Mohammad Shokri

Husserl's departure for the rejecting of the duality (subject and object) inherent in the nature of the Western metaphysical tradition is the transcendental structure of consciousness. Hence the innate foundation of consciousness is intention. The intention is the act of consciousness and practical objectification; That is, by resorting to methodological and Noesis steps, objects from the type of perception can emerge and are included in the consciousness of the mind. Therefore, in addition to sensory intuition, consciousness has the power of intuition of essences. Therefore, consciousness is always associated with its object. In this way, Husserl's methodological axis in phenomenology is the return to objects, and this return is provided by the power of human comprehension and makes the world its intention's object. This article seeks to explain how the phenomenon of the world is made in the realm of consciousness, as well as how the pure subject and advanced mind in the face of the objective world as the only method of understanding and receiving the universe can be an objectifying action.

To achieve the common origin of "I" and nature, Schelling takes a new approach to the philosophy of nature; demonstrating the falsity of dualism between "I" and nature and showing how nature cannot be reduced to a mechanistic series of causes and effects. By integrating Leibniz's principle of inner purposiveness, Spinoza's monism, and the Kantian concept of teleology, he interprets an organic idea of nature as a totality and founds "I" on the ground of this organic nature. Schelling turns to Leibniz's vitalistic philosophy for presents a self-organizing scheme of nature, and he uses the intensive doctrine of substance to overcome the dualism of modern philosophy. In this view, the parts are to be deduced, in a purely analytic way from the whole, and each unit must include an infinite plurality, so the difference between subject and object is in degree, not in type; Nature is all alive, and no real object is entirely inorganic but is only in a lower degree of organic. In Schilling's point of view, the highest degree of organization of the infinite is the creativity of the artist, who is the culmination of all the organic forces of nature. The main question of this essay is about the fundamental role of Schelling's organic interpretation in his aesthetic essence. in this regard, while the impact of Leibniz's vitalistic approach is analyzed, the reinforcement of the activity of "I" in Schilling's system of thought is examined.