constructively works with the adaptive shifts that the theory and philosophy of history made in the 20th century, namely we identify three Rothian starting points or steps: restrospectivism, irrealism, and the already-mentioned naturalism. So, when taken altogether, our essay points at a possible new path which the future philosophy of history might take as its own – a path beyond the beaten paths of historical realism.