Mitchell Aboulafia

There are few living thinkers who have enjoyed the eminence and reown of Jürgen Hamermas. His work has been highly influential not only in philosopy, but also in the fields of politics, sociology and law. This is the first collection dedicated to exploring the connections between his body of work ahd America's most significant philosophical movement, pragmatism. _Habermas and Pragmatism_ considers the influence of pragmatism on Habermas's thought and the tensions between Habermasian social theory and pragmatism. Essays by distinguished pragmatists, legal and critical theorists, and Habermas cover a range of subjects including the philosophy of language, the nature of rationality, democracy, objectivity, transcendentalism, aesthetics, and law. The collection also addresses the relationship to Habermas of Kant, Peirce, Mead, Dewey, Piaget, Apel, Brandom and Rorty.

Arthur O. Lovejoy famously referred to thirteen pragmatisms. If he were called on to enumerate postmodernisms, no doubt he would increase this number tenfold.1 Fortunately I need not follow his lead for the task at hand, namely, to discuss whether the pragmatic tradition can narrow the divide between modernism and postmodernism on the topic of cosmopolitanism. To do so I will focus on specific sets of ideas that have been associated with these terms. So, for example, modernists have been viewed as defenders of some form of universality, ethical or conceptual, and of a responsible, self-actuating, authentic subject. Postmodernists look toward particularity and alterity, and stress that notions of a unitary subject..

Sartre seeks both to overcome solipsism and clarify how the individual becomes an object—with a seemingly fixed char acter—through his account of The Look in Being and Nothingness. While his description of how The Look of the other transforms one into an object may at first appear to be confirmed by experience, the account proves to be inade quate as a refutation of solipsism and in showing exactly how one becomes an object. On the other hand, G.H. Mead has a convincing approach to how the self comes into being as an object. In the first section of this paper I present and criticize Sartre's position, especially his explanation for how one can experience The Look when the other is not empirically present. The second section investigates Mead's approach to the genesis of the self as social object, and then shows how Mead's ideas can be employed to clarify inconsistencies in Sartre's account, highlighting why Sartre's description ap pears to be confirmed by experience.

George Herbert Mead (1863-1931), American philosopher and social theorist, is often classed with William James, Charles Sanders Peirce, and John Dewey as one of the most significant figures in classical American pragmatism. Dewey referred to Mead as “a seminal mind of the very first order” (Dewey, 1932, xl). Yet by the middle of the twentieth-century, Mead's prestige was greatest outside of professional philosophical circles. He is considered by many to be the father of the school of Symbolic Interactionism in sociology and social psychology, although he did not use this nomenclature. Perhaps Mead's principal influence in philosophical circles occurred as a result of his friendship with John Dewey. There is little question that Mead and Dewey had an enduring influence on each other, with Mead contributing an original theory of the development of the self through communication. This theory has in recent years played a central role in the work of Jürgen Habermas. While Mead is best known for his work on the nature of the self and intersubjectivity, he also developed a theory of action, and a metaphysics that emphasizes emergence and temporality, in which the past and future are viewed through the lens of the present. Although the extent of Mead's reach is considerable, he never published a monograph. His most famous work, Mind, Self, and Society from the Standpoint of a Social Behaviorist, was published after his death and is a compilation of student notes and selections from unpublished manuscripts.