In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Heidegger on Being Self-Concealing by Katherine WithyMorganna LambethKatherine Withy. Heidegger on Being Self-Concealing. Oxford: Oxford University Press, 2022. Pp. 192. Hardback, $80.00.Heidegger’s claim that Being conceals itself is significant for several reasons. It tells us something about Heidegger’s main area of inquiry, Being—that is, our standards for what makes a being count as a being, our “sense of what kinds …
Read moreIn lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Heidegger on Being Self-Concealing by Katherine WithyMorganna LambethKatherine Withy. Heidegger on Being Self-Concealing. Oxford: Oxford University Press, 2022. Pp. 192. Hardback, $80.00.Heidegger’s claim that Being conceals itself is significant for several reasons. It tells us something about Heidegger’s main area of inquiry, Being—that is, our standards for what makes a being count as a being, our “sense of what kinds of entities there can be” (8). Further, it explains why Heidegger’s inquiry is challenging: he inquires into something that conceals itself. This claim also elucidates other Heideggerian claims, explaining why we tend to overlook Being in our everyday lives, and why philosophers have failed to investigate Being. Because making sense of this claim is important for making sense of Heidegger, Katherine Withy’s book is a welcome addition to the literature.The claim that Being conceals itself is difficult to interpret, since, as Withy underscores, Heidegger discusses multiple types of concealment throughout his corpus. In Being and Time, Heidegger discusses the withdrawal of tools when we use them: we attend not to the tool at hand but to what we produce with it (47). In the “Origin of the Work of Art,” Heidegger claims that earth, the materiality from which artworks are made, “denies... penetration” (34). He claims, variously, that language “cover[s] things up” (72), that we are concealed from ourselves (95), and that the world of equipment “recedes” into “the background” (48). Which of these, if any, counts as the self-concealing of Being?Withy’s book pinpoints what counts as the self-concealing of Being, and what does not. She develops this account with rigor and clarity, owing not least to the innovative structure of her investigation—organized into sections, which are grouped according to four “planks of unconcealment,” which she borrows from Mark Wrathall (Heidegger and Unconcealment: Truth, Language, and History [Cambridge: Cambridge University Press, 2010]). “Unconcealment” is Heidegger’s rendering of the Greek word alētheia (usually: truth), which highlights that truth (propositional, ontological, etc.) reveals something previously “forgotten or concealed” (10). On Withy’s construal, these planks differentiate progressively deeper levels of unconcealment. At the most superficial level, language unconceals some entity; this is made possible by the second plank, where entities are unconcealed, or discovered; the third plank is the unconcealment, or disclosure, of Being, which makes discovery possible; finally, the fourth plank is the unconcealment of the clearing, which makes the disclosure of Being possible.Although Withy eventually rejects Wrathall’s fourth plank, adopting this plank structure nevertheless allows her to organize the forms of concealment that correspond to the first three planks of unconcealment. While taxonomizing multiple kinds of concealment—such as lēthē (in classical Greek, “forgetfulness”), the initial concealment that unconcealment “overcome[s]” (10)—Withy pays special attention to the self-concealing of unconcealment itself, which she calls kruptesthai (in classical Greek, “to hide, to conceal oneself”). The kruptesthai that occurs at the third plank (where Being is disclosed) is the self-concealing of Being. Withy also draws attention, at each plank, to the ways in which Heidegger’s philosophy combats kruptesthai, so unconcealment becomes apparent to us.Withy begins with the second plank, where we discover some entity. The withdrawal of tools and the hiddenness of earth are concealings that belong to this level (accompanying, respectively, the unconcealing of tools and artwork). However, these are not forms of self-concealing. Here, unconcealing conceals something else (the tool, the earth), rather than itself. Withy calls this kind of concealing kruptein (in classical Greek, “to hide, to conceal”). By contrast, kruptesthai occurs when discovery conceals itself—when we overlook that we are uncovering something (ourselves doing, making, contributing to an experience) when we encounter an entity. Heidegger’s phenomenological analyses, however, bring into view our unconcealing of entities.Withy then proceeds to consider the first plank, where language unconceals some entity. Heidegger suggests that we also fail to appreciate that language unconceals—linguistic unconcealing conceals itself. An utterance draws our attention to the phenomenon that it describes rather than to what language is doing to unconceal that phenomenon. However, [End Page 673] Heidegger’s analyses of...