Miriam Ramos Gómez

El presente artículo se propone identificar los fundamentos de la teoría de la comunicabilidad de la Obra de Arte que se puede extraer de los escritos de Edith Stein. Tras presentar el problema de la empatía y la base antropológica que afecta a los sujetos y objetos del mundo del arte, además de los posibles problemas en la transmisión de dicho mensaje artístico, se ahonda en las implicaciones de la consideración del arte como objeto y sujeto de empatía y el sistema comunicativo que se puede establecer en el mundo del arte.

The fundamental program of Stein’s philosophy after his conversion was the relationship between modern philosophy and scholasticism. This article deals with new metaphysical and epistemological aspects of Stein’s work that reflect the encounter between both philosophical currents, starting from her reading of Thomas Aquinas’ De veritate, which have not yet been treated in the Edith Stein Forschung. Thus, from the metaphysical point of view, the question of the relationship between unity and multiplicity and the problem of the conditions of possibility of organic development are identified. And from the epistemological point of view, the following relevant aspects are raised: the starting point of philosophizing; the principles of knowledge; the extent to which habit influences knowledge; the question of whether angelic knowledge can serve to clarify human knowledge; the relationship between mathesis universalis and divine knowledge; the relationship between abstraction and intuition; and the critique of the Heideggerian interpretation of the concept of truth in the philosophical tradition.